Maladolescenza

Having grown up in Amsterdam,Holland, where our liberal ideas are pretty much the norm, I have to say that I cannot understand why this movie caused so many problems when it came out! Sure, it is a movie of the 70's when peace and love were still there amongst a lot of old and younger people in Holland. I saw the film on a good DVD version last year and thought it was a love story about youth, rite of passage and growing up. The music in the background was pretty dire and some of the scenes were a bit dull (what was the snake scene all about??) but generally it wasn't a bad film. If some people get wound up about preteen nudity, then all I can say is they should get a life!!

Normally depicting the kind of cruelty that children are capable of is limited to works of fantasy such as William Golding's Lord of the Flies. Maladolescenza, a German-Italian production from 1977, however, deals with it in a way that is powerfully real – showing in graphic terms adolescent bullying and use of sex as an instrument of domination. Because of its depictions of children in sexual situations, however, it has been banned in many countries, most recently in Germany in 2006. While I'm not entirely clear about the purpose and intent of the director, I did not find it to be any more salacious than the films of Larry Clark and even more beautifully realized and honest. Please be advised, however, that Maladolescenza is a very disturbing film and is not recommended for those offended by cruelty to animals (in this case – a bird) or children presented in the nude and in threatening situations.

Set to an original score by Pippo Caruso based on medieval songs and dances, the film takes place in a brooding forest that holds the ruins of an ancient city. There are only three actors in the film and they deliver memorable performances. Two adolescents, Fabrizio (Martin Loeb) and Laura (Lara Wendel), live close to the edge of the forest and spend their summer holidays playing together as they have for many years. 12-year old Laura is in love with Fabrizio and teases him sexually but he responds only by taunting and frightening her. Like most bullies, however, he knows just when to let up in order to reassure his victim and give her a false sense of security. When the two discover the mysterious old city, Fabrizio declares himself to be king, but in order for Laura to be queen, she must first be able to win the cruel tests he has devised.

Among these are having a snake thrown on top of you as you lay on the ground and being chased by a snarling dog through the woods. Laura, like many willing victims, proclaims her trust in Fabrizio in spite of his sadism and his killing of her pet bird. When they at last make love together, however, it is done with tenderness and the film shows Fabrizio as good hearted when it suits his own purposes. When a new 13-year old girl, Sylvia (Eva Ionesco), joins the group on the invitation of two friends, things do not work to Laura's advantage. Sylvia, unlike Laura, is manipulative and cold and soon she and Fabrizio join forces to humiliate and frighten Laura, at one time compelling her to run through the woods while they shoot bows and arrows at her while wearing terrifying masks.

Realizing that Fabrizio and Sylvia have fallen for each other, Laura heartbreakingly begins to dress and act like Sylvia to win back Fabrizio's affection but without success. As the summer nears an end, Fabrizio is determined that Sylvia will never leave him alone and the result is a senseless tragedy that could have been easily averted. Although the setting is idyllic, under the skillful direction of Pier Murgia, Maladolescenza maintains a constant atmosphere of impending threat. While the story can be seen as a metaphor for the confusing currents of puberty, it can also be interpreted as symbolic of the loss of innocence and the misdirection of sexual energy into avenues of power and domination, perhaps an underlying theme in the history of the Third Reich.

A young boy named Fabrizio and girl Laura must psychically explore their budding sexuality.Things get complicated when arrogant Silvia enters the picture & our young hero is drawn to her and Laura now feels ignored.They begin playing cruel games and tormenting her.For instance,during a game of hide and seek Laura finds them lying naked beneath a tree and she is forced to view their love scene."Spielen wir Liebe" aka "Maladolescenza" has to be one of the most controversial films ever made.When it came out it was banned or heavily cut in many countries as child pornography.The film contains plenty of surprisingly graphic nudity provided by Martin Loeb,Eva Ionesco and Lara Wendel.Both girls were twelve years old at the time of making the movie.At least the sex scenes are quite tasteful and thankfully simulated,but I still think that the film-makers crossed the line.The film was actually banned in Germany on 28th of July 2006 due to its content,so DVD will be no longer available for public consumption.

Heading into Maladolescenza I was only aware that it was a flick that had young actors getting nekkid. And boy howdy did they! But besides the little bums, this flick was surprisingly well-made and had a plethora of messages to be taken from it.

The story revolves a young boy (Fabrizio) and girl (Lara) who met the past summer vacation and decided to continue their summer vacations together from here on out. Since the last vacation together they've both changed. Especially the young boy. Instead of innocence and play ruling the day, it's quite obvious his hormones are getting the better of him. This is all quite confusing to Lara, but since she has grown so fond of Fabrizio, she decides to "play" along. The story takes a different turn when another little girl (Silvia) shows up, which ends up making life even harder for poor Lara.

Firstly, Maladolescenza is an extremely thought-provoking movie. You have young teens stripping their clothes and doing some pretty heavy petting. For anyone who has a real clue, this isn't anything out of the norm. Ever watch Maury? Sheeit. Anyways, besides getting over the butt-hole in your face the story has other messages being presented. From parenting issues, to loss of innocence, loneliness, to delusion, and more than anything bullying.

Going through some of the comments on here I've seen people burst out saying it's pure child porn. In all honesty, it could be used for that. It's got little kids naked. Strap a heart-rate monitor on a pedophile and I'm sure that it'll explode. With that said, I also read that someone said it was "tame"....what the hell are you watching? How many flicks with adolescent nudity have you seen? Get with it.

Ignore and look past all the hype you've heard of it being called nothing but child porn and watch a film that deals with child innocence and bullying on levels that are rarely seen. Recommended for serious and open-minded film-goers.

Often beautiful at a visual level, poignant on its directorial style, joyful but nostalgic at the same time, and ultimately a satisfactory experience for the all-rounded, open-minded viewer (you may want to stay clear, and while at it also to spare us from a certain neo-medieval kind of retarded comments, if you happen not to be one).

You may love this movie, you may hate it, or you may simply end up wondering what's all the controversy about and why is it still banned or heavily censored in certain so-called "advanced" countries.

One thing is certain: if you like film in general, you should watch it (there's a great new DVD available from Germany, with English subtitles).

Not only because it's a centerpiece both of cinema styles and social perspectives in change and of its own author's career and I dare say, personal life, but also because it's one of those rare, last standing moments of sheer honesty which are representative of a bygone era, and indirectly also representative of how close-minded and hypocrite our western world has become in the past two decades, in direct contrast with what should be expected from a society which repeatedly acknowledges itself (no one else probably would, and clearly DON'T) as the most "advanced" - making it all the more ironic that this simple but interesting movie IS, after all, all about the loss of innocence and youth.