IMDb RATING
4.0/10
8.5K
YOUR RATING
An outlaw smuggler and her alien companion are recruited by the Emperor of the Galaxy to rescue his son and destroy a secret weapon by the evil Count Zarth Arn.An outlaw smuggler and her alien companion are recruited by the Emperor of the Galaxy to rescue his son and destroy a secret weapon by the evil Count Zarth Arn.An outlaw smuggler and her alien companion are recruited by the Emperor of the Galaxy to rescue his son and destroy a secret weapon by the evil Count Zarth Arn.
- Director
- Writers
- Stars
- Awards
- 1 nomination total
Hamilton Camp
- Elle
- (English version)
- (voice)
Fortunato Arena
- Zarth Henchman
- (uncredited)
Salvatore Baccaro
- Neanderthal Man
- (uncredited)
Omero Capanna
- Spaceship Guard
- (uncredited)
Hélène Chauvin
- Amazon
- (uncredited)
Enrico Chiappafreddo
- Escaping Prisoner
- (uncredited)
Domenico Cianfriglia
- Zarth Henchman
- (uncredited)
Candy Clark
- Stella Star
- (English version)
- (voice)
- (uncredited)
Franco Daddi
- Zarth Henchman
- (uncredited)
Dirce Funari
- Amazon Woman
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
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When I saw stills of this movie back in 1979, I thought someone had finally made a film just for me. It had spaceships, and robots and something that Star Wars didn't have: Caroline Munro. I waited in vain for its appearance at the cinema. It turned up on TV one afternoon in the beginning of 1985. Well, it was nearly the film I had been waiting for. Overall, it's got everything a b-movie addict can want: ambitious, but not always successful visual effects, at least one Shakespearian actor forced to recite comic strip dialogue, plenty of continuity errors, and a number of very attractive young women, principally, the said Miss Munro, as Stella Star.
It was a shock to find that the very English tones of Caroline had been dubbed by an American voice artist, but that's the movie business. The French speaking version(even for non-French speakers, such as myself) is preferable. Stella's voice is light and playful, and the robot, instead of the 'amusing' cowboy voice in the English language version, talks in mournful, echoey tones, which, for me, works very well.
Caroline Munro, although playing the central character, gets rather sidelined throughout the proceedings; however, she has two scenes in the first part of the story in which the action revolves around her, and if these are the best parts of the whole movie. Her skirmish with a tribe of amazons makes for a very exciting sequence. Inexplicably, but stunningly clad in a shiny black bikini, and thigh length boots, she dominates this sequence. It's a shame that an important section of it, in which the amazons attach her to a mind-probe device, was deleted because of film exposure problems. The film does, unfortunately, contain several instances where a prop or effect has been abandoned at the last minute, and a build-up is all for nothing.
Seek out one of the early drafts on the script (tucked away on the DVD set, if you dig deep enough), to get some idea of what might have been, had not the production been plagued with misfortune.
There are several ways to enjoy this movie. Pick out the bits you like, and ignore the rest; look on it as a latter-day Flash Gordon Serial-style entertainment (it does rattle along at breakneck speed when it gets going), and forget all about logic, and literacy, and the rules of storytelling; or just shut your eyes and listen to John Barry's fabulous orchestral score.
I like Starcrash for two reasons. Caroline Munro is one of them. The other is the fact that Luigi Cozzi wanted to make the movie he'd always wanted to see. He'd written the script before Star Wars came out, and it was only pressure from the studio that forced him to imitate elements of that film. Conversely, it was budget restraints and studio disputes that hampered his efforts.
At the beginning of this review, I made what may seem like a disparaging remark about the visual effects. In a day when we're used to spectacular CGI extravaganzas produced by hundreds of artists and technicians, and costing millions, it's well to consider that most of the effects on this movie were created by one guy with little time, few facilities and a comparitively tiny budget. It's easy to guffaw at the occasional stray shadow on a sky background, but I think what Armando Valcauda achieved, under the circumstances, was, to quote Stella, 'incredible'.
