Nurse Sherri

Al gives us his take of THE EXORCIST. A cult leader has a heart attack in the desert while performing a ritual to raise a follower from the dead and subsequently dies on the operating table at a local hospital. No big deal, he'll just turn into a glowing green blob and possess Nurse Sherri (Jill Jacobson) to get revenge on the doctors who he feels killed him. This is bad news for Sherri's love life as her boyfriend Peter (Geoffrey Land) was one of the docs. Peter notices the changes in Sherri and it seems only a blinded former NFL player with knowledge of voodoo (!) who is a patient can offer the way for two nurses (Marilyn Joi and Mary Kay Pass) to help release Sheri from this transcendental terror. If you are familiar with Adamson's work, you'll know what to expect here as this has lots of static shots that go on too long and flat acting. There is also one of the funniest and most random car chases when a drunken follower confronts Peter – who is oddly not intrigued by this man's story, despite knowing his girl is now possessed – in a parking garage. They then burst out onto the city streets and end up in the desert within minutes. The poor follower survives having the roof of his car ripped off and leaps out just before it drives off a cliff and explodes (the film's highlight). The Shock-o-rama DVD offers an alternate version of the film title simply NURSE SHERRI and it is actually really interesting. It removes all of the drunken follower bits (including the car chase) from the POSSESSION version and replaces them with nude scenes.

I bought this on VHS as "Terror Hospital", and when I got home I checked IMDb and was like OMG it's the legendary "Nurse Sherri"!!! So here's another one from Al Adamson, who had clearly learned some minuscule amount about film-making since the "Blood of Dracula's Castle" days. Where that earlier effort is a more or less totally sclerotic lump, this one mixes it up a little, adding a definite element of variety and surprise amid the incompetence. Sure half of the movie is a blind post-op football player shooting the breeze with his stacked nurse, but at any moment we might be cutting away to the cackling disembodied head of the satanist mastermind, or Nurse Sherri running a farmer through with a pitchfork, or a wee bit of abstract student-film quick cutting to go with the pulsing-blob effects in the possession scene, or the most gratuitously half-hearted topless bit ever, or god knows what else (I forget, to be honest). As dumb-ass pieces of sh*t go, this one runs toward the high end. Congrats, Al.

"Nurse Sherri" is proof positive that even a hack genre filmmaker like Al Adamson can still have it in them to produce something interesting and worthwhile. Compared to much of his output, this is actually pretty good. The acting (some of it, anyway) and the script (by Michael Bockman and Greg Tittinger, who also edited the picture) are above average. Dare I say it...Adamson crafts some striking and memorable horror here, especially the scene in the foundry.

The film is still rather crude if you put it up against slicker, more mainstream horror, and the animation effect is primitive, but this viewer still has a good time with this one.

Jill Jacobson plays the title role, who was present for an operation performed on a cult leader / necromancer named Reanhauer (Bill Roy). The trouble is, this was an operation that the patient did NOT authorize himself, so when he dies, his angry, vengeful spirit comes to rest inside Sherri, and compels her to murder the doctors who were involved. Sherri's lover (Geoffrey Land) and two of her co-workers (Marilyn Joi, Katherine Pass) all try to do something to reverse this possession.

There is some stiff and awkward acting, but the actors and their characters are engaging nevertheless, especially lovely exploitation veteran Joi, whose nurse lusts after star football player Marcus Washington (Prentiss Moulden), who was blinded in a car accident. Although quite serious overall, there is time for levity as Pass demonstrates a very sexy bedside manner to a male patient. Jacobson isn't really given enough to work with to make her character all that sympathetic, however. It's the devilishly good Roy who manages to steal the show, although J.C. Wells gives him some competition as a follower who is terrorized by the dead mans' spirit. John F. Goff, another prolific actor in exploitation features of the time, does a fine job as a psychiatrist.

It appears that the music used is stock music, but it's wonderfully theatrical schlock horror movie music that suits the material. And Adamsons' filmmaking may not be that slick, but it's clear that after a decade or so in the business, he'd honed his craft to some degree.

Good fun, for undemanding genre fans.

Also available in an 85 minute alternate version which puts the accent on sex rather than horror.

Seven out of 10.

Reanhauer (Bill Roy), the leader of a strange religious cult, suffers from a heart attack while trying to resurrect a three week old corpse. When he pops his clogs on the operating table, his spirit possesses buxom nurse Sherri Martin (Jill Jacobson) and forces her to exact revenge on those present at his death.

Nurse Sherri is incredibly cheap and technically inept in almost every way imaginable. The production values are pathetic: for the operation scene, cult director Al Adamson shells out for an oxygen mask and a saline drip—and that's it. The film also has one of the worst optical effects that I've ever seen in the form of the badly animated spirit that possesses Sherri, which looks like someone spilt some corrosive chemical on the negative and then scribbled on it with crayons. The performances are uniformly crap and the direction amateurish. The only half-decent death scene is an impalement by pitchfork. I watched the film last night and it had me drifting off quicker than a shot of Diprivan in the ass.

However, today I have learnt of an alternative edit…

Version two is, of course, still cheap and technically inept in almost every way imaginable, but Adamson compensates for this by throwing in a lot more T&A, which as all fans of low budget horror know, always makes z-grade trash far easier to bear. In the spirit of fairness, I've checked out these racy scenes on YouTube and can testify that the naughtier 'adult' cut is the more entertaining option: curvaceous star Jill Jacobson gets naked (she remains frustratingly clothed in the tamer version) and the film benefits from a lesbian fantasy and an amusing scene in which a nurse gives a doctor head while he is presenting a lecture—all of which is more likely to keep the viewer awake for the duration.

2/10 for the tame version; 4/10 for the saucier cut (which I'll average out to 3/10 for IMDb).

I love just about everything the late Al Adamson directed in his long and varied career, but "The Possession of Nurse Sherri" stands head and shoulders above fun yet admittedly grade-Z schlockfests like "Horror of the Blood Monsters" and "Blood of Ghastly Horror". This film is actually scary! Am I saying that you're going to jump out of your seat when you watch "Nurse Sherri"? No, of course not. But this pastiche of elements from "The Exorcist", "Ruby", and "Carrie" is one of those nice, eerie little horror movies common to the '70s. You can't put your finger on what's so spooky about it, but the film drips with atmosphere. (And what an ending! Don't worry, I won't spoil it for you.) Adamson and producer Sam Sherman really nailed it with this one, and it doesn't matter whether "Nurse Sherri" was a calculated success or a happy accident. Jill Jacobson is likable but not outstanding as the hapless nurse who becomes possessed by the spirit of a recently deceased cult leader (Bill Roy, who shines in his brief role). Geoffrey Land is okay as her surly doctor boyfriend. There are some blaxploitative elements here (profit was the bottom line with these cheap drive-in flicks, after all) but they actually contribute to the plot rather than just being window dressing. "Nurse Sherri" was a Poverty Row production, and it shows at times (sets, special effects, etc.). Still, the film has heart, mostly decent acting and direction, and some genuine chills. Sam Sherman also saw fit to use Harry Lubin's theme music for the late '50s/early '60s television series "One Step Beyond" in this film, which certainly adds to the creepy atmosphere. The DVD contains two significantly different cuts of the movie (the early version features a lot of T&A that wound up on the cutting room floor to make way for more horrific stuff) as well as the theatrical trailer, the TV spot, and a great commentary by Sherman. Does anybody know whatever happened to Bill Roy, by the way? Next to John Carradine, he's the best actor I've ever seen in an Al Adamson film, and he plays the cult leader like he means it.