The Corn Is Green

A enlightened story that began with Bette Davis's 1945 first version in a near masterpiece in my point of view, this remake with the classy Katherine Hepburn as TV movie stays few steps behind, but it isn't necessarily far away from of his predecessor at all, Kathy overcame fulsomely a putative weak points, with a masterful performance, she plays an unmarried wise old woman who moved to north Wales and decided open a small school for miners boys who were send to coal mines at tender age without any kind of study or future at sight on those hard times, Mrs. Moffat (Hepburn) realizes that a rough teenage Morgan Evans (Ian Saynor) has a special gift to write prodigal poems, she foresees on the boy a glittering future if her coax him an extensive study, Morgan under a extreme pressure stays drained and willing to quit, Mrs. Moffat doesn't give up and she gets to him run for a scholarship at Oxford University, somehow Mrs. Moffat being a spinster, wager all her hopes in this orphan gift boy as was your own son, moreover although she treats Morgan harshly ,actually she intents that him has a opportunity to be someone, that it's her main target, if he got, she made something for yourself, a movie that letting us to think that nothing was lost for mankind in this vale of tears!!

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First watch: 2020 / How many: 1 / Source: DVD / Rating: 8.25

I usually hate remakes...particularly of movies that were well done in the first place. This is why I resisted watching the 1979 version of "The Corn is Green" for many years. After all, the Bette Davis version is terrific. However, in hindsight, I am thrilled I saw both films...and both are about equally exceptional.

Lilly Moffat (Hepburn) has just inherited her uncle's home in rural Wales. After witnessing the hard life of a typical resident, she feels a burning passion to educate these illiterate folk. So, she turns her home into a school and soon kids come flooding to the school. However, she soon meets an adult who, despite no formal schooling, shows lots of promise.

The rest of the story is about their relationship and her drive to get Morgan to strive for something more out of life.

The acting is THE major reason to see this film. Like Bette Davis, Hepburn is a treasure to watch and the lovely Welsh countryside (something not in the original film) is a major plus. Well worth seeing and a truly unique story that is really something special.

One of the great Kate's best performances of her later years. I liked the Bette Davis version very much, but Hepburn does so much more in the character. The story is hopeful and the ending not "pat". The characters are fleshed out nicely and the direction is truly fine. I am a big fan of Katherine Hepburn and she truly comes alive in this character. The supporting cast manage not to be overwhelmed by their leading lady's performance and round out their characters as I believe the author intended them to evolve. I find it sad that really good made for television movies are dismissed out of hand and forgotten so easily, there are so very FEW of them, but the GOOD ones deserve a place in film history. This is one of the best I have ever seen! I beg the powers that be to release it on DVD!

The Corn Is Green seems to be a play for acting legends only. In America it debuted on Broadway in 1940 with Ethel Barrymore starring as Miss Moffat. Then Warner Brothers bought this property for Bette Davis who delivered a powerful performance and yet free from all the shtick that we've come to know from Bette Davis. Strangely enough she did not get one of her 10 Oscar nominations for it. Finally we have this version that stars Katharine Hepburn done in 1979 when she was close to the age of Ethel Barrymore.

I was not around when Barrymore did The Corn Is Green on Broadway and I would love to have seen what she did with it. I do love what Bette Davis invested in Miss Moffat and I would be hard pressed to say whether Davis or Hepburn, which was the better.

I think those two buddies from Boston, Ben Affleck and Matt Damon, might have seen The Corn Is Green and might have come up with Good Will Hunting. Hepburn has been left a nice large house in the Welsh coal mining district and being a person of social conscience she opens a school for the kids who usually go into the mines at the same time they hit puberty. She spots her Good Will Hunting in the person of Ian Saynor and she resolves to make him realize his potential.

It's an uphill battle against cultural conditioning and Saynor's own doubts and fears. And some very human emotions throw up a big roadblock just as he's realizing a scholarship to Oxford.

The Corn Is Green marked the end of a collaboration between actress Hepburn and director George Cukor which began with her big screen debut in A Bill Of Divorcement. For a film director Cukor was far less successful in eliminating the stage origins of the play than Warner Brothers was with Bette Davis. But he and Hepburn after almost 40 years of collaboration were perfectly in tune in her performance.

The Corn Is Green is an autobiographical work from author Emlyn Williams who did lift himself from the Welsh coal mines and gave the world some wonderful writing and acting. It's a timeless story that begs for another remake. I hope Meryl Streep reads this and considers doing yet another revival.

A late career triumph for both Kate and Cukor this marvelous TV version of the play Ethel Barrymore made famous years before feels like it was written with Hepburn in mind so well does the part fit her. High production values give it the feeling of a feature film and the performances are most enjoyable from all. A wonderful story of the value of learning and the quest for knowledge along with the need to temper it with caring and human interest this is a reminder of the superior quality that used to be offered on American television and rarely is today. Beautiful location filming in Wales completes the charm of this fine offering. Well worth seeking out for anyone looking for superior entertainment.