A Christmas Without Snow

Trials and tribulations of the various members of a not-so-hot San Francisco church choir while preparing their snowless California Christmas concert of Handel's "Messiah". Revolving around a divorcee (Michael Learned) newly arrived from Omaha, where, Christmas come, it snows. Distinguished cast of veteran, largely stage, actors, portraying distinct characters with distinction, in a somewhat- less-sappy-than-Hallmarkesque heart-tugger, presided over by the inimitable John Houseman in a superb signature performance. An appreciation of choral music highly recommended for fullest viewing enjoyment.

As the title suggests, not just a run-of-the-mill holiday movie.

We watched this movie two nights ago and found it quite different. The main character is a newly divorced woman who moves to San Francisco from Nebraska, leaving her pre-teen son with his grandparents until she can make enough money to send for him. Frustrated by the lack of available teaching positions, she works as a "floating" office temp. To have some consistency in her life she joins the church choir as it is beginning to rehearse Handel's Messiah. The movie is about this woman's interaction with the other choir members and challenges the choir faces leading up to the performance of this music. Watch for Ruth Nelson (Inez) as a sweet, older realist who is quite an encourager. She also played the encouraging teacher in A Tree Grows in Brooklyn from the 1940's.

I saw this movie when it first premiered, and missed it ever since. I only recently found it on a DVD, packaged with a collection of other Xmas specials. It was wonderful seeing it again, despite the fact that no attempt was made to restore the now seriously degraded film before digital transfer.

I remember two great TV Christmas films from my childhood and youth. One was The Gathering, which starred Ed Asner. The other was A Christmas without Snow. Both movies captured the spirit of Christmas from a time when the season was about faith, community and family, and reflection, rather than shopping, decorating and gluttony.

A Christmas without Snow is a charming film about the true meaning of Christmas, and the fact that keeping that meaning is rarely easy, but always rewarding. And the reward is, or should be, a sense of quiet satisfaction and contentment.

This is one of those TV movies that builds quietly and steadily to an emotional finish. Michael Learned plays a recently divorced woman who moves to another city with her slightly rebellious teenager. She has to build her life again among strangers, and she begins by joining a local church and their choir. The choirmaster, played with real spleen by John Houseman, is a perfectionist and they clash right from the start. Learned has many other pressures in her life, not the least of which is an ex-husband trying to gain favor with his son, and she begins to feel that the choirmaster is more an enemy than a friend. Just when she's ready to quit the choir, several things happen that reaffirm her faith in God and in herself, and she stays.

This isn't shown anymore, and is difficult to find. But it's worth a look if you run across it, and it's perfect for the Christmas season.

This seemingly forgotten telefilm is far and away better that the current crop of yuletide dreck being offered by the likes of the Hallmark Channel and various others. A Christmas Without Snow offers a great cast, intelligent writing, and characters we care about. As other reviews have stated, Michael Learned plays a divorcée starting over in San Francisco who, in an attempt to find some stability, joins a church choir which is about to attempt an ambitious mounting of Handel's Messiah. John Houseman is the no-nonsense director who demands perfection from his choir. As the choir progresses toward its performance of the musical masterpiece, we gain insight into the lives and personalities of various members. What other reviewers have missed is the sense of community among the diverse parishioners/choir members, something that reflects positively on the traditional Christian church. In almost vignette-type fashion, we get to know these people, their loves, hopes, hurts, and see them rally together to tackle the Messiah and also the various problems they encounter as a church and as individuals. There are no quick fixes, no tidy happy endings. Yet these people have each other and the satisfaction of working hard at their endeavors. There's support, there's love, and there's a lot that is healthy and thriving and growing. Intelligent and life-affirming without being syrupy. Recommended.