Long Weekend

Peter and Marcia (John Hargreaves and Briony Behets) are having marital problems. In fact, their marriage is almost over. Peter drags Marcia on a trip to the -very isolated- Aussie seashore. Along the way, the couple spend most of their time fighting -they have a secret- and abusing nature in the same callous way that they treat each other. Slowly, very subtly, nature reacts.

Peter and Marcia are so busy hurting and blaming each other, that they hardly notice the growing menace around them. Like a tightening slipknot, the creatures close in.

LONG WEEKEND has a building atmosphere of approaching, encroaching doom, like the changes in the air before a bad storm. It's not your typical "nature's revenge" film. In this movie, the danger grows in proportion to what we learn about Peter and Marcia's history and true character. Highly recommended...

Peter (John Hargreaves) and Marcia (Briony Behets) are a city couple going through a very rough time in their marriage. But they still go on a weekend excursion to the wilderness for some camping, hiking, surfing, and the like. The problem is that Mother Nature doesn't want to help them have a good time; in fact, just the opposite. It's established early on that they display a callous disregard for the flora and fauna in their midst, and things become nightmarish and keep getting worse.

Chalk up another interesting script for the prolific Everett De Roche ("Patrick", "Roadgames", "Razorback"), who gives us characters obviously not intended to be sympathetic but still is able to get us involved in their plight. Director & producer Colin Eggleston ("Cassandra") is able to develop an overwhelmingly sinister and uneasy atmosphere, injecting melodrama from his characters' lives at select points but never letting it distract from the suspense.

Beautiful scenery and impressive widescreen photography by Vincent Monton combine with lush music composed by Michael Carlos and first rate animal action here. In addition, the scenario manages to keep from being overly predictable, and there is a level of surrealism as we see that Peter and Marcia often end up travelling in circles, and an incident during the weekend, involving a dugong, keeps coming back to haunt them. There are effective animal attacks, but these never become the films' main reason for existing. Instead, the tension between our two main characters (very well played by Hargreaves and Behets) is made more palpable by the situations in which they find themselves.

A somber and serious film, this is well worth a look for any follower of the entire "nature strikes back" genre.

Eight out of 10.

"Long Weekend" is a well-done, environmentally-conscious horror film from Down Under. The plot is rather simple, but makes a point: when you snooty urban dwellers go camping for the weekend, don't do anything to p**s off Mother Nature! Which is exactly what our two selfish, unappealing protagonists do; they also have a marriage that's on the rocks (gee, I wonder if they'll make it through the weekend alive? Any takers?). The acting is good (though the characters are hateful and stupid), and the emotional intensity is complemented by a very brooding atmosphere of impending horror (the night scenes will give you the willies) as Nature gears up for revenge.

6/10

I saw this for the first time recently. It is about a bickering couple who goes for a weekend picnic to an isolated place near a beach. From the beginning, the couple has no regards for mother nature. I found the film slow but creepy at times but as a whole, i didn't enjoy this film.

...when I first saw THE BLAIR WITCH PROJECT, I kept thinking that I'd seen this basic idea before, and this was where it was. The basic setup is different -- this time it's a married couple who take their bickering into a camping weekend -- but the effect is identical, with supernatural forces terrorising them for daring to trespass onto the wrong territory. The suspense is a slow build, and there's even some touches that popped up in later flicks; for instance, the idea for the shot of the scorpion being run over by a truck in close-up during the opening title sequence of NATURAL BORN KILLERS was taken directly from this one. Part of the first major wave of Australian pictures that made a big splash in the States circa '79 and '80 -- among the others were GALLIPOLI, BREAKER MORANT and THE LAST WAVE -- LONG WEEKEND is, unfortunately, one of the forgotten gems of the period. If you ever see an old video of it in a shop somewhere -- anywhere -- grab it. And watch it...