IMDb RATING
7.4/10
2.5K
YOUR RATING
The adventures of a brave young boy who travels from planet to planet in a determined quest to avenge his mother's death.The adventures of a brave young boy who travels from planet to planet in a determined quest to avenge his mother's death.The adventures of a brave young boy who travels from planet to planet in a determined quest to avenge his mother's death.
- Awards
- 1 win total
Masako Nozawa
- Tetsurô Hoshino
- (voice)
Masako Ikeda
- Maetel
- (voice)
Yôko Asagami
- Claire
- (voice)
Miyoko Asô
- Tochirô's Mother
- (voice)
Toshiko Fujita
- Shadow
- (voice)
Banjô Ginga
- Captain of the Guard
- (voice)
- (as Takashi Tanaka)
Yasuo Hisamatsu
- Antares
- (voice)
Makio Inoue
- Captain Harlock
- (voice)
Tatsuya Jô
- Narrator
- (voice)
Kaneta Kimotsuki
- Conductor
- (voice)
Gorô Naya
- Doctor Ban
- (voice)
Noriko Ohara
- Ryûzu
- (voice)
- …
Ryûji Saikachi
- Bartender
- (voice)
Reiko Tajima
- Queen Emeraldas
- (voice)
Kei Tomiyama
- Tochirô Ôyama
- (voice)
Featured reviews
this movie is a classic of the genre. deals with innocense lost, the idolization of parental figures, the journey myth. everyone in the movie, even the secondary characters, has an agenda and a complexity lacking most american live-action movies, let alone the animated ones.
one of the best things about this movie is its use of iconographic imagery, the trains, the pirate ships. in the future where bodies can be replaced by machines without trouble, why not have trains and pirate ships. their allagoric status is made more powerful by their total out-of-place-edness within an outer space environment.
what's more, their importance to the characters becomes clear. in a world where the loss of body can lead to the callousness displayed by the "evil" characters, and their eventual loss of inner humanity, icons of what it means to be human become that much more important. each character in this movie is ultimately looking for that which makes them who they are. the landmarks of their collective pasts as the human race are important.
the best anime, in my humble opinion, is that which asks those questions because it is in the peculiar position of being able to explore it in fantastic ways. GE999 works well along those lines.
*drops $.02 in jar*
one of the best things about this movie is its use of iconographic imagery, the trains, the pirate ships. in the future where bodies can be replaced by machines without trouble, why not have trains and pirate ships. their allagoric status is made more powerful by their total out-of-place-edness within an outer space environment.
what's more, their importance to the characters becomes clear. in a world where the loss of body can lead to the callousness displayed by the "evil" characters, and their eventual loss of inner humanity, icons of what it means to be human become that much more important. each character in this movie is ultimately looking for that which makes them who they are. the landmarks of their collective pasts as the human race are important.
the best anime, in my humble opinion, is that which asks those questions because it is in the peculiar position of being able to explore it in fantastic ways. GE999 works well along those lines.
*drops $.02 in jar*
The animation isn't great, but it does have a certain charm. The design of the new world which is based on a very old one is striking. The story is intriguing, as it stars a little boy on a quest to avenge the death of his mother. During his journey he acts like a snotty little brat, but in the process helps a lot of people and they in turn help him.
The film is very long at over two hours and after half of it is gone, it seems as if the story is going to end soon, but it doesn't, it unfolds into different layers. However it remains fundamentally simplistic, abstracted in a way that it seems at the same time both naive and deep.
Common themes can be found in the plot, like the child avenging his mother, innocent love, machines that dehumanize, humans that do everything for their souls and so on, but each substory shows a different aspect of humanity so that in their simplicity, they all gather together to form a deeper meaning.
Bottom line: I don't regret seeing it. It is certainly a beauty for its time and it has an interesting story. I even recommend watching it.
The film is very long at over two hours and after half of it is gone, it seems as if the story is going to end soon, but it doesn't, it unfolds into different layers. However it remains fundamentally simplistic, abstracted in a way that it seems at the same time both naive and deep.
Common themes can be found in the plot, like the child avenging his mother, innocent love, machines that dehumanize, humans that do everything for their souls and so on, but each substory shows a different aspect of humanity so that in their simplicity, they all gather together to form a deeper meaning.
Bottom line: I don't regret seeing it. It is certainly a beauty for its time and it has an interesting story. I even recommend watching it.
One word can describe this movie and that is weird. I recorded this movie one day because it was a Japanese animation and it was old so I thought it would be interesting. Well it was, the movie is about a young boy who travels the universe to get a metal body so he can seek revenge. On the way he meets very colorful characters and must ultimately decide if he wants the body or not. Very strange, if you are a fan of animation/science-fiction you might want to check this out.
I saw this as a child in the late eighties and I must say, Galaxy Express is one of those films that sticks in your imagination for a long time. If you've never understood the appeal of anime, discovering this film may be your golden ticket to Otaku-town.
The story is as delicate and poetic as Ridley Scott's Blade Runner. The cell animation, while somewhat traditional, possesses a vivid style that explosively portrays Leiji Matsumoto's great talent for character design and visual storytelling.
This is one of those unique children's films like Star Wars, The Dark Crystal and The Wizard of Oz that completely transcends 'family entertainment' status and stands as a classic of cinema on its own terms.
I highly recommend this film.
The story is as delicate and poetic as Ridley Scott's Blade Runner. The cell animation, while somewhat traditional, possesses a vivid style that explosively portrays Leiji Matsumoto's great talent for character design and visual storytelling.
This is one of those unique children's films like Star Wars, The Dark Crystal and The Wizard of Oz that completely transcends 'family entertainment' status and stands as a classic of cinema on its own terms.
I highly recommend this film.
I was at my sister's apartment one night when I was around 14, and you know how it is when there is nothing on TV but you are bored so you keep flipping around, well this movie came on around 10 o'clock and I started watching it and although I wasn't able to follow what was going on exactly, I just could not turn it off. This movie was my first taste of Anime and it seems good Anime does that too you. I was deeply moved by Galaxy Express, to the point that I almost started crying towards the end. Quite a magical, imaginative movie. But yes, very very strange. I stayed up until two in the morning to see how it turned out.
Did you know
- TriviaJanyse Jaud's debut and her voice is many TV series and films.
- GoofsThe length of the Galaxy Express 999 is inconsistent. A car count reveals that the number of cars varies from shot to shot.
- Alternate versionsAround 35 minutes was cut from the original for the New World Pictures's Roger Corman's release.
- ConnectionsEdited into Gamera: Super Monster (1980)
- How long is Galaxy Express 999?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- Galaxy Express 999: The Signature Edition
- Production companies
- See more company credits at IMDbPro
- Runtime
- 2h 9m(129 min)
- Color
- Aspect ratio
- 1.33 : 1(original ratio)
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