Bloodbrothers

Right from the get-go, this thing is off the chain! Paul Sorvino and Tony Lo Bianco play two "bruddas from Noo Yawk" who work in construction and are getting drunk. Richard Gere, who actually seems like a real person and not a caricature of a New York Italian, gives the best performance.

So much swearing for a movie that I taped off of Turner Classic Movies in the wee hours of the morning! Nothing against swearing but I can't believe I taped it off of Turner Classic Movies! There's a hilariously over the top scene with Tony Lo Bianco's wife and their younger son...I just sat there with my mouth open. My hat's off to the actors but maybe the director should have reigned them all in a little, it comes off a little too hysterical...or maybe that's just how it is in Italian households? That's just my opinion but check it out for yourself. If nothing else, you'll laugh inappropriately like I did.

I was entertained throughout though, every scene is special in that it could be it's own short film. I felt like they were adapting the book chapter by chapter. If you like this time period and the movies from then, you will want to see it.

First I have to say that the novel Bloodbrothers by Richard Price is one of my alltime favorite books. Usually Hollywood has to make changes to make a movie viable , but in this one changing the book's ending kind of negated the novel's point. This is about a blue collar Bronx family with a long line of tradition as construction workers. Richard Gere in one of his first leading roles plays the sensitive older son who wants to work with children. His macho father, well played by Tony Lo Bianco, pressures him to work construction.Lo Bianco's tyrant character has made his whole family miserable, yet he is never played as a stereotype. The entire cast is good but at times it plays like a blue collar soap opera. If you haven't read the book, the film's highly charged emotions may hit home.

>

I just watch Bloodbrothers for the first time and I was quite impressed that the individual stories of each of the six (6) De Coco family members struck me as very real and heart felt. The two (2) senior middle aged De Coco male family members brothers Tommy (Tony Lo Bianco) and Chubby (Paul Sorvino) were especially well acted.

Tommy DeCoco's family is comprised of his troubled and mentally unstable wife Phyllis (Yvonne Wilder), and their two sons, ten (10) year old Albert (Michael Hershewe) who lives in fear of his mother's continued insistance that Albert is too thin and must eat more, and their adult 22 year old son Stony (Richard Gere) who is on the cusp of making the biggest decision in his young life, which is his chosen career path. Stony's father Tommy wants his son Stony to follow in his Italian heritage work path which is in construction, but what Stony really wants to do is to work with young children, most likely as an extension of the love and care he outwardly provides continually to his younger and troubled little brother Albert.

Tommy's brother Chubby, (Paul Sorvino) is filled with life and much love for his brother Tommy's entire family. In a very sombre moment in the middle of the film Chubby shares with the local wheelchair bound barkeeper Banion (Kenneth McMillan) why him and his wife do not have any children of their own and why Chubby is so deeply attached to his brother Tommy's two (2) children.

There are also strong supporting roles by actors Yvonne Wilder, Kenneth McMillan, Kristen DeBell, Floyd Levine, and Marilu Henner. The interaction between Richard Gere and Marilu Henner helped both actors lead very succesful subsequent film careere.s Although the film runs for less than two (2) hours in length there is a lifetime of memories to capture our attention. Two such memorable examples are the birthday celebration of barkeeper Banion, and the family trip by car that everyone has to wear their Sunday best for as Tommy and Chubby surprise their respective families with what they have purchased for their families future use.

This is a film that is a classic and is worthy of a much higher IMDB rating. Maybe some families just cannot face reality, I for one embrace both the love and hardship almost all blue collar families are confronted with in our daily lives.

I give Bloodbrothers a most deserving 9 out of 10 rating

This adaptation of Price's novel takes such liberties as to make this an almost totally different story.Where do we begin? 1.)The DeCocos,in the story,are a much more grotesque and brutal outfit.Sorvino is much too attractive to play Chubby-it should have been Victor Buono.LoBianco is much too short,and nowhere near ominous enough to do Tommy-it should have been Richard Kiel.And Goldoni is a 100 pounds too light to be playing Marie. 2.)Gere is much too young to be doing Stony.The boy is only 17 years old,and just graduated from high school 2 weeks before the story opens. 3.)The whole business about Sooky involves Chubby-showing that he,in particular,is very unhappy with his marriage. 4.)While Marie is the one who seduces Jack Cutler(as in the book),it is Chubby who,by accident,receives the call from Mrs. Cutler,and,enraged, mistakenly assaults assaults HIS wife.This shows us that even the jovial, genial,good-natured Chubby,who loves his family,has his dark and brutal impulses lying close to the surface. 5.)In the book,after Phyllis is hospitalized,Tommy gives Stony permission,NOT to become an electrician,and Stony CHOOSES NOT to leave his family,staying in the pathological but familiar system to which he is accustomed.In the film,Tommy orders Stony to enter the construction trades,and Stony flees,taking Albert with him.A happy ending,of sorts,which is totally out of synch with the novel. So,it seems that the screenwriters decided to homogenize,clarify,and tack a happy ending onto a novel which was intended to demonstrate a bleak and tragic slice of American life.Perhaps it wouldn't have arrived in screen,otherwise.

Richard Gere had a great year in 1978. He was getting alot of attention from "Looking for Mr. Goodbar", "Days of Heaven" and this movie. I enjoyed this movie very much and that was in large part to the performance of Gere. He plays a nice kid who only wants to work with children and be nice to his little brother, but his Dad (Tony LoBiano) is a macho construction worker who wants his son to be a bad-ass like him. His uncle (Paul Sorvino) is not much more understanding, but he is a little more human than the father. Gere's mother is also very frustrated by the father's inhumanity. There is a subplot involving a bartender (the late Kenneth McMillan) who cannot reach out to his gay son. The theme of the movie is understanding, compassion and love and Richard Gere as 'Stony' personifies these qualities perfectly. I have not read the novel by Richard Price, and I probably should since he is one of my favorite authors.