The One and Only

When this film hit the theaters in 1978, I saw it three times. But when I watched it again recently on video (a video that I BOUGHT), I couldn't believe that I at one time LIKED this movie. Winkler plays a totally unlikable character who never gets any better. Darby plays a dopey girl who, for reasons not addressed in this movie, falls for the obnoxious egocentric jerk.

I chuckled maybe twice during the whole movie. The rest of the time I was wondering how anyone could fall in love with someone who cares about no one on earth except themselves and how Carl Reiner got mixed up in this mess.

I was embarrassed to admit to my wife that in the late 70's I actually paid to sit through this tripe... three times! Foolish youth.

Well I guess it supposedly not a classic because there are only a few easily recognizable faces, but I personally think it is... It's a very beautiful sweet movie, Henry Winkler did a GREAT job with his character and it really impressed me.

This movie is a perfect example of a film that divides people into 2 groups.. Those who get the joke and those who don't. People usually attack what they don't understand. This film has a comic style and charm that has been unparalleled since. It's a GREAT comedy.. and a GREAT romance. It's a perfect date movie. A perfect movie for someone who wants a good lighthearted laugh. And if your perspective is too tense, maybe this movie isn't for you, and you may need counseling. It is an injustice that Paramount has kept this film on the shelf since the early 80's, having never seen the light of day on DVD. Yet they feel an Urban version of "The Honeymooners" is a good idea. I find it odd that my two alltime favorite romantic comedies have never been released on DVD. The other being Gene Wilder's "The World's Greatest Lover" which Fox has sat on since the early 80's as well... Yet, "From Justin To Kelly" is in nearly every video store in the country. There is no Justice in the world. Maybe those who took the time to bash this will enjoy "From Justin To Kelly", I'm sure that one is watered enough for them to "get". Sometimes with age people lose their sense of humor... Or sometimes it just goes stale and they find comic satisfaction in reruns of "Full House".

FOLLOWING HIS SUCCESS as show stealing character, "the Fonz" in the hit ABC Television Series HAPPY DAYS, Henry Winkler embarked on a series of starring motion vehicles. Taking a break from the more dramatic, Henry chose to do this Carl Reiner directed affectionate look at the early video days of guys with names like Gorgeous George, Count Billy Varga and Lou Thesz.

DURING THIS PERIOD and for some years to follow, the mere mention of the Pro Wrestling game would never fail to bring a smile to the face of whomever one was conversing. The appeal of the medium where sport & athleticism intersected the dramatic & theatrical had a very wide degree of aficionados from the blue collar to professional, from the laborer to the MD.

SO JUST WHO are these guys who get into the "business"? As in most rackets, there is no one single answer. There is not one single slot in which the "typical" grappler fits. Any attempt to pigeon hole the pro wrestler will find himself unhappily frustrated.

THE STORY LOOKS at how guys with disparate backgrounds are united in their interest and pursuit of success as a performer. Some are athletic, some are not. Some were football players, others dancers. Bodybuilders and the physically unusual all join with some who have no obvious outstanding bodily attributes. Some were even the products of a solid background in Amateur Wrestling!

OUR MOVIE UNITES Henry Winkler (Andy Schmidt) with Miss Kim Darby (Mary Crawford). The two do indeed make for an interesting couple; and it is a pleasure to see Kim Darby in any film; as she has done precious few ever since TRUE GRIT (1969).

IN THE PARTICULAR case of the Winkler character, he's an out of work actor and not much of an athlete. He is certainly not a subject who fits the 'ruffian' mode that so many exponents of the pro game.

ULTIMATELY, AT FILM'S end, we are all smiling-if not belly laughing; for in spite of some great and truly funny situations & gags tailored to the storyline, it is a call for inclusion o everyone in the family of man.

AND, MY DEAR friend, Schultz, that includes even people who wrestle for a living!

Caught this on the french cable a few weeks ago and instantly felt "at home" with this films' characters and story. As I gradually found out, there's a reason for this : The One and Only is a straight retake of Fred Coe's A Thousand Clowns (1964), one of my favorite films ! Two of the original actors were even imported : Gene Saks and William Daniels, the latter having been in the original cast of the Herb Gardner play (if I remember correctly).

The global plot and situations are altered but the result is the same : how to (try to) keep youth spirit in a grim and conventional world... and make it alive ! Not as memorable as the original film (or the play) but just as lovely.