I Miss You, Hugs and Kisses

Successful businessman Charles Kruschen (Donald Pilon) is accused of bludgeoning to death his beautiful but manipulative model wife Magdalene (Elke Sommer). As the trial draws to a close, Charles reflects on the events leading up to the terrible incident...

A supposed dramatic account of a real life murder case, Canadian courtroom drama I Miss You Hugs And Kisses could be mistaken for the kind of mid-afternoon entertainment normally lapped up by bored housewives and easily pleased geriatrics: with its unexceptional whodunit plot crammed with intrigue, adultery, blackmail, and murder, one could be excused for thinking that Angela Lansbury or Dick Van Dyke might pop up in the final reel to solve the case.

However, the lurid treatment given by director Murray Markowitz to his well-worn material ensures that this particular mystery features no such familiar household names and will always remain an unlikely choice for daytime TV. In fact, in the UK, I Miss You Hugs And Kisses was considered so upsetting that it was even included on the official DPP Video Nasty List. Beat that, Jessica Fletcher!

During the series of flashbacks that are used to flesh out the story whilst also revealing a collection of equally viable suspects, viewers are treated to graphic killings (Sommers head is staved in and a young woman is stabbed in the stomach), nudity and sex, genuine slaughterhouse footage, and even a touch of necrophilia (one of the possible murderers, an escaped lunatic, enjoys raping his victims after he has killed them). Although not overly shocking by today's standards, these scenes seem so out of place in this otherwise routine thriller that they actually manage to be disturbing.

I Miss you Hugs And Kisses hasn't garnered much praise here on IMDb, and it is true that, with an ending that completely fails to resolve issues, the film can leave viewers feeling extremely frustrated, but I still say give it a go: it's certainly not the worst film on the Video Nasty list.

5.5 out of 10, rounded up to 6 for IMDb.

Elke Sommer (the premier German actress (sic)), plays Magdalene Kruschen, a gold digging model, whose marriage to rich Charles, loses its verve. Each of them conspires to hire killers to knock off one another. The film is structured using court room scenes, mixing this with flashbacks to the events that are discussed on the stand. Based upon the true-life murder of Christine Demeter, one of the most famous crimes in Canadian modern history, this film, with its made-for- television aesthetic, is cheep, and fundamentally flawed.

We follow as the married couple (the names were changed for legal reasons), as they conspire against each other, Charles embarking on an affair with the young Pauline Corte (Cindy Girling - Miss Canada 1977). Magdalene, simply f***s anyone with money, power, and connections with killers-for-hire. It's an incredibly dull affair, pacing through severely wretched people, and their petty affairs. And of course, what these "wonderful" characters want, is the large insurance payoff in the event of deaths.

Whilst taking much of the real-life crime, it obviously needs to change it slightly. But it is left a little ambiguous as to Charles' actual guilt. He is (as in life) convicted of hiring a murderer, we are left guessing as to whether he actually did it. Still, awful film, with very little merit - although Howard Shore composed the score (his first feature film), and we of course know his subsequent scores include David Cronenberg's output, and The Lord of the Rings trilogy.

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This is a poorly-acted and sloppily-made film based on the infamous Demeter murder case that happened in Mississauga back in 1973. Just a couple of years before, the same filmmaker made Recommendation for Mercy, a fictionalized account of the Steven Truscott case.

This movie takes liberties with some of the facts, but is substantially true to the real facts. Peter Demeter was an immigrant real estate developer that got rich and married a former model. When she was found dead in their garage, he was arrested and, with the help of friends-turned-prosecution witnesses, convicted of either committing or contracting her murder. An award-winning book, By Persons Unknown, written by George Jonas and Barbara Amiel, is an excellent account of the case.

The print that I saw was old and scratchy. It is not a remarkable film in any sense, but it is an interesting take on a small piece of Canadian history.

Having now seen seventy three of the seventy four films that were banned as 'Video Nasties' in 1984, I think I'm in a pretty good position to state that the DPP and whoever else was involved in making the list didn't really know what they were doing as many of the films on the list really didn't deserve to be there; and this one is one of the best examples of this fact. The film gets off to a decent start, as we see a woman (played by Elke Sommer) battered to death in a garage. It's not all that gory, but it's an intriguing start that lead me to believe the rest of the film might be at least half decent. It's not, however, as most of the rest of the film is made up of court scenes and flashbacks, and the worst part of is that it's not even interesting. The film was apparently loosely based on a murder case that I'm not familiar with. This is actually quite annoying as film versions of real life events are meant to dramatise them, and I find it hard to believe that the real life murder case wasn't more interesting than this film! Overall, I have no idea why this film was banned, but clearly it's obscure for a reason and if you aren't watching it for the same reason as me, then you really shouldn't be watching! My advice is simply to avoid it...

Pretty much an ordinary thriller. The only remarkable thing about it is that it was once banned in the UK, i.e. it was one of the infamous nasties. However, it is difficult to see how it would deserve such a distinction -- its goriness is very mild by horror movie standards.