IMDb RATING
6.9/10
530
YOUR RATING
Teddy, a troubled Vietnam veteran, has his car break down near a Texas roadside diner. He goes inside and subjects the diners to physical and mental torture.Teddy, a troubled Vietnam veteran, has his car break down near a Texas roadside diner. He goes inside and subjects the diners to physical and mental torture.Teddy, a troubled Vietnam veteran, has his car break down near a Texas roadside diner. He goes inside and subjects the diners to physical and mental torture.
Featured reviews
It's been over 20 years since I've seen this movie and it's every bit as good as I remember it. Marjoe Gortner is most convincing as a sociopath tormenting small town folks and passersby with a touching love story in the background. Great soundtrack too! When You Coming Back Red Ryder? deserves to be rereleased on DVD.
I seen this movie years ago on television and remember thinking then that it was too violent for TV. I wish I had seen the theatrical version. This lost gem of a movie stuck in my mind. Sure, like any movie it has it's tedious parts but as it progresses it just gets better & better.
The end of William Peter Blatty's "The Nith Configuration" borrows from this movie. The ending in RR is one of the most intelligent best endings I have seen in any movie ever. I noticed on other reviews nobody explains or tells of the "SURPRISE ENDING". So, I will not either. I just know it has probably one of the best endings in film next to "Dirty Mary, Crazy Larry".
The end of William Peter Blatty's "The Nith Configuration" borrows from this movie. The ending in RR is one of the most intelligent best endings I have seen in any movie ever. I noticed on other reviews nobody explains or tells of the "SURPRISE ENDING". So, I will not either. I just know it has probably one of the best endings in film next to "Dirty Mary, Crazy Larry".
10PeteStud
Dont listen to the bad reviews, this is one of the greatest psychological dramas of all time, right up there with WHOSE AFRAID OF VIRGINIA WOLFE & THE ANNIVERSARY but with way more dark overtones and up dated by utilising the political confusion of the transition between the early 50s and late turbulent 60s. Marjoe Gortner is on fire here as the psychotic ex Nam vet Teddy who singlehandedly terroises the inahbitants and few customers at a roadside diner with psychological terror and intimidation. Sure, the movie drags a little in the first half hour, setting up the case scenarios of the players ala PULP FICTION but by golly when they all meet up at the deserted diner are you in for a treat in psychological warfare. Peter Firth is absolutely fantastic in the role as Stephen (Red) Ryder and this really can be seen as a coming of age film and a depressing view into the life of Jerry Springer style poor white trash in small country towns. There is a 90s movie titled ALBINO ALLIGATOR that borrows heavily from this movie but falls oh so short. Red Ryder improves with repeated viewings and starts to resmble a black comedy in places. Itll make you laugh, sigh, frightened and when it gets going will have you at the very edge of your seat.This movie is awesome and should be re-submitted for its deserved (but currently out of reach) cult status. My second favourite movie of all time. love it or hate it you wont regret it. For those who hated it I plead for you to check this out again. There is way more in this film that meets the eye.Although far from being first rate technically this is without doubt a brilliant film on many other rare untouched levels.Now can some one out there release this on DVD already!??? I also recommend seeing the MARJOE documentary..AFTER this movie....essential viewing.
Most descriptions of this movie read something like "psycho Vietnam veteran terrorizes roadside diner patrons" or "bad movie adaptation of Medoff's stage play" and though these may be accurate surface descriptions, the movie deserves far more comment than that. As the movie progresses, each character's deepest motivations and fears are revealed and what is exposed is the shallow values, ignobleness and dark fears of mankind.
Marjoe Gortner's youthful rage manifest's itself strikingly as he rants on a each of the diner patrons. His cynism is directed at pretentious city intellectuals (Hal Linden and Lee Grant), small town folk (Stephanie Faracy), self-righteous do-gooder (Pat Hingle), bad-ass-wannabe (Peter Firth) and even the protagonist's girlfriend (Candy Clark). The film gives a whole new meaning to the American perception of machismo and much of this can be difficult as well as fascinating to watch.
The most interesting thing about this film however is that it has gone virtually unnoticed since the day it was released. It lasted in the theaters only a few weeks and the edited versions, which have only rarely appeared on non-cable TV, truly ruined the entire effect of RR. The movie was overlooked by the critics and the public for several reasons.
