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A story about a female impersonator who rooms with a pregnant schizophrenic.A story about a female impersonator who rooms with a pregnant schizophrenic.A story about a female impersonator who rooms with a pregnant schizophrenic.
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- Stars
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- 3 wins & 4 nominations total
Michael Ironside
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Bittersweet story of a hairdresser in Toronto who becomes a drag star (sort of) and his friendship with a schizophrenic girl trying to start a life away from her mother and hospitals. As played by Craig Russell and Hollis McLaren we see two fragile-but-believable characters struggling to find themselves in New York City.
McLaren's character of Liza has been released after years in a mental ward. She's still defiant and wants to experience life. She moves in with Russell in Toronto and has ups and downs and ends up pregnant. Russell is drawn to performing in a local club and loses his job, giving him the excuse to pursue his drag act full time, eventually moving to New York. After Liza loses her baby, she follows Russell to New York and realizes that the "bone crushers" she often hallucinates have stayed behind in Toronto.
The main focus though is Russell as he prepares for and then performs his act. He channels Tallulah Bankhead at the drop of a hat and with a series of wigs and quick changes he impersonates Bette Davis, Joan Crawford, Carol Channing, Pearl Bailey, Ella Fitzgerald, Bette Midler, Ethel Merman, Marlene Dietrich, Mae West, Barbra Streisand, and Judy Garland. The Midler is not great but the others are pretty much spot on.
Best of all is is a full-dress Peggy Lee singing "It Ain't Easy." This is Russell's best act and the song is terrific (Paul Hoffert wrote it). It also bring us to the marvelous and surreal ending when Russell, still in full Peggy Lee drag tells Liza that she's not crazy, just special, and that she must simply be herself, embrace her madness and make it work for her. He tells her we are all mad and then teaches her to do a deep Bankhead laugh saying maaaaaad, maaaaad.
Also in the cast is the very funny Richert Easley as Perry, a would-be drag queen who has a passion for Karen Black. As he's begging Liza for the loan of a dress he grabs one out of the closet and she tells him "that's my best dress." He looks at her and opines, "This is your best?" Also in the cast are Helen Shaver as a lesbian friend and David McIlwraith as the cab driver/manager..
A word must be said for the wonderful music by Paul Hoffert, who in addition to "It Ain't Easy," also wrote "Step Out" sung by Cecille Frennette.
McLaren's character of Liza has been released after years in a mental ward. She's still defiant and wants to experience life. She moves in with Russell in Toronto and has ups and downs and ends up pregnant. Russell is drawn to performing in a local club and loses his job, giving him the excuse to pursue his drag act full time, eventually moving to New York. After Liza loses her baby, she follows Russell to New York and realizes that the "bone crushers" she often hallucinates have stayed behind in Toronto.
The main focus though is Russell as he prepares for and then performs his act. He channels Tallulah Bankhead at the drop of a hat and with a series of wigs and quick changes he impersonates Bette Davis, Joan Crawford, Carol Channing, Pearl Bailey, Ella Fitzgerald, Bette Midler, Ethel Merman, Marlene Dietrich, Mae West, Barbra Streisand, and Judy Garland. The Midler is not great but the others are pretty much spot on.
Best of all is is a full-dress Peggy Lee singing "It Ain't Easy." This is Russell's best act and the song is terrific (Paul Hoffert wrote it). It also bring us to the marvelous and surreal ending when Russell, still in full Peggy Lee drag tells Liza that she's not crazy, just special, and that she must simply be herself, embrace her madness and make it work for her. He tells her we are all mad and then teaches her to do a deep Bankhead laugh saying maaaaaad, maaaaad.
Also in the cast is the very funny Richert Easley as Perry, a would-be drag queen who has a passion for Karen Black. As he's begging Liza for the loan of a dress he grabs one out of the closet and she tells him "that's my best dress." He looks at her and opines, "This is your best?" Also in the cast are Helen Shaver as a lesbian friend and David McIlwraith as the cab driver/manager..
A word must be said for the wonderful music by Paul Hoffert, who in addition to "It Ain't Easy," also wrote "Step Out" sung by Cecille Frennette.
It's low budget shows in its grainy print and poor sound, but the quality performances by the entire cast make up for the films shortcomings.
The late Craig Russell pulls out all the stops as he displays his talent for female impersonation. Hollis McLaren is the ideal nut case. And Helen Shaver, in one of her earlier roles, is ideal as the friend who is accepting of people for who they are, embellishing their positive traits.
