The Butterfly Murders

Tsui Hark has one of the most unique voices of the Hong Kong new wave that revolutionized action cinema, kung fu and comedy in the late 70s and gave us a deep well of remarkable treasures that has yet to run out. Visually he is certainly among the best in the business, not only in Hong Kong, both as a director and a producer. The Once upon a time in China and Chinese ghost story series being particularly impressive examples of his prowess.

Butterfly Murders already contains many of his future hallmarks, especially in the imaginative cinematography. It's basically a blend of Kung Fu action and Giallo which I had yet to see. As such it is not fully successful. The visuals are quite amazing, very distinct and cinematic. They foreshadow both his own career and the new trajectory of Hong Kong cinema at the nadier of the more theatrical Shaw brothers productions. The limited setting is suspenseful and well utilized. The mystery story setup is also quite intriguing at first, but the conclusion left a few things left to be desired. The same goes for the fight scenes, which aren't done badly by any means but lack the fluency, creativity and splendor you associate with Tsui Hark. It appears he had yet to learn to marry the hypnotic beauty of his narrative shots with his action shots.

It's an entertaining romp throughout, so I don't want to come down on it too harshly, but it should or at least could have crescendoed to a true classic. I usually wouldn't suggest such a thing, but maybe this material could be made to shine with a remake by the master himself.

Who would have thought that this movie would open the door for one of the most legendary movie directors in Hong Kong film history. Although this movie came out almost 25 years ago, but it is like an old wine vintage that only gets better in time, the movie does not feel dated at all.

I checked out this movie to get a feel of what Tsui Hark was like in the beginning, I was not disappointed at all.

The film debut of legendary Hong Kong director and producer Tsui Hark, The Butterfly Murders is a blend of everything and anything into what I'm going to say is an 88-minute new-wave wuxia murder mystery spectacle. If I'm honest, whatever you thought going into this film with a title like that, will not be what you get. Hark's visual style and later hallmarks are on clear display but also tangled up in a plot so confusing that if you look away for a second or even blink, you'll miss vital details and thus the whole story. There is one thing you can infer from the title, however... the butterflies do indeed kill people.

The movie begins with the mysterious death of a the paper mill owner, causing the attention of the Tien Clan into the incident. In the meantime, the owner of Shum Castle invited the people of Tien Clan and Fong Hung Yip (a chronicler of jiang hu history) to stay in their castle, telling them about the butterfly murders that has been going on there. But before Fong and Tien had found out why the butterflies are out killing people, the owner of Shum was murdered by those butterflies. As a result 3 more Jiang Hu leaders were called to the Shum Castle and the mystery of the butterfly murders gradually unfolded.

The story was filled with twists and turns, and the middle of the movie was like a detective story as Fong and the Green Shadow (an unexpected guest at the Shum Castle) were investigating the murders. An extremely interesting and entertaining plot. The set decoration was done exquisitely, especially the labyrinth-like underground tunnel and the place where butterfly specimens were displayed. Unlike other movies in the same genre, the weapons used by the characters (no swords involved) and their costume were all creatively designed. So there is a certain degree of novelty in the movie, even though it was shot in 1979. In fact to some extent, a lot of the recent Hong Kong jiang hu movies had copied the art designs of this movie.

The butterfly invading the Shum castle scene as well as the butterfly killing people scenes were beautifully shot, and reminds me a lot of Hitchcock's The Birds (the difference between the two movie is that this film explains towards the end why the butterflies are killing people).

This film was said to have opened the new page for the Hong Kong New Wave movement in movies. It also proves that Tsui Hark is quite an expert with jiang hu movies. In fact this one is better than some of his later works, like the Blade.

This is an extremely worthwhile movie for the Jiang Hu martial arts fans to watch, especially those who like Crouching Tiger Hidden Dragon.

The new MEI AH DVD "The Butterfly Murders" is a very welcome release, as the only time I have seen this debut effort by TSUI HARK was by watching a very poorly transferred VCD.

The story is confusing enough without having subtitles wholly obscured. That is what happened with the VCD.

The film seems to be only sympathetic towards two characters FONG the writer and a female warrior GREEN SHADOW. In turn they appear allied to the TIEN clan leader, who has also been invited to the SHUM castle.

The castle becomes another character - its exterior grim and barren when the main characters arrive, rather those in AGATHA CHRISTIE's "Ten little Indians". And when they are subjected to the first of many relentless attacks by butterflies, they find refuge underground.

The underground is a maze, with mysterious rooms suddenly appearing and concealing the butterflies themselves; arsenals of elaborate weapons, and so forth.

I wonder if we were not intended to be as confused as all those invited to the castle, to their deaths, as the film plays out: to know is to die, to quote Darius Jedburgh ("Edge of darkness," 1986).

This is one of the few HK films that I have seen that has thrown me re its plot and its characters: it took me a long time to really identify the actors and their characters. That said, I was very impressed with the staging of the action which is plentiful and varied; intrigued with the villain and his suit of body armour (it seemed something out of a Mario Bava slasher film), and quietly applauded the cynical ending, but was upset that once again the filmmakers should use so much Jerry Goldsmith ("Planet of the apes") and Ennio Morricone ("Moses") in the soundtrack.

An entertaining debut by Tsui Hark!