An enigmatic faith healer - who appears to possess genuine magical powers - and a political fixer vie for influence over a senator and his family.An enigmatic faith healer - who appears to possess genuine magical powers - and a political fixer vie for influence over a senator and his family.An enigmatic faith healer - who appears to possess genuine magical powers - and a political fixer vie for influence over a senator and his family.
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I saw this film in my youth and after years of searching for it, finally taped it off the telly. Robert Powel is exceptional as the title character as is David Hemmings as the senator. There are a few films out there that can just bewitch you as you're watching them, The Wickerman being the best example, but this one comes very close. If you see this little gem airing on your TV in the wee small hours I urge you to tape it.
harlequin is a fun film and very entertaining. It's problem is that it seems to get a bit confused as to what it's all about. Robert powell, one of the most underused talents of modern times, shies as Wolfe, and there are some excellent moments exploiting his strengths, such as those intense blue eyes and angelic yet sinister demeanour. A scene at the start with Powell as a clown is particularly intriguing. The Rasputin illusions are noticeable, but here is where the film's weakness lies. Unlike Rasputin, who was gaining control of the affairs of no less than the Tsar of russia, Gregory wolfe hewre seems to be fascinated by a minor Australian politician, and when we can see what he is capable of himself one can't help thinking that Nick must seem a rather trivial target for his talents. It would be interesting to speculate that unlike us, Wolfe can see that nick will become important in the future and therefore warrants the attention he is being given but there is no attempt made in the film to explain this. Wolfe's relationship with Sandra is equally baffling, veering at random from rejection to seduction. The locations are generally rather dull and the film looks cumbersome, there being little elegance in the composition, all muddy colour and blocks of contrasting images, like a 70s American commercial. But on the plus side, the story keeps one intrigued, Powell is fascinating, his appearance in the window, distorted, is superb, and the final scene with Hemmings at his mercy in the house is pretty chilling. Certainly a good discussion can ensue after viewing for those in the mood!
Powell stars in this eerie Ozploitation thriller as a mysterious faith healer and magician (akin to a modern day Rasputin) whose cure for a senator's ailing son leads to betrayal and revenge. Hemmings co-stars as the emasculated senator whose wife (Duncan) the charismatic jester is now involved imperilling their lives. Broderick Crawford also appears as a shady political figure in one of his final film appearances, whilst Australian veteran actors Gus Mercurio and Alan Cassell have prominent supporting roles (although given the movie purports to be set in the US, both use accents, Cassell's being dubbed)
The atmospherics are spot-on, and despite the supernatural aspects, there's nothing fantastical about the underlying sinister attitude (although his outfit is sometimes distracting), and quiet menace of which Hemmings grows suspicious. It's genuinely scary at times and although there's a few missed opportunities for suspense, and some contrivances to tolerate, Powell creates a cultivated and engaging character at times as sympathetic as he can become cruel. That's not to say the performance is uneven though, it's just good acting.
Wincer shows his talent for storytelling, seamlessly blending dark occult themes with occasional dry humour (a great scene where Powell enthralls and then enrages his dinner party hosts with a crafty carrot trick), and then the more violent climax is tense and unnerving. Not a masterpiece, and the decision to set the story in another country was an unwise distraction (it would've worked just as well in a local setting) from what is still an engaging Ozploitation thriller.
The atmospherics are spot-on, and despite the supernatural aspects, there's nothing fantastical about the underlying sinister attitude (although his outfit is sometimes distracting), and quiet menace of which Hemmings grows suspicious. It's genuinely scary at times and although there's a few missed opportunities for suspense, and some contrivances to tolerate, Powell creates a cultivated and engaging character at times as sympathetic as he can become cruel. That's not to say the performance is uneven though, it's just good acting.
Wincer shows his talent for storytelling, seamlessly blending dark occult themes with occasional dry humour (a great scene where Powell enthralls and then enrages his dinner party hosts with a crafty carrot trick), and then the more violent climax is tense and unnerving. Not a masterpiece, and the decision to set the story in another country was an unwise distraction (it would've worked just as well in a local setting) from what is still an engaging Ozploitation thriller.
Fascinating, dark study of a political family seduced by the powers of a traveling magician who befriends their ill son. The story works well on that level, and the acting is certainly passable enough to be entertaining.
Even more fascinating when one realizes that this is a retelling of the historical plot of the fall of the Czar of Russia! In history, Nicholas (Nicky in this film) and Alexandra (Sandy) had and extremely ill son, Alexander (Alex) and allowed the "Mad Monk" Gregory Rasputin (Gregory Wolfe) into the family with his promises of a cure for the the boy. Viewed on this level, this interesting enough B-movie become a fascinating study in parallels. Well worth a rental and some time to enjoy!
Even more fascinating when one realizes that this is a retelling of the historical plot of the fall of the Czar of Russia! In history, Nicholas (Nicky in this film) and Alexandra (Sandy) had and extremely ill son, Alexander (Alex) and allowed the "Mad Monk" Gregory Rasputin (Gregory Wolfe) into the family with his promises of a cure for the the boy. Viewed on this level, this interesting enough B-movie become a fascinating study in parallels. Well worth a rental and some time to enjoy!
Clearly not the greatest film ever made but very clear that a lot went into this to make it that little bit different. If it has a bit of a TV movie look to it that is because of the limited location shooting, much in the same rooms, and not because of the acting which is solid. Broderick Crawford holds his own, apparently with a little help from booze in between scenes, but David Hemmings and Robert Powell are very good indeed. I understand Hemmings also had a bit of a drink problem but it clearly didn't affect his acting here and as for Powell, I have never understood why he never made it so much bigger, maybe he got typecast as Jesus. There is much to enjoy here amid the magic and mayhem and with a convincing performance from the young boy and various shocks and surprises this is well worth a look. There, and I haven't even mentioned that it is Australian or that it is loosely based upon the story of Rasputin and the Czar!
Did you know
- TriviaThe sequence where Alex Rast (Mark Spain) is seen being dangled off the side of a cliff by Gregory Wolfe (Robert Powell) did not use trick photography or deceiving camera angles. Spain was hung over the side of a cliff-face but was wearing a safety-harness which was not visible to the audience as it was attached through the underneath of Powell's white cloak.
- GoofsThe levitation of the piano reveals that it is hollow and contains no strings, hammers or metal pieces. If it was a complete piano, there would be a tremendous sound of string notes as it hit the floor.
- Quotes
Gregory Wolfe: I know there are powers at work in the universe. For those higher powers, the de-materialization of a given target would be child's play.
- ConnectionsFeatured in At the Movies: Spacehunter/Tough Enough/WarGames/Harlequin (1983)
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- A$850,000 (estimated)
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