Flash Gordon

A football player is tricked to travel the planet Mongo and finds himself forging friendships while fighting a tyrant, Ming the Merciless, to save Earth.

Lacking the production values and execution of the comparable Star Wars, Flash Gordon retains its comic-strip and Saturday morning matinée serial feel, possibly thanks to a troubled production and Lorenzo Semple Jr. screenplay.

Peter Wyngarde plays masked villain Klytus elegantly creepy (possibly and inspiration for He-Man's Skeletor) and with Mariangela Melato Kala's (oddly He-Man borrows another character this time Evil-Lynn) leads the assault while The Emperor Ming played subtly by  Max von Sydow takes a back seat. It's this distance between the protagonist and antagonist that hampers the film but on the other hand it's works to its credit allowing an array of colourful characters to line the screen including Brian Blessed as Prince Vultan who's delivers a barrage of classic lines while Timothy Dalton to graces the screen as dashing Errol Flynn alike Prince Barin.

Flash's love interest Dale Arden is played by Melody Anderson Dale is the perfect 1950's style every day New Yorker. Flash lacks Charisma, history may have been different should Kurt Russell had committed.  Either way Sam J. Jones Flash Gordon does the job. There's tones of familiar faces including UK's Richard O'Brien, Robbie Coltrane and Blue Peter's Peter Duncan. Sultry Ornella Muti is perfect as Ming's daughter Princess Aura nevertheless there's no doubt Topol steals every scene as unhinged science 'genius'  Dr. Hans Zarkov.

While characters arcs change pacer than Queen's memorable pumping and notable soundtrack amongst themes of forging friendships, suicide, death, sacrifice and resurrection to name a few there's spaceships, poisonous creatures, red-clad guards and enough sequins to start a cabaret show all the things you'd expect from a science fiction.  Beneath the bright and lustre costumes there's a dark and rebel subtext. 

Director Mike Hodges gives us many stand out scenes including a battle to the death on a remote control tilting platform with retractable spikes, an American football inspired fight, a space shuttle assault, gooey spider-monster and girls cat fight. There's also some nice touches during Zarkov and prince escape that stay in the mind.  The effects are a mixed bag with projection and composites heavy utilised, again it gives it's that hammy serial feel but hampers Flash's longevity as a rounded work of art. Even so it packs in so many memorable characters, lines and moments that it retains a must seem charm.

Flash Gordon is flawed as much as the actor title role, it never fully explores the characters, yet, it's well defined and still is a lot of fun. Gordon's alive!

Colorful, silly fun, at times campy, Mike Hodges's 1980 "Flash Gordon" is among those movies that are less than the sum of their parts. Made on shoe-string budgets with C-picture performers and crew for young undemanding viewers, the original 1930's Flash Gordon serials are unintentionally funny to adults today. To recapture the innocence and naivete of those movies with a big budget and trained actors is a difficult task, although Hodges's "Flash Gordon" makes a decent attempt. Lorenzo Semple's screenplay tracks the original serials fairly well; Flash and Dale Arden are taken aboard Doctor Hans Zarkov's spacecraft and flown to the planet Mongo, where they battle Emperor Ming the Merciless to save the Earth. Semple's script has enough classic bad dialog to satisfy seekers of camp; "I love you Flash, but we only have 14 hours to save the Earth." However, the difference between Semple's script and the original series is that Semple knew he was writing bad dialog, while the writers of the serial were unintentionally hilarious.

That difference in intention also applies to the actors; Buster Crabbe and company played the serials dead-pan straight, and those in the remake who play their parts equally straight come off best. The under-demanding role of Flash requires the skills of a Razzie Award Winning thespian, and, Sam J. Jones won a Razzie nomination for his work herein. Although not a super hero in the modern sense, the blonde hunk, who sports nothing but leather trunks in one scene, physically fills the role, and Jones manages to deliver his lines with a convincing lack of conviction as the dim, but well meaning Flash. However, the movie's scene-stealer is Max Von Sydow as Ming the Merciless; appropriately garbed and made-up as the evil emperor, Von Sydow plays the role with majesty and menace, which is all the more fun. Unfortunately, Topol as Doctor Zarkov, does not follow Von Sydow's example and winks and smiles as the mad scientist, telegraphing to viewers that he is in on the joke. But Brian Blessed as the winged Prince Vultan, Timothy Dalton as Prince Barin, and, especially, the delicious Peter Wyngarde as Klytus deliver their lines as though penned by the Bard himself. Although Mariangela Melato is a memorable Kala, Melody Anderson as Dale Arden should have been in the running for a Razzie alongside Jones, which is intended as a compliment.

