A vineyard's manager marries the owner's very young daughter; father dies. Deceit, infidelity. The husband is forced to watch from a distance as his wife blossom socially in his absence; the... Read allA vineyard's manager marries the owner's very young daughter; father dies. Deceit, infidelity. The husband is forced to watch from a distance as his wife blossom socially in his absence; then the plot thickens.A vineyard's manager marries the owner's very young daughter; father dies. Deceit, infidelity. The husband is forced to watch from a distance as his wife blossom socially in his absence; then the plot thickens.
- Director
- Writers
- Stars
- Awards
- 1 win total
Hélène Chanel
- Proprietaria della locanda
- (as Helen Stoliaroff)
Maria Monti
- Direttrice hotel
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Although it was over ten years ago I saw this movie I can still remember it well. I regard it as one of the best movies I have ever seen! Sensual atmosphere, delicious lighting, vibrant colours and the very best in acting performance. Go see it if you can!
10Robo-22
I can not understand why so few people have seen or commented on this film. I`ve seen both the subtitled and the dubbed version and think this may well be Mastroianni's best work. The film runs a very difficult twin course of voyeurism and a woman's sexual and personal awakening.
Early on in the film, Mastroianni's character is forced into hiding across the street from his shut-in wife, who is unaware of where her husband is hiding. As Marcello's character slowly fades in strength and in conviction, his heretofore frigid, hypochondriac wife slowly becomes her missing husband-- taking over his business, his habits, his thoughts, and eventually even his mistress. The change is all the more striking because Marcello watches the change, peeping through her window. As she gains in strength and confidence, he loses both, realizing that his life had been based on lies. The film is lushly filmed with an amazing score. Did I mention that the actresses in the movie are stunningly beautiful? While most would probably pronounce 8 1/2 or La Dolca Vita as the best Italian films ever made, I`d vote for WifeMistress.
Early on in the film, Mastroianni's character is forced into hiding across the street from his shut-in wife, who is unaware of where her husband is hiding. As Marcello's character slowly fades in strength and in conviction, his heretofore frigid, hypochondriac wife slowly becomes her missing husband-- taking over his business, his habits, his thoughts, and eventually even his mistress. The change is all the more striking because Marcello watches the change, peeping through her window. As she gains in strength and confidence, he loses both, realizing that his life had been based on lies. The film is lushly filmed with an amazing score. Did I mention that the actresses in the movie are stunningly beautiful? While most would probably pronounce 8 1/2 or La Dolca Vita as the best Italian films ever made, I`d vote for WifeMistress.
I too was thrilled to discover this gem. The voyeurism, Laura's innocent eroticism so obvious in Malizia comes through and is just right for a story of sexual awakening. The idea of a woman following her husband's sexual escapades and taking revenge by initiating her own shows that a woman's liberation from the morays of her time was possible even in the 19th Century.
The use of Albinioni's Adagio is very appropriate as it imparts a sadness and languorous aura that fits the story particularly Marcello's longing and resignation. This how you make an erotic film that tops the soft porno of the Emmanuelle series.
The use of Albinioni's Adagio is very appropriate as it imparts a sadness and languorous aura that fits the story particularly Marcello's longing and resignation. This how you make an erotic film that tops the soft porno of the Emmanuelle series.
It's been decades since I've seen this. I watched it several times in the 80s as I would insist on friends seeing it. SO beautiful. Not just Antonelli who is a remarkable creature, but even the carriage she travels in-all details exquisite! Wonderful story.
Like the other reviewer, can't imagine how or why this movie is not a classic always available!
Like the other reviewer, can't imagine how or why this movie is not a classic always available!
I was very pleasantly surprised by this film which I just watched. From the title and cover description, I was expecting a typical raunchy sex flick which I'd have to turn off after 5 minutes.
But, ... from the very first note of the introductory musical piece, I was engrossed. The story was very real with an emotional pull and the musical score was excellent, complimenting the beautifully photographed film. The story itself is an interesting reflection of society in that time and leaves the viewer thinking after the film has ended.
Don't hesitate to see this one if you want something beyond the typical dribble of today.!
But, ... from the very first note of the introductory musical piece, I was engrossed. The story was very real with an emotional pull and the musical score was excellent, complimenting the beautifully photographed film. The story itself is an interesting reflection of society in that time and leaves the viewer thinking after the film has ended.
Don't hesitate to see this one if you want something beyond the typical dribble of today.!
Did you know
- TriviaFinal film of Hélène Chanel;
- ConnectionsFeatured in Z Channel: A Magnificent Obsession (2004)
- How long is Wifemistress?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- Frau & Geliebte
- Filming locations
- Cison de valmarino(Treviso, Italy)
- Production company
- See more company credits at IMDbPro
- Runtime
- 1h 46m(106 min)
- Sound mix
- Aspect ratio
- 1.66 : 1
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