The People That Time Forgot

I remembered horrible performances, cheap sets, and a contrived storyline. It's amazing I bothered with this one again, but I'm glad I did. While this is no masterpiece, it is actually much better than I remembered. Continuing forward from the original installment, "The Land That Time Forgot," picks up the Bowen Tyler (Doug McClure) character after having been left behind by the crew of his original mission, and discovers what has happened in his life since his isolation began.

While this IS horribly dated, Patrick Wayne is actually quite good. You may remember Patrick Wayne from Sinbad and the Eye of the Tiger. He is also John Wayne's son, who was offered the role as Superman in the original movie, but turned it down due to his father's accelerating cancer.

The sets were not as bad as I thought I remembered, either, but the dialog delivery is still pretty false and unnatural.

All in all? As a "B" flick, this isn't bad for a rainy day diversion. It's still not a masterpiece and is RIPE for a remake, but there is some entertainment to be derived from this work.

It rates a 4.7/10 from...

the Fiend :.

Not bad at all, despite the flat performances by some members of an attractive cast and the familiarity of it all. "This island never sleeps," says the full-figured DANA GILLESPIE to PATRICK WAYNE...especially when it's crawling with prehistoric creatures. She's clad in an outfit that looks as though Frederick of Hollywood had a hand in the costuming.

Photographed in Spain, the color photography is excellent, the creatures look fairly realistic, and the opening sequence with the plane being attacked by a huge bird is bound to hook you into the story. It's rather like a poor man's "Jurassic Park", but it has its moments.

John Wayne's son, PATRICK WAYNE, is certainly a handsome male lead but has all the animation of one of the dinosaurs, never making us believe he's the leader of the dangerous expedition. Others in the largely unknown cast are pretty good and John Scott's music is effective in creating the necessary suspense.

It's a diverting enough adventure, very watchable and suitable for family viewing.

Summing up: Not bad at all, the sort of film that kiddie matinees were all about.

Best line after a native attack: "I'm sick and tired of running away from those dreadful people!"

At the beginning of the film are reunited captain Lawton (Tony Britton) piloting his icebreaker , along with McBride (Patrick Wayne), Lady Cunningham (Sarah Douglas) and Norfork (Thorley Walters) , everybody undertakes an expedition to Antartic in search for Tyler (Doug McClure) who has been missing in that region for various years. The trio (Patrick Wayne , Sara Douglas, Thorley Walters) along with a plane pilot descend over a barren land and meet a primitive women (a gorgeous Dana Gillespie with amazing cleavage showing her boobs). They have to confront numerous risks , dangers, endure torrential landslide , volcano eruption , cavemen warriors, samurais , prehistoric animals and discover a lost tribe .

This enjoyable adaptation results to be a special version of the Edgar Rice Burroughs adventure yarn . There's rip-roaring action, spirit of adventure, derring-do , thrills, and turns out to be quite amusing. It's a brief fun with average special effects , passable set decoration , matte painting , functional art direction and non use of computer generator. This fantasy picture packs thrills, action, weird monsters, lively pace and fancy scenarios. The monsters are the real stars of this production and its chief attribute. The tale is silly and laughable but the effects and action are acceptable . Among the most spectacular of its visuals there are a deeply shrouded cavern full of skulls roaring menacingly towards the camera, a little tableau comprising attack of a giant monster in a cave, and the futuristic backgrounds of the nasty headquarter .Highlights of the adventure includes a roller-coaster trip, appearance of prehistoric reptile such as Pterodactilus, Stegosaurius, Tiranosaurious and some horsemen dressed Samurai-alike riding out from mountain throughout horizon . In addition, the final scenes where appears a grotesque executioner played by David Prowse (Darth Vader), a dwarf and usual villain chief and several others. Some illogical parts in the plot are more than compensated for the excitement provided by Roger Dicken's monsters, though sometimes are a little bit cheesy and primitively made . Filmed in glimmer cinematography by cameraman Alan Hume on location in Santa Cruz De La Palma (Canary Islands) and Pinewood studios , England. Adequate and thrilling musical score by John Scott. This is the fourth collaboration between producers John Dark, Max Rosemberg and director Kevin Connor who also made in similar style : ¨ Land that time forgot¨, ¨All the Earth's core (76)¨, ¨Warlord of Atlantis (1978)¨, mostly starred by Doug McClure and with Roger Dicken as the monster-maker. The film will appeal to kids who swallow it whole and sit convulsed in their armchair.

The Land That Time Forgot was a surprisingly decent entry into the lost world of cavemen / dinosaurs adventure genre of the 70s, but this paint- by-numbers follow-up is nothing special. Block of wood celebrity offspring Patrick Wayne leads a band of rescuers in search of first movie survivor Doug McClure. The resulting chases, fights, narrow escapes etc. are the usual stuff of adventure movies, but the stunt choreography comes off as ordinary and uninspired. Oh-so-British Sarah Douglas is along as one of Wayne's crew but she has little to do here other than stand around looking uncomfortable. And the Lost Land itself, an important and colorful presence in the first film, is less imaginatively conceived this time around. Not a bad time waster when you have nothing better to do for a couple of hours, but try not to expect too much in the way of visionary fantasy. It isn't here.

I saw this film on a drive in double bill with THE LAND THAT TIME FORGOT - and had read the books when I was 11 years old (Ace Paperbacks). LAND has hand puppet dinosaurs that don't move and look silly, PEOPLE has men in rubber suits as dinosaurs that look silly. Both films change the Burroughs stories (probably for budget reasons), but PEOPLE does something interesting - it combines the 2nd and 3rd book in Burroughs' series, using Act 1 of PEOPLE and Act 2&3 of OUT OF TIME'S ABYSS. The Weiros from ABYSS have been changed into Nagaas - a volcano cult dressed in Japanese Armor. (The Weiros were humanoids evolved from Pterodactyls - hard to do on a $1.98 budget.) This way they could take the old prisoner from ABYSS and turn him into Doug McClure's character.

PEOPLE is much better than LAND for a couple of reasons. LAND not only had crappy FX, it looked like it was shot on an indoor stage! So even when there isn't some bad process shot of a hand puppet T-Rex growling, the movie looks fake. PEOPLE was shot on location in Spain, and has some nice big panoramic shots - one amazing shot of the team crossing the crest of a mountain looks like something out of LAWRENCE OF ARABIA. The other reason why PEOPLE is better - cavegirls! If you read the books (with Frazetta covers) there were always half-naked cavegirls. As an 11 year-old boy, reading these was like discovering your Uncle's Playboy collection. Half naked girls! LAND has no cavegirls at all, PEOPLE has the Ajor character from the novel in a laced leather outfit that fits the drive in AIP scenario to a T.

I love the books, and would love to do a modern adaptation (with today's FX).

• Bill