IMDb RATING
7.4/10
2.5K
YOUR RATING
The adventures of a brave young boy who travels from planet to planet in a determined quest to avenge his mother's death.The adventures of a brave young boy who travels from planet to planet in a determined quest to avenge his mother's death.The adventures of a brave young boy who travels from planet to planet in a determined quest to avenge his mother's death.
- Awards
- 1 win total
Masako Nozawa
- Tetsurô Hoshino
- (voice)
Masako Ikeda
- Maetel
- (voice)
Yôko Asagami
- Claire
- (voice)
Miyoko Asô
- Tochirô's Mother
- (voice)
Toshiko Fujita
- Shadow
- (voice)
Banjô Ginga
- Captain of the Guard
- (voice)
- (as Takashi Tanaka)
Yasuo Hisamatsu
- Antares
- (voice)
Makio Inoue
- Captain Harlock
- (voice)
Tatsuya Jô
- Narrator
- (voice)
Kaneta Kimotsuki
- Conductor
- (voice)
Gorô Naya
- Doctor Ban
- (voice)
Noriko Ohara
- Ryûzu
- (voice)
- …
Ryûji Saikachi
- Bartender
- (voice)
Reiko Tajima
- Queen Emeraldas
- (voice)
Kei Tomiyama
- Tochirô Ôyama
- (voice)
Featured reviews
this movie is a classic of the genre. deals with innocense lost, the idolization of parental figures, the journey myth. everyone in the movie, even the secondary characters, has an agenda and a complexity lacking most american live-action movies, let alone the animated ones.
one of the best things about this movie is its use of iconographic imagery, the trains, the pirate ships. in the future where bodies can be replaced by machines without trouble, why not have trains and pirate ships. their allagoric status is made more powerful by their total out-of-place-edness within an outer space environment.
what's more, their importance to the characters becomes clear. in a world where the loss of body can lead to the callousness displayed by the "evil" characters, and their eventual loss of inner humanity, icons of what it means to be human become that much more important. each character in this movie is ultimately looking for that which makes them who they are. the landmarks of their collective pasts as the human race are important.
the best anime, in my humble opinion, is that which asks those questions because it is in the peculiar position of being able to explore it in fantastic ways. GE999 works well along those lines.
*drops $.02 in jar*
one of the best things about this movie is its use of iconographic imagery, the trains, the pirate ships. in the future where bodies can be replaced by machines without trouble, why not have trains and pirate ships. their allagoric status is made more powerful by their total out-of-place-edness within an outer space environment.
what's more, their importance to the characters becomes clear. in a world where the loss of body can lead to the callousness displayed by the "evil" characters, and their eventual loss of inner humanity, icons of what it means to be human become that much more important. each character in this movie is ultimately looking for that which makes them who they are. the landmarks of their collective pasts as the human race are important.
the best anime, in my humble opinion, is that which asks those questions because it is in the peculiar position of being able to explore it in fantastic ways. GE999 works well along those lines.
*drops $.02 in jar*
The animation isn't great, but it does have a certain charm. The design of the new world which is based on a very old one is striking. The story is intriguing, as it stars a little boy on a quest to avenge the death of his mother. During his journey he acts like a snotty little brat, but in the process helps a lot of people and they in turn help him.
The film is very long at over two hours and after half of it is gone, it seems as if the story is going to end soon, but it doesn't, it unfolds into different layers. However it remains fundamentally simplistic, abstracted in a way that it seems at the same time both naive and deep.
Common themes can be found in the plot, like the child avenging his mother, innocent love, machines that dehumanize, humans that do everything for their souls and so on, but each substory shows a different aspect of humanity so that in their simplicity, they all gather together to form a deeper meaning.
Bottom line: I don't regret seeing it. It is certainly a beauty for its time and it has an interesting story. I even recommend watching it.
The film is very long at over two hours and after half of it is gone, it seems as if the story is going to end soon, but it doesn't, it unfolds into different layers. However it remains fundamentally simplistic, abstracted in a way that it seems at the same time both naive and deep.