My one criticism of the film is the costuming. Not Russell's drag apparel, which matched each of his impersonations perfectly. But other wardrobe choices in the film were distractingly awful, especially during the Christmas party scene. Russell's jumpsuit was about 3 sizes too small, and Shaver's dress was something out of Ringling Brothers' clown reject closet.
Still, students and lovers of independent film will admire this one for its style, its daring, and its overall effort.
The late Craig Russell pulls out all the stops as he displays his talent for female impersonation. Hollis McLaren is the ideal nut case. And Helen Shaver, in one of her earlier roles, is ideal as the friend who is accepting of people for who they are, embellishing their positive traits.
My one criticism of the film is the costuming. Not Russell's drag apparel, which matched each of his impersonations perfectly. But other wardrobe choices in the film were distractingly awful, especially during the Christmas party scene. Russell's jumpsuit was about 3 sizes too small, and Shaver's dress was something out of Ringling Brothers' clown reject closet.
Still, students and lovers of independent film will admire this one for its style, its daring, and its overall effort.
... has made me think of this movie thousands of times since I saw it (and marveled at Taylor) at the old Playboy Theater in Chicago on a particularly nasty winter night. This was when it (and I) first came out, and I've not seen it since, so pardon my fumbles on the details, but.... One character is *waaay* down in the pit of despair toward the end of the film, and second character basically delivers a get-over-it slap: "You're just like everybody else. You're alive and sick and living in Toronto...." The audience roared. Who needs "alive and well"? We all *are* alive and sick and living wherever. And alive and sick (or sick of heart, or sick of it all) and living lots of places since, it's slapped me back into a smile more times than I can count. It was quite a gift, in its sweet neurotic way.
What an unexpected treat.Long before Pricilla and all the others, there was Craig Russell. His impersonations remains vividly embedded in my brain because besides the look and mannerisms, I perceived the soul of the characters in question. They are not caricatures but tributes. His Judy Garland is heartbreaking and his Mae West hilarious.As if all that was not enough we have a screenplay of such intelligence and wit that I'm surprised this film is not a classic. When Holly's doctor finds out she lives with a man, he tries to warn her about the risks (she's bi polar) of an emotional, sexual entanglement. She reassures him telling him "Don't worry, we sleep in separate worlds" Lovely.
Outrageous! is a truly remarkable film, and an attest to the genius of Craig Russell. The film opened in Manhattan during the early fall of 1977 without so much as a trailer or publicity of any kind...just word of mouth. Within one week people were queuing up in droves to see it! Not coincidentally, Craig Russell, the film's star, was staging his brilliant one man show "A Man And His Women" right around the block from the cinema. This masterful stroke of showmanship made him the toast of Manhattan. Outrageous! is a film about human relationships and acceptance...of loving, supporting and encouraging those people whom you care about. It's filled with character studies that are rich and evocative. Craig Russell was truly a genius. He was in my opinion the greatest female "impressionist" of all time. By utilizing his own vocal talents, facial expressions and simple make-up and costume changes, he would transform into Mae West, Talulah Bankhead, Bette Davis, Judy Garland, Carol Channing or Peggy Lee (to name but a few) so seamlessly, one would easily forget they weren't witnessing the genuine article. His one man show "A Man and His Woman" which played at "Theatre East"in Manhattan allowed audiences to see the true extent of his talent that was only touched upon in the film. Outrageous! is a film that dramatically changed and enriched my life. The film should be restored and reissued both theatrically and on DVD. It sends a profoundly positive message that should be passed on to future generations.
Cheers,
R. Stephen Weber Burbank, CA
Cheers,
R. Stephen Weber Burbank, CA
Did you know
- TriviaFilm debut of Michael Ironside.
- Quotes
Liza Connors: We sleep in different worlds.
- Crazy creditsBette Midler's name is misspelled "Middler" in the end credits.
- ConnectionsFeatured in Homo Promo (1991)
- SoundtracksIt Ain't Easy
(1977)
Music by Paul Hoffert (uncredited)
Lyrics by Brenda Hoffert (uncredited)
Performed by Brenda Hoffert
Later sung by Craig Russell (uncredited) imitating Peggy Lee
Details
Box office
- Budget
- CA$165,000 (estimated)
- Runtime
- 1h 36m(96 min)
- Sound mix
- Aspect ratio
- 1.85 : 1
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