The critics labeled the movie "better as a stage play" and "it's been done before" and "overacted". For reasons that I have never completely understood, movie critics typically dislike stage plays made in to movies unless a lot of flashy camera work and new spirited locations make the play-now-a-movie fit more conventionally into the film art form. What critics fail to realize is that the general public does not have access to good theater and even if a movie is literally a play shot on film, one can now get the subtle nuances of close-up facial expressions and the quality dialogue that stage plays require and movies often go without. Some critics said the film was similar to other films such as The Petrified Forest yet these same critics can never seem to get enough gangster movies, boxer movies or movies about Hollywood professionals. Red Ryder has about as much in common with Petrified Forest as Platoon had in common with Green Berets. And the criticism that Gortner overacted ...... my god that WAS the point !!!
The public overlooked the movie mainly due to the marketing. A long non-descriptive title stunted audience draw and RR lacked the graphic exploitative violence that so often the public looks for in a movie that was touted as "he is getting even with every woman who slapped your face and every man that ....". A more accurate title (possibly "Unexamined Lives") and a descriptive byline like "he is here to prove to you that there is really nothing decent about anyone" may have at least got the right people in the movie house. Of all the mind pap available on video these days, such as Armageddon, it is a crime that this masterpiece has been lost to history.
Marjoe Gortner's youthful rage manifest's itself strikingly as he rants on a each of the diner patrons. His cynism is directed at pretentious city intellectuals (Hal Linden and Lee Grant), small town folk (Stephanie Faracy), self-righteous do-gooder (Pat Hingle), bad-ass-wannabe (Peter Firth) and even the protagonist's girlfriend (Candy Clark). The film gives a whole new meaning to the American perception of machismo and much of this can be difficult as well as fascinating to watch.
The most interesting thing about this film however is that it has gone virtually unnoticed since the day it was released. It lasted in the theaters only a few weeks and the edited versions, which have only rarely appeared on non-cable TV, truly ruined the entire effect of RR. The movie was overlooked by the critics and the public for several reasons.
The critics labeled the movie "better as a stage play" and "it's been done before" and "overacted". For reasons that I have never completely understood, movie critics typically dislike stage plays made in to movies unless a lot of flashy camera work and new spirited locations make the play-now-a-movie fit more conventionally into the film art form. What critics fail to realize is that the general public does not have access to good theater and even if a movie is literally a play shot on film, one can now get the subtle nuances of close-up facial expressions and the quality dialogue that stage plays require and movies often go without. Some critics said the film was similar to other films such as The Petrified Forest yet these same critics can never seem to get enough gangster movies, boxer movies or movies about Hollywood professionals. Red Ryder has about as much in common with Petrified Forest as Platoon had in common with Green Berets. And the criticism that Gortner overacted ...... my god that WAS the point !!!
The public overlooked the movie mainly due to the marketing. A long non-descriptive title stunted audience draw and RR lacked the graphic exploitative violence that so often the public looks for in a movie that was touted as "he is getting even with every woman who slapped your face and every man that ....". A more accurate title (possibly "Unexamined Lives") and a descriptive byline like "he is here to prove to you that there is really nothing decent about anyone" may have at least got the right people in the movie house. Of all the mind pap available on video these days, such as Armageddon, it is a crime that this masterpiece has been lost to history.
I recall thinking this movie would be uninteresting when I first saw it on HBO back in 1984, but this in not the kind of movie I could forget about a month later. No wonder so many stage recreations have been done. The many characters are so identifiable, so authentic in their behavior. I have to wonder where the writers got their material. As one who was born and spent many years in west Texas, this is like a compressed version of many years of my life. Thank God, the extreme bad guys like Teddy are rare, but they do exist. I recall a guy like him who started a serious fire at the school during the summer. It's too bad that this movie is not available anywhere or ever shown these days.
Did you know
- TriviaBrad Dourif played the role of Stephen in a stage production of the play. Dourif was asked to reprise the role for the film, but turned said offer down because he didn't want to work with Marjoe Gortner.
- Quotes
Customs Man: Do you have anything to declare?
Teddy: Two gallons of rum, and a considerable amount of cocaine!
- ConnectionsReferences Adventures of Red Ryder (1940)
- SoundtracksYou're Nobody Till Somebody Loves You
Written by James Cavanaugh, Russ Morgan and Larry Stock
Performed by Andy Williams
- How long is When You Comin' Back, Red Ryder??Powered by Alexa
Details
Box office
- Budget
- $1,800,000 (estimated)
- Runtime
- 1h 58m(118 min)
- Sound mix
- Aspect ratio
- 1.85 : 1
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