Escape from Women's Prison

This is one grubby little flick with four girl prison escapees hijacking a coach load of female tennis players. Lilli Carati (The Alcove and To Be Twenty) stars and is lovely throughout whilst seemingly everyone in the film, takes their clothes off at some point, even the judge who rapes the star! Lots of running about and fighting plus the aforementioned undressing to keep the interest but whilst the pseudo intellectual political chat may have seemed 'right on' in 1978 it is a real embarrassment now. We get the odd twist and turn but really it is all rather predictable and it only just manages to keep going.

Wow! What a great movie! Why has nobody heard of this one? It was released as a double bill tape with SWEET SUGAR, but the tape doesn't contain any credits for the film besides the title. It does seem to be an Italian release, but I'm not sure whether it was made in 1974, though: there's a reference in the film to one of the characters being in prison since 1975. Maybe it was dubbed into English after 1975. Who knows?

This is one taut, zippy (70 minutes) and surprisingly political thriller, with enough sex, nudity, lesbianism, rape, violence and murder to please any exploitation fan. The movie begins with a gang of sex starved Communist revolutionaries on the run from a prison break. They hijack a bus load of nubile tennis players and hold them hostage at a mansion owned by the bourgeois capitalist judge who put the girls away in the first place. Amazing stuff. Rent it now!

JAILBIRDS is a movie whose storyline is appealing for sick fans like me : 4 women who just broke out of prison get a lift from a bus full of young and innocent female tennis players. They take hostages and bring them all into a judge's house. Then the fun begins.

Beautifully photographed, but badly written and poorly acted, this "carceral drama" mixes a political content with some gratuitous sex and rape scenes. We get to see every actress undress and I wouldn't complain if it wasn't so softcore...

The music, as I recall, is hilarious, and the ending is not really surprising. Well, this one's not bad but it is just another of those numerous 70's plotless softcore sleaze numbers... For lovers only.

ATTENTION : In Canada, the movie is released under the title WOMEN AGAINST WOMEN as well as under the title VIOLEZ LES OTAGES! - and I know that cuz I've been ripped off, I bought both...

This is really bad. Awful dubbing, rubbish acting, badly shot, choppily edited and generally terrible.

I also didn't like the fact that the scummy rapist judge didn't get shot at the end and was allowed to completely get away with forcing himself on another woman! that was a sickening scene and its a fairly misogynistic film.

However, there are 3 plus points. All of them are the foxy women. Erica (Ada Pometti) is particularly sexy and has a great but brief sex scene. Patrizia Funari has a nice backside which is shown off. And the girl who isn't listed here but plays 'Susanna' is very gorgeous.

I shall be checking out more of their films!

However, they were the ONLY three plus points and thats why the film gets 3 from me. 1 POINT for each sexy woman!

The plot outline for this film promised so much, a group of French/Italian (its difficult to tell) female prisoners break out of their prison, and set out on the run, killing a few police officers and kidnapping a bus load of young tennis players, this seems a perfect setting for an "erotic thriller", but as is to be expected from a very low budget European film from the late seventies, the film fails to live up to any of this potential. This film is a laughable, poorly dubbed, appallingly edited story which tries to be intelligent, managing to achieve the seemingly impossible combination of pretentiousness and stupidity. The film has few redeeming features, but the main one is that it is quite a good laugh to watch with a few mates when drunk, especially at the hilarious musical score and the cheap and nasty production values, (at one point it actually switches from widescreen to normal, then back to widescreen a few minutes later). If you wanted you could probably kid yourself into thinking this was an art-house film since its foreign and attempts to deal with "issues" in societies, which it does rather clumsily, otherwise just watch it and laugh.