Ultimately, one of the most appealing shots of Caroline Munro as Stella Star is near the end, when Stella Star is swimming through space, and we get a close-up of her very beautiful smile through the visor of her helmet. It kind of makes you feel better, just looking at her.
It was a shock to find that the very English tones of Caroline had been dubbed by an American voice artist, but that's the movie business. The French speaking version(even for non-French speakers, such as myself) is preferable. Stella's voice is light and playful, and the robot, instead of the 'amusing' cowboy voice in the English language version, talks in mournful, echoey tones, which, for me, works very well.
Caroline Munro, although playing the central character, gets rather sidelined throughout the proceedings; however, she has two scenes in the first part of the story in which the action revolves around her, and if these are the best parts of the whole movie. Her skirmish with a tribe of amazons makes for a very exciting sequence. Inexplicably, but stunningly clad in a shiny black bikini, and thigh length boots, she dominates this sequence. It's a shame that an important section of it, in which the amazons attach her to a mind-probe device, was deleted because of film exposure problems. The film does, unfortunately, contain several instances where a prop or effect has been abandoned at the last minute, and a build-up is all for nothing.
Seek out one of the early drafts on the script (tucked away on the DVD set, if you dig deep enough), to get some idea of what might have been, had not the production been plagued with misfortune.
There are several ways to enjoy this movie. Pick out the bits you like, and ignore the rest; look on it as a latter-day Flash Gordon Serial-style entertainment (it does rattle along at breakneck speed when it gets going), and forget all about logic, and literacy, and the rules of storytelling; or just shut your eyes and listen to John Barry's fabulous orchestral score.
I like Starcrash for two reasons. Caroline Munro is one of them. The other is the fact that Luigi Cozzi wanted to make the movie he'd always wanted to see. He'd written the script before Star Wars came out, and it was only pressure from the studio that forced him to imitate elements of that film. Conversely, it was budget restraints and studio disputes that hampered his efforts.
At the beginning of this review, I made what may seem like a disparaging remark about the visual effects. In a day when we're used to spectacular CGI extravaganzas produced by hundreds of artists and technicians, and costing millions, it's well to consider that most of the effects on this movie were created by one guy with little time, few facilities and a comparitively tiny budget. It's easy to guffaw at the occasional stray shadow on a sky background, but I think what Armando Valcauda achieved, under the circumstances, was, to quote Stella, 'incredible'.
Ultimately, one of the most appealing shots of Caroline Munro as Stella Star is near the end, when Stella Star is swimming through space, and we get a close-up of her very beautiful smile through the visor of her helmet. It kind of makes you feel better, just looking at her.
If you want to see how bad this is, spare yourself the whole thing and just watch the opening scene. Watching the horrible actors manage flub the timing of their three-word sentences is a sight to behold.
Funny? Absolutely! Watching the bad guy order his troops into combat with the stirring words of "Kill!" while they slide down the bat poles will bring a smile to the face of anyone. And that soundtrack, wow!
Forget the nonsensical plot, terrible special effects and poor acting, it's got Christopher Plumber and a bunch of excuses for Stella Star to get attacked by the worst stop-frame animated robots in history. What more could you ask for?
Funny? Absolutely! Watching the bad guy order his troops into combat with the stirring words of "Kill!" while they slide down the bat poles will bring a smile to the face of anyone. And that soundtrack, wow!
Forget the nonsensical plot, terrible special effects and poor acting, it's got Christopher Plumber and a bunch of excuses for Stella Star to get attacked by the worst stop-frame animated robots in history. What more could you ask for?
