The Inglorious Bastards

I wasn't sure at first what to expect from director Enzo G. Castellari. I saw his film 1990: Bronx Warriors and it was a lot of fun, but in that way that comes with knowing a man made a no-holds-barred exploitation rip-off on the Warriors that, truth be told, was barely even shot in the Bronx. But, of course, movie-PHD Quentin Tarantino held up this man's work, particularly this film, to such high esteem he took the title (if not the skeleton of the subject matter) for his latest opus. Why not give a late 70s war movie a shot featuring Fred "The Hammer" Williamson, one of those unsung bad-asses, and Bo Svenson, an underrated actor-cum-star, a shot? Turns out, the shot was a big surprise. In the best possible way.

Inglorious Bastards is made by a real professional, not by some slacker just looking to slap together some used sets and flunky character folk for roles. This is the real deal; if it's not one of the very best war films, it's certainly one that is one of the best you haven't heard of (least until recently thanks to the aforementioned PHD-in-film-incarnate). It's one of those "guys-on-a-mission" movies where it features a tag-line "Whatever the Dirty Dozen did – they do DIRTIER!" and with, from the looks of the trailer, either very good or very shoddy fx and a lot of ammo. Basically, a bunch of US soldiers, on their way for court-martial/execution, somehow, escape after an incident, and go on the run... only to find themselves getting embroiled in a mission involving a train, a whole s***load of Nazi's, and perhaps a few casualties here and there – few dozen to few hundred give or take.

There's barely a line wasted in this flick, barely a scene that doesn't actually try and provide its actors like Svenson and Williamson – also other very good players like Peter Hooten and Jackie Basehart and Ian Bannen as the tricky Colonel Buckner – some good meaty dialog to chew on when they're not blowing stuff up to bits (written, and I was even more surprised by this than you, by five writers). Oh, sure, you could argue that it's violent, maybe needlessly so. But that is part of the point. It actually doesn't go *too* over-the-top, not as far as I expected given its Italian-cult credibility and that of Castellari's speckled career.

The action is shot and edited with the great ferocity possible when a crew gets enough money and enough verve to push buttons. It does get bloody, and there's a pile of bodies that reaches up to a small skyscraper. But it's also a lot of fun to watch it, and it even goes beyond being a guilty pleasure into being just plain awesome. You lose yourself with these guys on their mission, with Williamson gritting and showing off why he is "The Hammer", or how Svenson could be such a persuadable star in good hands. And, yes, it probably does crib from the likes of the Great Escape (motorcycle jumps, anyone) and Bridge on the River Kwai (bridge blow-up, anyone), and at the same time it holds its own as a legitimate effort.

I imagine that's what Tarantino saw in it, its own sense of paying tribute to so many other war pictures while holding its own for a bunch of dudes watching a bunch of dudes go to extreme in Nazi-occupied France. It's surprisingly tense, terrific genre film-making that doesn't force the Platoon treatment – it just asks you go just a little "Dirtier" with the flow of the average war flick, like Sam Fuller with a face full of pasta yelling out orders.

An entertaining action-war movie. I remember i bought this movie the in a video-store back in 1986-87. It was an old English video-version from the early 80's (from that time when video-stores in my country imported video-movies direct from England without giving them subtitles)

The movie have some similarity's with "The Dirty Dozen" and it's obvious that the film-makers got much inspiration from this great hit from the 60's. Acting and plot is not the greatest in history, but it's still a very exiting film. Not so much indifferent action-scenes here, like there are in many other movies of this type.

8 out of 10

I viewed this movie because the QT movie of the same title came out in 2009. I enjoyed the drama of this movie, the plot twists, and action. I was raised in the era of Clint Eastwood's Italian westerns and while this was a low budget Italian made film, it contains some of the elements that makes those movies so great.

Slightly like the Dirty Dozen this movie remains true to history and looks deep into human nature. There is a lot of good action scenes and the acting is great for the style. There are better action war films to watch but few that will remain a classic like this one.

While I did not enjoy the 2009 movie by QT, I must thank him for directing my attention to this title. Enzo Girolami Castellari is by far a much better director from viewing both movies of the same title. My advice is to rent both and come to your own conclusions.

A group of American convicts in WWII Europe escapes in transport and makes their way for the Swiss border. Along the way they encounter German platoons -- lots of shoot outs ensue. Eventually, they come across another American contingent and are mistaken for a special ops team whose plan is to bomb a Nazi train carrying some sort of big fancy weapon. More shoot outs ensue.

Leave your hat and your desire for plot logic at the door if you want to enjoy this bargain-bin version of "The Dirty Dozen." Much of this film doesn't make a whole lot of sense, but you won't realize it doesn't make sense until after the movie's over, because while you're watching it it's easy to be distracted by the energy of the storytelling and film-making. One thing this movie has is style.

Bo Svenson heads the cast of mostly unknowns, though Ian Bannen (who has an Academy Award nomination to his credit, though not for this) brings some actorly street cred to the film as a general. The movie makes no effort whatsoever to capture the period feel of 1944 Europe. The various pornstaches on display are pure 1978.

Grade: A-

Here's one the lightest, most fun Italian war movies I've come across. It features a top notch cast and some great action scenes.

Bo Svenson stars as an American officer who's thrown into a prison convoy with a murderer, Tony (Peter Hooten), Fred (Fred Williamson), a thief, Nick (Michael Pergolani), and a coward, Berle (Jackie Basehart). The convoy comes under attack by the Germans and the men escape across the French countryside. They enventually become wrapped up in an important Allied mission headed by Colonel Buckner (Ian Bannen).

The movie features a top notch cast. Peter Hooten is especially memorable as the bigot, Tony and Fred Williamson turns in a great performance. Bo Svenson, himself a renegade, still tries to do the decent job as an officer and keep these boys in line. Michael Pergolani has little to do in his role as the hippie/thief; he does have one great motorcycle stunt scene, though, a la Steve McQueen in THE GREAT ESCAPE. Watch for Michel Constantin (THE DIRTY HEROES) as a partisan leader; Donald O'Brien as a German officer and Enzo Castellari himself as a German officer.

The movie has some stunning action scenes; there are plenty of shootouts and explosions. The big gun battle amidst ruined German and American trucks and halftracks is especially impressive. The Partisan raid on the train near the end is well filmed, but features many repeated shots of the same action happening over and over again. The miniature work is not the greatest, but is much better than the later BATTLE OF THE EAGLES.

The plot is basically a combination of THE DIRTY DOZEN and BATTLE OF THE COMMANDOS, but it's so fast-paced that you won't really care. Castellari lets only a few minutes go by before something important happens. He really develops his lead characters, which is another important feature we don't get to see much of in typical Italian war films.

Despite all of the good stuff, this movie has a few rough spots. For one thing, it's got a very needless love story sub-plot that never goes anywhere and has nothing to do with the rest of the movie. Another complaint: there are some lengthy conversations between the German characters that weren't dubbed. It's impossible to understand what they're saying.

The movie is not for young kids. It features graphic violence, plenty of profanity and even *full* female nudity in one scene.

The version I saw was from Lightning Video, entitled DEADLY MISSION. The source print was of top quality, with fresh picture and good sound. The opening and closing titles, however, were apparently new material and feature some music that isn't heard anywhere else in the feature.

Overall, this is a fun-to-watch Italian adventure piece. For the great cast, production values and action scenes, I'll give a 6/10.