When strange seeds drift to earth from space, mysterious pods begin to grow and invade San Francisco, replicating the city's residents one body at a time.When strange seeds drift to earth from space, mysterious pods begin to grow and invade San Francisco, replicating the city's residents one body at a time.When strange seeds drift to earth from space, mysterious pods begin to grow and invade San Francisco, replicating the city's residents one body at a time.
- Awards
- 3 wins & 11 nominations total
Garry Goodrow
- Boccardo
- (as Gary Goodrow)
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Featured reviews
Invasion of the Body Snatcher (1978)
The original 1950s version of this movie is such a favorite of mine, I hesitated to watch this one. But fear not. This is great, too. It's got the same theme, but very richly and creatively rendered, some superb photography, great night stuff, and most importantly, great acting by the key 3 or 4 people.
Director Philip Kaufman works sporadically as director and writer (he hit it big with "Raiders of the Lost Ark") and he clearly has a unique and somewhat fearless vision that remains rooted in Hollywood sensibilities. That is, this is no independent film, yet it's creative.
And it's scary. Between the development of fear over the actual biological invasion, and the old fashioned chase and hide sequences, this is a tense movie. But yet it's convincing, given the realistic, nuanced acting by the main couple, Donald Sutherland (as a Health Department official) and Brooke Adams (as a lab analyst in the same department). Of course, what happens isn't believable at all, somehow, but it's so close to feasible, and in fact so close to what we live with already (some people without feelings, out for themselves, part of a conspiracy, etc.), it isn't hard to pull it off.
Cinematographer Michael Chapman is about as good as it gets in the Hollywood vein, polished and with amazing, varied lighting (he also did "Raging Bull," "The Fugitive," and "Taxi Driver," for starters). So this movie works on every level. The one thing it isn't, of course, is original, but as a remake, we have to take it for how it handles it, 1970s style. Impressive.
The original 1950s version of this movie is such a favorite of mine, I hesitated to watch this one. But fear not. This is great, too. It's got the same theme, but very richly and creatively rendered, some superb photography, great night stuff, and most importantly, great acting by the key 3 or 4 people.
Director Philip Kaufman works sporadically as director and writer (he hit it big with "Raiders of the Lost Ark") and he clearly has a unique and somewhat fearless vision that remains rooted in Hollywood sensibilities. That is, this is no independent film, yet it's creative.
And it's scary. Between the development of fear over the actual biological invasion, and the old fashioned chase and hide sequences, this is a tense movie. But yet it's convincing, given the realistic, nuanced acting by the main couple, Donald Sutherland (as a Health Department official) and Brooke Adams (as a lab analyst in the same department). Of course, what happens isn't believable at all, somehow, but it's so close to feasible, and in fact so close to what we live with already (some people without feelings, out for themselves, part of a conspiracy, etc.), it isn't hard to pull it off.
Cinematographer Michael Chapman is about as good as it gets in the Hollywood vein, polished and with amazing, varied lighting (he also did "Raging Bull," "The Fugitive," and "Taxi Driver," for starters). So this movie works on every level. The one thing it isn't, of course, is original, but as a remake, we have to take it for how it handles it, 1970s style. Impressive.
While some contend the original was a better version, I still prefer this one. Donald Sutherland, Jeff Goldblum and Leonard Nimoy was excellent, providing more logic and insight to the film where the original failed to accomplish. Sure, it was tougher to make a secret invasion of a large city seem more believable, but the more believable and rational appeal of this film puts it heads and tales above the rest. Also, the fact that it is a little more drawn out and conceptualized, it makes for a better night of movie making than the original.
I hadn't seen this film in about 20 years, and now after watching it current day, it's just as good if not better now. No CGI, and I like that... The cast, and acting is really good, Donald Sutherland delivers an amazing performance. The cinematography is awesome! I highly recommend this as a must watch for any Sci-fi and/or Horror fan.
Invasion of the Body Snatchers is the remake of 1956 movie by the same title and considered to be, by many fans, to be the definitive and the best version of the story.
