10

All right, so this isn't a great movie. It just happened to come along at the right moment in my life to have an impact. As a young man not yet turned 20, I could certainly identify with both Dudley Moore wanting to recapture youth through a fling with Bo Derek, and Bo Derek just wanting to have fun (and show her appreciation for Dudley's saving her boyfriend's life.) Add to that the fact that I was working at a record shop and remember selling about 9832 copies of Ravel's Bolero, and it boils down to this; "10" brings back a host of good memories for me. - mps

Boy, this was "hot stuff" back when it came out in 1979: I am referring to both the movie AND Bo Derek!

Actually, Dudley Moore was a box-office star, too. Nobody had heard of Derek before this, but this film certainly made her an overnight sensation. She didn't have to say anything in the film, just walk down a beach. Certainly, the number "10" now had a new meaning in the culture.

Basically, the film is about a guy who spots Derek, and then totally makes a fool of himself over her. Most guys would have done the same thing. Moore, making an idiot of himself as "George Webber," provided a lot of laughs and Bo had to just....well....just let herself be photographed. Fortunately, in real life, she turned out to be far more than just some hot- looking bimbo. I've heard her on several talk shows in recent years, and she's no dummy.....and still looks tremendous. Meanwhile, Moore, who had some tough physical ailments, really didn't have a noteworthy career after this film with one exception: Arthur (1981). The poor man died in 2002.

One forgets that a huge big-name actress co-starred with Moore in this movie: Julie Andrews. Perhaps a good part of that reason we forget that is she doesn't play a memorable character. It fact, she's downright unappealing as Moore's girlfriend "Samantha Taylor."

It's also easy to forget about some of the cultural issues songwriter "Webber" dealt with, bemoaning the shallowness of the current generation and its music tastes, and finally realizing his own shallowness won't lead to happiness just by being with a woman half his age. There are some profound things to ponder in this film even though it often concentrates on the slapstick humor angle. As a guy who has gone through the usual "mid- life" crisis, I would to sympathize with Webber's dilemmas but since this idiot is drunk half the time and an extremely self-indulgent person, I found it hard to "root" for him. Drunks have never been funny to me. So, when I watched this film on VHS 15 years later, it wasn't as fun as the fist time.

Speaking of drinks, Brian Dennehy was excellent as a bartender. I wish he had played more "nice guy" roles like this during his career, instead of so many evil and profane villains.

Along with millions of others, I enjoyed the movie 30 years ago, but now it's kind of sad, too slow and even painful to watch at times. For those of us who saw in the theater, the film now appears somewhat dated, but so are all of us, I guess, are dated, too.

We all have 'secret pleasure' films - those films that, for some reason, we get immense joy out of, yet might not want people to know. '10' is one of those films.

Of course the humour may have dated, but that doesn't detract from what is still a nicely paced, genteel, well rounded and well performed film. But the real joy in this film comes from the skill of director Blake Edwards in getting his actors to actually act. It seems almost alien in this day and age that actors should perform extended shots in one take, where they react to each other without umpteen cuts. But that was always Blake Edwards' thing. Check out the Pink Panther films and watch how many classic scenes featured only a few cuts. It's almost stage acting on film.

There are many joys to be found in '10', especially if you are of a certain age and can relate to the mid-life crisis of George Webber. But if you are looking for a movie which really delivers on the 70s chic - from 8-track tapes to disco, it doesn't get much better than this.

Approach this film with the right relaxed mindset and enjoy.

Though he will probably always be remembered for 1981's ARTHUR, my favorite Dudley Moore performance is still from the 1979 Blake Edwards classic "10". Moore plays George Webber, a man who seemingly has it all: a flourishing career as a songwriter, money, a gorgeous home, an equally gorgeous girlfriend (Julie Andrews), but still feels like something is missing in his life. Then one day, while stopped at a traffic signal, he glances at a girl (Bo Derek)in a limo, on her way to her wedding. George becomes obsessed with this vision, this perfect "10" and forsakes everything in his life, including Andrews, to find and be with this woman. After getting six fillings drilled by the girl's dentist/father (James Noble), in an attempt to learn where the girl went on her honeymoon, George flies to Mexico to find his "10" and eventually learns the lessons you would expect from such a venture. In addition to some great physical comedy offered by Moore, there are moments of great warmth here too. The scenes at the outdoor bar in Mexico where Dudley encounters a lonely woman (Dee Wallace) and plays the piano are lovely. Brian Dennehy is effectiveLY cast against type as the bartender. Also cast against type is Robert Webber as George's gay songwriting partner who tries in vain to make George see what an idiot he is and appreciate the things he has. This IS not just a smarmy sex comedy, but a warm character study of a man chasing something he really doesn't want or need and features one of Dudley Moore's most charming performances.

"10" is far from a masterpiece, in fact, it's much more of a goofy 70's rom-com than anything else, but there's a little bit more heart and quite a few more laughs than I thought there would be here. The film is about a man (played by Dudley Moore) going through a mid-life crisis as he realizes his age is creeping up on him as he's failing to provide a spark in his relationship with the one and only Julie Andrews. What follows feels like a movie made specifically for sexually deprived teenagers, but there's definitely a little bit more to it than that. George Webber (Moore) is a film composer recognized by everyone for his famous ballads, but he rarely shares an intimate moment with people for various reasons. Spending his nights desperate to find his music again and spying on his neighbor who consistently hosts sex parties, there's not a lot going for Webber. But when he stumbles upon a young newly married woman, things begin to change. The actual plot itself isn't the most interesting, especially as it consistently meanders into slapstick comedy. I mean, George literally has a mid-day fantasy of Bo Derek slowly running on a beach Baywatch style for over a minute. It's not exactly the most tightly written or directed feature. However, I did at least connect to the Webber character in part. His relationship to Andrews is touching at times, and I have a special place in my heart for film composers. Henry Mancini's score is another gem and it's definitely a film that can be enjoyed in the background if you turn your brain off for a few hours.

6.4/10