In the same vein as Jason of Star Command and Flesh Gordon, Starcrash is a campy, fun throwback to the old serials of the 30s and 40s. It looks, feels, and tastes like an old serial, minus the chapters. Yep, it is a cheesey attempt to cash in on the great sci-fi craze of the late 70s, fueled by the likes of syndicated Star Trek reruns, Logan's Run, Close Encounters, Space: 1999, and ESPECIALLY Star Wars, of course. It is guilty as charged. That said, it is an absoloute low-budget blast. For detractors, here's your first clue that this film is not to be taken seriously: A robot with a long, southern drawl. L the cowardly robot is a riot!
Starcrash shamelessly pilfers elements from Invaders from Mars (1953) (a brief appearance by an alien judicial judge), Ray Harryhausen films (a couple of model animated aliens & robots), and Star Wars (a lightsaber duel), not to mention the old serials.
The whole thing never stops to catch its breath, and neither does the viewer, overwhelmed by alternately cheesey and surprisingly good special fx and generally porn-level acting and dialogue. One minute Stella and L are battling Amazons, the next L is gunning it out with troglodytes, and the next Akton is having a lightsaber duel with those model-animated robots. There are psychadelic images and scenes, almost worthy of the equally bizarre Barbarella. And along the way are allusions to classic sf authors Edmond Hamilton, Murray Leinster, and Ray Bradbury.
For the b-movie or old time serial lover, or someone who doesn't mind some campy lightweight space opera, Starcrash really can't be topped.
Starcrash shamelessly pilfers elements from Invaders from Mars (1953) (a brief appearance by an alien judicial judge), Ray Harryhausen films (a couple of model animated aliens & robots), and Star Wars (a lightsaber duel), not to mention the old serials.
The whole thing never stops to catch its breath, and neither does the viewer, overwhelmed by alternately cheesey and surprisingly good special fx and generally porn-level acting and dialogue. One minute Stella and L are battling Amazons, the next L is gunning it out with troglodytes, and the next Akton is having a lightsaber duel with those model-animated robots. There are psychadelic images and scenes, almost worthy of the equally bizarre Barbarella. And along the way are allusions to classic sf authors Edmond Hamilton, Murray Leinster, and Ray Bradbury.
For the b-movie or old time serial lover, or someone who doesn't mind some campy lightweight space opera, Starcrash really can't be topped.
This is probably one of the best/worse movies I've ever seen, and I've been so much looking forward to its official release on DVD... Well at last that's it! Starcrash is available on DVD Region 2 in France! I certainly pray for a French dub option, as it makes the movie even more cheesy than it is! I'm certainly looking forward to seeing it again, as my VHS copy is so used now that it's not correctly read by my VCR. I wonder if it's going to be released in other countries. However, Starcrash is still brilliant... Just to see Christopher Plummer wondering during the whole movie what he's doing and why he accepted the part, know about his fantastic power as the Emperor of the Universe, to stop time for five minutes only, and see David Hasselhoff in one of his first movies ever... Of course, seeing the wonderful Carolin Munroe in a Barbarella-like part is also great fun!
Sometimes i think i like this even more than i like Star Wars.
First it´s got a great soundtrack by John Barry. In fact this soundtrack is so good that he even riped-off from himself, and we can hear a slight diferent version in OUT OF AFRICA, but not much diferent as it is instantly recognizable as the music from STARCRASH, from everyone who loves this italian mega-low budget space opera thing.
Anyway, STARCRASH has something very special to me that i still can´t figure it out to this day.
Even with its cardboard sets, spaceship models ridiculous costumes and clothes, ultra bad dialogue and crapy special effects which in fact are not even effects,much less special, STARCRASH is still one of my all time favorites space movies.
Idiotic villains, half naked space babes, a robbot named HAL with the personality of C-3PO (!!!?), light sabres duels and lots space battles, this movie has it all !
It even has a giant battlestation, with glass windows, vitral style, which are shattered by the good guys when they invade the station inside missile capsules who break all the windows in the final battle. And even with the glass broken nothing happens, no decompression, no air being sucked out into space, nothing ! It´s hilarious. Classic moment in Bad movies no doubt.
