A film crew comes to a village to make a film about a famine, which killed five million Bengalees in 1943.A film crew comes to a village to make a film about a famine, which killed five million Bengalees in 1943.A film crew comes to a village to make a film about a famine, which killed five million Bengalees in 1943.
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St want to say shortly that this kind of flim are those types which should have won oscar at the academy awards
'Aakaler Sandhane' (In Search of Famine) to my mind is one of the best films Mrinal Sen ever made. His superb touch, some puckish humour and sense of drama is backed up by some wonderful acting. No wonder this film simply ran away with every award in India and the Silver Bear in Berlin.
The story is about a film company which sets out to make a film on the Great Bengal Famine of 1943. They select a village in rural Bengal for outdoor shooting and start work. The story weaves around the trials of the troupe in the village.
To me, the best part of the film is the way Mrinal Sen interlaces three distinct themes. The first is the superficial story of the film company and the difficulties they face. The second is the class distinctions conservatism and prejudices that permeates village society and the third is a scathing criticism that 50 years after independence, stark poverty still exists and famine still stalks the land.
The story is about a film company which sets out to make a film on the Great Bengal Famine of 1943. They select a village in rural Bengal for outdoor shooting and start work. The story weaves around the trials of the troupe in the village.
To me, the best part of the film is the way Mrinal Sen interlaces three distinct themes. The first is the superficial story of the film company and the difficulties they face. The second is the class distinctions conservatism and prejudices that permeates village society and the third is a scathing criticism that 50 years after independence, stark poverty still exists and famine still stalks the land.
I watched this film with a lot of expectations. Maybe that is why now i feel kind of dissapointed. Don't get me wrong. It is an excellent film by its own merit. There is no doubt about it. It has a a unique 'film within a film' premise. It tries to focus on one of the the darkest corners of bengal history. There is also a ' art vs reality' vibe undercurrent here. Moreover it has a political element. The director tried to shed light on the class struggle between the proletariats and the elite and how it may have a role in engendering famine. This film deals with so many serious issues that it cannot help but be preachy at times. Especially the local school headmaster character and his sermons feel kind of forced. Look, i get the points the director wanted to make but in doing so, he sacrificed a good deal of spontaneity.
"Akaler Sandhane" is a hauntingly beautiful and deeply layered Bengali film that transcends time and narrative. Directed by the legendary Mrinal Sen, the movie brilliantly blurs the line between reality and fiction as a film crew sets out to portray the 1943 Bengal famine - only to find themselves emotionally entangled with the real struggles of the village they're filming in.
The strength of the film lies not just in its socio-political message, but in its storytelling style - subtle, self-reflective, and disturbingly relevant. Sen masterfully critiques both the cruelty of historical famine and the ethical dilemmas of artists trying to recreate human suffering.
Performances are pitch-perfect - particularly by Smita Patil and Dhritiman Chatterjee - capturing raw vulnerability and conflicted conscience. The cinematography, stark and poetic, pulls you right into the emotional landscape of the film.
This is not just a film about a famine - it's a film about representation, responsibility, and the power imbalance between those who suffer and those who tell their story
A must-watch for lovers of meaningful cinema.
The strength of the film lies not just in its socio-political message, but in its storytelling style - subtle, self-reflective, and disturbingly relevant. Sen masterfully critiques both the cruelty of historical famine and the ethical dilemmas of artists trying to recreate human suffering.
Performances are pitch-perfect - particularly by Smita Patil and Dhritiman Chatterjee - capturing raw vulnerability and conflicted conscience. The cinematography, stark and poetic, pulls you right into the emotional landscape of the film.
This is not just a film about a famine - it's a film about representation, responsibility, and the power imbalance between those who suffer and those who tell their story
A must-watch for lovers of meaningful cinema.
Just adding what I inferred as the message of the movie
(Caveat: I am not an avid film buff and see very few movies in a year. So my interest and exposure to films is limited. This may be considered before the reader takes any of my ratings/comments/reviews seriously.
Given this rider, I am open to correction anytime by anyone.)
The film tries to convey the message that there is often thin and blurred line between fiction and reality.
In the movie, the villagers fear that playing the role of a 'fallen woman' would make a woman a 'fallen woman' in the eyes of society (the villagers).
Similarly the film crew is insensitive to the villagers need and does not think it is creating a 'famine' by taking away the village produce for its own extravagant consumption.
The film tries to convey the message that there is often thin and blurred line between fiction and reality.
In the movie, the villagers fear that playing the role of a 'fallen woman' would make a woman a 'fallen woman' in the eyes of society (the villagers).
Similarly the film crew is insensitive to the villagers need and does not think it is creating a 'famine' by taking away the village produce for its own extravagant consumption.
Did you know
- ConnectionsFeatured in Celluloid Man (2012)
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- Die Suche nach der Hungersnot
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- 1h 55m(115 min)
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