Besides Von Sydow, the film's other scene-stealer is designer Danilo Donati, who provided the lavish Fellini-esque costumes and sets. While Donati's work tends to emphasize red and gold, which may not be to everyone's taste, his outlandish designs are as entertaining as anything on display and certainly light years beyond those of the 1930's serials. If Donati or another anonymous designer created the Art-Deco spaceships, he or she too deserves kudos as do the creators of the appropriately tacky and obvious special effects, which beautifully evoke the primitive work of the 1930's serials. As contemporary and important as the art direction is the pulsating score by Queen that punctuates the action and enhances the excitement. While "Flash Gordon" is not the high camp perhaps intended, the film has a cult following and enough outstanding attributes to satisfy main-stream audiences. Led by Max Von Sydow's iconic Ming the Merciless, Queen's pounding music, and Danilo Donati's dazzling designs, "Flash Gordon" may not be to everybody's taste, but should be savored by all at least once, just for the sheer fun of it all.

Yes, the plot is silly, yes the dialogue is cheesy and yes, some of the special effects are badly done, but nonetheless it is great fun. Like Rocky Horror Picture Show, Congo and Jingle All the Way, Flash Gordon is a sort of guilty pleasure of mine. The costumes are quite extravagant and the sets are exotic. Then you have an irresistibly killer soundtrack from Queen, who also brought us the classics We Will Rock You and Bohemian Rhapsody. The direction is pretty good and the acting is surprisingly great. Sam J Jones is bad with his cheesiness but he was fun besides, thank goodness he wasn't bland like Justin Whalin from Dungeons and Dungeons, and Melody Anderson is charming and alluring as Dale. Brian Blessed is very hammy as Vultran but he is great fun regardless and Topol, who was so superb in Fiddler on the Roof, is memorable as Dr Hans Zarkov. And while Ornella Muti is a wonderfully witty and sexy Princess Aura, it is Max Von Sydow who walks away with the picture, pantomime of course but sinister as well and I appreciated that. Overall, not perfect and camp personified, but very enjoyable. 7/10 Bethany Cox

The Emperor Ming (Max von Sydow) is attacking the Earth. Only former NASA scientist Dr. Hans Zarkov (Topol) seems to have foreseen it. He intends to launch himself in his rocket as a 'counter-attack'. NY Jets star quarterback Flash Gordon (Sam J. Jones) is taking a commuter flight. He survives the plane crash along with fellow passenger Dale Arden (Melody Anderson). Zarkov tricks the duo into his rocket and launches them into space. They are taken prisoner to find Ming's tyrannical rule over the various kingdoms. Prince Barin (Timothy Dalton) leads the kingdom of Arboria. Hawkman Prince Vultan (Brian Blessed) runs Sky City. Ming's daughter Princess Aura (Ornella Muti) is fascinated with Flash. Ming takes Dale as his concubine.

This is brilliantly colorful and deliciously campy. The Queen soundtrack is second to none. The acting is big but it fits the style. Parts of it goes a bit too slowly. Some scenes are very static. Even the actors move slowly as an old-fashion way to denote drama. Sometimes it needs more energy to maintain the tension. This is an unique vision and a fun watch if you don't take it seriously.

During the middle section of this movie, our hero 'Flash' Gordon, accompanied by Ornella "Most beautiful woman in the world" Muti, witnesses ex Bond Timothy Dalton giving ex Blue Peter presenter Peter Duncan the sweet merciful release of death by putting him to the(cardboard) sword (offscreen). "Its an initiation" purrs the shapely Muti, "I just love initiations".

This 1980 version of the perennial Saturday morning sci-fi cliffhanger is a feast for the senses. That is, if your senses crave lashings of junkfood. With an eye meltingly lurid palette of colours and rocktastic Queen soundtrack Flash Gordon was the perfectly overblown movie for the start of an overblown decade. The costumes are extravagantly cheesy, the effects farcical, the acting hilarious.

Almost every minor character was hammed up to perfection by the cream (or perhaps custard) of character actors of the time including such luminaries as Rocky Horrors Richard O Brien, Phillip "I corrected them" Stone from the Shining and the half-man, half-beast that is Brian Blessed.

The only minor flaw in this popcorn delight is the fact that it is, in almost every way - a terrible, awful movie - I HIGHLY recommend it.