Man! Even DAVID HASSELHOF is in this ! A long, long time ago in a galaxy very far away from BAYWATCH. Altough the character of STELLA STAR has everything to be in Baywatch.
I recomend this movie to everybody, who loves Bad movies and particulary if you love science fiction. This is more fun than Star Wars ! :-)
What´s great about STARCRASH is that it doesn´t try to be more than what actualy is, a great bad movie. Even the actors seem to be having fun in this ! Or maybe they´re just desperated to get out of it. :-)
But it works, and it works great.
It´s fun to watch, it has a good 30´s classical plot for space opera story, it is very atmospheric and the soundtrack is beautiful.
Even the sound effects are cool, with very strange eletronic blips and noises, that reminds me of those 50´s invasion movies sometimes.
I guess there is nothing more i can say.
STARCRASH is one of those movies that you either love or hate with all your guts !
I love it.
Just don´t look at this as a serious film, and you´ll have fun for sure watching it. Brilliant stuff !
First it´s got a great soundtrack by John Barry. In fact this soundtrack is so good that he even riped-off from himself, and we can hear a slight diferent version in OUT OF AFRICA, but not much diferent as it is instantly recognizable as the music from STARCRASH, from everyone who loves this italian mega-low budget space opera thing.
Anyway, STARCRASH has something very special to me that i still can´t figure it out to this day.
Even with its cardboard sets, spaceship models ridiculous costumes and clothes, ultra bad dialogue and crapy special effects which in fact are not even effects,much less special, STARCRASH is still one of my all time favorites space movies.
Idiotic villains, half naked space babes, a robbot named HAL with the personality of C-3PO (!!!?), light sabres duels and lots space battles, this movie has it all !
It even has a giant battlestation, with glass windows, vitral style, which are shattered by the good guys when they invade the station inside missile capsules who break all the windows in the final battle. And even with the glass broken nothing happens, no decompression, no air being sucked out into space, nothing ! It´s hilarious. Classic moment in Bad movies no doubt.
Man! Even DAVID HASSELHOF is in this ! A long, long time ago in a galaxy very far away from BAYWATCH. Altough the character of STELLA STAR has everything to be in Baywatch.
I recomend this movie to everybody, who loves Bad movies and particulary if you love science fiction. This is more fun than Star Wars ! :-)
What´s great about STARCRASH is that it doesn´t try to be more than what actualy is, a great bad movie. Even the actors seem to be having fun in this ! Or maybe they´re just desperated to get out of it. :-)
But it works, and it works great.
It´s fun to watch, it has a good 30´s classical plot for space opera story, it is very atmospheric and the soundtrack is beautiful.
Even the sound effects are cool, with very strange eletronic blips and noises, that reminds me of those 50´s invasion movies sometimes.
I guess there is nothing more i can say.
STARCRASH is one of those movies that you either love or hate with all your guts !
I love it.
Just don´t look at this as a serious film, and you´ll have fun for sure watching it. Brilliant stuff !
Did you know
- TriviaChristopher Plummer admitted that he did the film so he could visit Italy for free. In an interview he said "Give me Rome any day. I'll do porno in Rome, as long as I can get to Rome. Getting to Rome was the greatest thing that happened in that for me."
- GoofsStella Star's wardrobe changes many times during a single scene through the entire film. At one point, her leather two-piece attire has a red collar and straps across her midsection. They disappear and later reappear during the same scene.
- Quotes
The Emperor: You know, my son, I wouldn't be Emperor of the Galaxy if I didn't have some powers at my disposal. Imperial Battleship, halt the flow of time!
- Alternate versionsThere are two versions of this film, the U.S Theatrical Version and the longer European Version which has more opening titles.
- ConnectionsEdited into Escape from Galaxy 3 (1981)
- SoundtracksStarcrash Main Title
Written and Arranged by John Barry
Details
- Runtime
- 1h 32m(92 min)
- Sound mix
- Aspect ratio
- 1.85 : 1
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