The movie begins with images of plasmas from an alien world floating out into space towards planet earth. Then the rain comes and we see an odd organism growing on plants' leafs. Before too long, people start to act strange, they group and exchange plants, they act indifferent to their surroundings, they are emotionless, almost robotic. A group of characters who are not affected soon find themselves a minority in a world that is changing rapidly.
One of the greatest appeals of this movie is its socio-political resonance. It can be interpreted as a state of minority versus majority, us versus them and individualism versus social conformity. It shows how we try to turn the others into a version of ourselves because we can't tolerate the otherness. And maybe this is a universal common trait of all beings whether alien or human. Even though the commentary is about humans, it is actually alien organism that takes over human bodies (snatches human bodies - hence body snatchers).
The movie also questions how much we should sacrifice to achieve harmony in society. Should we preserve our individuality at risk of conflicting with other members of the society, or should we just join the majority, think like others, walk like others and talk like others do? Like all great science fiction movies, the story is social commentary on the state of the world. This is probably the reason why there are so many versions of this movie. And most recently in 2007, another version was made called "The Invasion" starring Nicole Kidman and Daniel Craig.
The movie begins with images of plasmas from an alien world floating out into space towards planet earth. Then the rain comes and we see an odd organism growing on plants' leafs. Before too long, people start to act strange, they group and exchange plants, they act indifferent to their surroundings, they are emotionless, almost robotic. A group of characters who are not affected soon find themselves a minority in a world that is changing rapidly.
One of the greatest appeals of this movie is its socio-political resonance. It can be interpreted as a state of minority versus majority, us versus them and individualism versus social conformity. It shows how we try to turn the others into a version of ourselves because we can't tolerate the otherness. And maybe this is a universal common trait of all beings whether alien or human. Even though the commentary is about humans, it is actually alien organism that takes over human bodies (snatches human bodies - hence body snatchers).
The movie also questions how much we should sacrifice to achieve harmony in society. Should we preserve our individuality at risk of conflicting with other members of the society, or should we just join the majority, think like others, walk like others and talk like others do? Like all great science fiction movies, the story is social commentary on the state of the world. This is probably the reason why there are so many versions of this movie. And most recently in 2007, another version was made called "The Invasion" starring Nicole Kidman and Daniel Craig.
An evolution has begun and knows no bounds, a new species sinks its roots in fallow grounds, rising up and taking root, reaching out tendrils and shoots, it's not too long before it's packing on the pounds. As it mimics and consumes its doppelganger, if it spots originals it makes a clamour, no need for hate, no need for love, but it still fits hand in your glove, Charles Darwin might agree, it's a great planner. Perhaps there's links with those who seek to take control, those who manipulate, without going to polls, whose dogma and conviction, imposition and infliction, makes dystopia, a realistic goal.
Reflective and engaging, at many levels.
Reflective and engaging, at many levels.
Did you know
- Trivia(at around 5 mins) Robert Duvall, who had previously worked with Philip Kaufman on The Great Northfield Minnesota Raid (1972), happened to be in San Francisco at the time of filming, and shot his only scene for free. He plays a crazy priest playing on a swing. It's supposed to foreshadow the pod person anomie and alienation we feel later in the movie.
- Goofs(at around 1h 40 mins) The ship being loaded with pods was in dry dock; the entire propeller is clearly visible. Ships are not loaded in dry dock.
- Quotes
Dr. David Kibner: We came here from a dying world. We drift through the universe, from planet to planet, pushed on by the solar winds. We adapt and we survive. The function of life is survival.
- Alternate versionsIn the version that ABC-TV ran in 1980, Brooke Adams's nude scene, where she walks through the greenhouse where the pods are being grown, was replaced with an alternate shot of her wearing her red dress.
- ConnectionsEdited into Ice Queen (2005)
- SoundtracksAmazing Grace
Traditional
Performed by The Royal Scots Dragoon Guards (as the Royal Scots Dragoon Guards)
Courtesy of RCA Limited
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Details
- Release date
- Country of origin
- Languages
- Also known as
- Los usurpadores de cuerpos
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $3,500,000 (estimated)
- Gross US & Canada
- $24,946,533
- Opening weekend US & Canada
- $1,298,129
- Dec 25, 1978
- Gross worldwide
- $24,949,050
- Runtime
- 1h 55m(115 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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