Make Me a Perfect Murder

I've read previous comments on this movie. The premise of this movie is a Television executive [Trish Van Devere] wants a promotion she feels is justly deserved. She finds out that her boyfriend has been given the job, he gives her a Mercedes as a consolation prize, of course, she kills him. Temporarily the affiliate gives her the job, until they can find a replacement. This was a great episode! Columbo once again makes the suspect sweat as he gets closer to solving the crime. Ms. Van Devere plays the part of the villain perfectly. She isn't a trained killer, she knows it, and plays the part of a frightened novice criminal with perfection. I'm a die hard Columbo fan from the very beginning of the show. This episode is one of the best.

Kay (Trish Van Devere) is the personal assistant for a network programmer. When she learns he's getting a promotion, she's shocked to learn that he is NOT giving her his old position. So, she's apparently been sleeping with the guy but for nothing! However, she is NOT a woman to be trifled with and she comes up with a plan to murder him and get away with it. Can she do this and still manage to defeat Columbo?!

This is a decent episode (though my wife disliked it quite a bit) but it was heavily padded. For example, in one worthless scene, Columbo is staring at some computerized graphics...and it went on and on and on. Unnecessary and evidence that there just wasn't enough plot. It's a shame they didn't make the show 10-15 minutes shorter....it would have improved it.

By the way, if you DO watch the episode I'd love to know your opinion, as in some ways I think they were vaguely hinting at Kay having a lesbian relationship.

Make Me a Perfect Murder sees Columbo take on the television industry. I remember watching this as a kid because of the final shot of the ring on the corner of the screen.

Kay Freestone (Trish Van Devere) is a determined television executive in California, taking the reins of an expensive television movie in the editing suite. Her boss Mark McAndrews (Laurence Luckinbill) has been given a promotion by the network in New York. Kay is her secret lover and expects to go to New York with him or at least get his job in California.

He gives her neither, citing issues in the way she works and makes decision meaning she is not ready to step up. As they were lovers maybe Mark should had told her of her faults earlier and how to remedy it because he ends up getting shot dead.

Personally I think Kay should had got away with the murder as Columbo should had been jailed for the way he was driving so recklessly early on in the episode!

When Kay is temporarily put in charge in the California station, she proves that Mark's criticism was correct. She makes mistakes, she is seen as cold blooded. Then she has Columbo on her case who uses his guile to trap her.

The episode needed to be tighter and some of Columbo's shtick seems to be wearing thin. There was no need for that bad driving scene.

Kay Freestone (Trish Van Devere) is a West Coast TV executive whose boss, Mark McAndrews (Laurence Luckinbill), is also her secret lover. When he gets promoted to a position in New York, he dumps her—and even denies her the job he's leaving. Her consolation prize is a new Mercedes. She's more interested in the gun he drops on the bed—after he jokingly invites her to shoot him. Joking or not, she takes him up on it. Later, he's found shot to death in his office. Kay seems to have been in the projection room when it happened. She was screening her pet project—a violent TV film called "The Professionals"—for her superiors. When our rumpled, redoubtable Lt. Columbo (Peter Falk) investigates, he learns this Emmy-winning producer can commit a bloody act just as well as film it.

This would have been a top-notch "Columbo" episode if about twenty minutes had been trimmed off. The first section of the film—the murder sequence and everything leading up to it—is some of the best stuff in the series. Freestone's use of a tape recording is an especially effective dramatic device.

After the murder there are two impressive scenes—one in an elevator with Freestone and Columbo, and another surreal sequence, where he harasses her via the multiple TV screens in her control booth. Most everything else is slack. There is a long, pointless scene where Columbo fools around with the TV equipment. There's a needless subplot with Lainie Kazan (who is too young to be playing an aging Judy Garland-like has-been). There's a limp scene where Columbo confronts Freestone at her old, now-abandoned home and offers sympathy.

Some of these scenes seem to be an attempt to make the villain more human than usual. That's fine, but the "Columbo" formula demands that any confrontation between detective and quarry be tense. "Columbo" works because of its formula, not in spite of it. The closer it hues to it, the better it is.

The formula also demands that what finally trips up the killer be a surprise. The ending here is very predictable. "Columbo" fans will want to watch this one, despite its flaws. Others, beware.

Trish van Devere makes for a good killer. A woman scorned, she murders her lover who she thinks is a partner producer for a TV network. She's cold and steely but also human and, like the best Columbo villains, very sympathetic, and not just because she's a woman.

The problem with this episode is the problem with the entire final Season 7, before the show was done... until returning years later, which don't really count in my book... For true Columbo fans, THIS was the show's final season...

Herein, Falk is no longer being natural as Columbo, but seems to be doing a Columbo imitation by acting like his Murder by Death character channelling Bogart. He crosses his eyes in a cartoonish fashion and his voice sounds like Bugs Bunny...

Here, though, he's kept in check, and it's mostly because of the villain, Devere, who the producers of Columbo obviously thought wasn't strong enough to lead the show in the usual 15 minute murder first after which Columbo rolls in to figure things out...

Instead, vapid scenes of Columbo getting his neck injured in a car wreck are spliced into the prologue murder, and with the exception to this episode's acting and writing, it's rather awkward.

This and Clive Revill's turn as an Irish Revolutionary poet in the final episode are the top episodes of this quirky final season when Falk seems done with Columbo, and he might've been trying to tell us something. If that's true, only a few caught on...