Common themes can be found in the plot, like the child avenging his mother, innocent love, machines that dehumanize, humans that do everything for their souls and so on, but each substory shows a different aspect of humanity so that in their simplicity, they all gather together to form a deeper meaning.
Bottom line: I don't regret seeing it. It is certainly a beauty for its time and it has an interesting story. I even recommend watching it.
This movie inspired my IMDB name, Meteru. This, for some reason, appealed to me. Every 3 years, I see an anime that I'm really, really mad about, and this time it's GE999. Be forewarned- this film is very seventies. Bellbottoms are involved. There is scruffy, just-at-the-nape-of-your-neck-but-not-long-enough-to-be-cool hair. Some of the voice acting in the English version is really corny, albeit Saffron Henderson makes a good little boy. And some people interpret this to be a "children's" movie. Ladies and germs, this is not a children's movie. It isn't exactly "Orgasm in Demon City", as there is no nudity nor blood and guts. Some ignorant fools believe blood, guts and boobies are essential ingredients to Japanese animation. Go fig. Instead, this is a beautiful animation about a space-going train called the 999. Passengers are promised mechanical bodies that are practically immortal.Pain is deadened, but so is pleasure and purpose.
And it's all up to young Tetsuro Hoshino to stop it. And he has to grow up, too. It has beauty, soul and a mind of its own, and that's more than most of us could say about the crap that's shoved down our throats these days. The End.
And it's all up to young Tetsuro Hoshino to stop it. And he has to grow up, too. It has beauty, soul and a mind of its own, and that's more than most of us could say about the crap that's shoved down our throats these days. The End.
One word can describe this movie and that is weird. I recorded this movie one day because it was a Japanese animation and it was old so I thought it would be interesting. Well it was, the movie is about a young boy who travels the universe to get a metal body so he can seek revenge. On the way he meets very colorful characters and must ultimately decide if he wants the body or not. Very strange, if you are a fan of animation/science-fiction you might want to check this out.
This movie can be criticized as not having the hipness or technical quality of anime films today, but it is the depth of the story and passion of the art that make it such a classic. I'm not a big anime fan, and this is the only anime film I've seen that I would want to watch more than once.
The story is a wonderful and surrealistic coming-of-age type allegory. Despite elements common to science fiction (man vs. machine, hero setting out to avenge his parent's death), it stays free of cliche and retains an air of realism, or true surrealism. Almost all of the characters are more memorable and unique than most main characters in other anime films.
One of the unique things about this film is the way it conveys emotion so powerfully. I can't really define what gives it this quality, but it is extremely moving, like a good symphony or vast impressionistic landscape. The only other films I can think of (at the moment anyways) that have this quality would be the Godfather films.
In conclusion, anyone who appreciates what science fiction is about should see this film. It's a rare treat.
The story is a wonderful and surrealistic coming-of-age type allegory. Despite elements common to science fiction (man vs. machine, hero setting out to avenge his parent's death), it stays free of cliche and retains an air of realism, or true surrealism. Almost all of the characters are more memorable and unique than most main characters in other anime films.
One of the unique things about this film is the way it conveys emotion so powerfully. I can't really define what gives it this quality, but it is extremely moving, like a good symphony or vast impressionistic landscape. The only other films I can think of (at the moment anyways) that have this quality would be the Godfather films.
In conclusion, anyone who appreciates what science fiction is about should see this film. It's a rare treat.
Did you know
- TriviaJanyse Jaud's debut and her voice is many TV series and films.
- GoofsThe length of the Galaxy Express 999 is inconsistent. A car count reveals that the number of cars varies from shot to shot.
- Alternate versionsAround 35 minutes was cut from the original for the New World Pictures's Roger Corman's release.
- ConnectionsEdited into Gamera: Super Monster (1980)
- How long is Galaxy Express 999?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- Galaxy Express 999: The Signature Edition
- Production companies
- See more company credits at IMDbPro
- Runtime
- 2h 9m(129 min)
- Color
- Aspect ratio
- 1.33 : 1(original ratio)
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