A crazy woman who lives in an old mansion thinks she's with her brother/lover, who lures victims to her.A crazy woman who lives in an old mansion thinks she's with her brother/lover, who lures victims to her.A crazy woman who lives in an old mansion thinks she's with her brother/lover, who lures victims to her.
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As a whole this movie was totally lame. Not scary, not funny, not unexpectedly heart-warming, not gross, not incomprehensible. You don't even really have any sympathy for the director as someone trying and failing. But it looks really, really good. It would make a decent silent, with the right score & titles. It's all washed out and almost-there most of the time, and I thought that was really nice. So I have a soft-spot for it in that regard. I wouldn't get rid of my copy. There's something there inside it, there are people there somewhere. Something ought to be done with it.
What would be a relatively mediocre non-Hollywood low-budget effort is raised to above average and better that expected by the performance of Camilla Carr in the lead. She's playing a character who's obviously a split personality, as we are led to believe, and who possibly had an incestual relationship with her brother, or at least an imagined one. The other personality is the "brother" who is a psychotic killer. We are left wondering if the brother ever really existed, or if she just created him in her mind, or if he did once live, is he now dead? And how may he have died? Camilla takes the role and does it justice, subtle when need be, and gregarious at other times. She exemplifies a beautiful and attractive women who is also overtly psychotic, and for men viewing the film, is a woman who would both attract and repulse at the same moment. It would be a tough choice to become involved in a relationship with her, as seen when she precociously tells her Doctor, "Don't you find me sexually attractive?", and he is momentarily befuddled as to how to respond. She's physically attractive and sexually arousing, but her wackiness is too much to handle. In the back of one's mind would be the warning that she might kill you later.
There are other performances that are above average as well, and some twists to the story that I won't give away here, but overall this is Camilla's film.
There are other performances that are above average as well, and some twists to the story that I won't give away here, but overall this is Camilla's film.
During the beginning of "Keep My Grave Open" a drifter is murdered by sword wielding loon after stealing in a deserted and darkened mansion.The house is owned by Lesley Fontaine who supposedly lives there with her husband or brother Kevin.The problem is that Kevin is never seen by anyone else in southern town.Kevin lives only in a troubled mind of Lesley and the bloody murders continue...S.F Brownrigg's genre swan song is an interesting character study.The performance of Brownrigg's regular Camilla Carr is superb as are her sudden bursts of schizoid rage.She even dons heavy make-up in order to seduce Kevin and masturbates in his presence.The film is filled with an unnerving atmosphere of haunting melancholy and the sword slayings are bloody enough.The pace is deliberately slow,but I did enjoy somber mood of "Keep My Grave Open".8 out of 10.An interesting,unique and mildly rewarding effort from Sherald Brownrigg.
Brownrigg has a small but loyal group of fans (here, here!), and this film is one of the reasons why. Low budget doesn't have to mean low quality, and KEEP MY GRAVE OPEN incorporates all of Brownie's favorite elements: beautiful female leads, insanity, and atmosphere to burn. The lead in question is Camilla Carr, a gorgeous redhead who had been a quasi-regular in Brownie's stock company of versatile actors (she played a doll-toting crazy in DON'T LOOK IN THE BASEMENT). There's a sense of isolation--or maybe more correctly, desolation--that plays from the opening scene all the way through the film. Gloomy interiors and shots of lonely Texas two-lanes reinforce this. Occasionally the film drifts into soap opera territory, as when Carr's character gives a length exposition describing her past traumas, but it's by and large a study of grief, abandonment, and madness. And the ending still has me scratching my head! Oh well, them's the grits!
KEEP MY GRAVE OPEN is another horror film from Director S.F. Brownrigg. It opens with a hitchhiker (Bill Thurman) wandering into the stately home of Lesley Fontaine (Camilla Carr), only to pay the ultimate price for his intrusion.
Lesley supposedly lives in her estate with her reclusive brother / "husband", Kevin. It's apparent early on that Lesley just might have some serious mental issues. As the gruesome murders continue, Dr. Emerson (Gene Ross) seems quite concerned.
Ms. Carr is pretty good in her nutty role, spending much of her time walking around her house, looking afar off. One bizarre, solo "bed scene" is both unsettling and hilarious! As with most Brownrigg productions, KMGO tends to drag on in places, making it feel hours longer than it actually is. Still, it's not unwatchable, and perfect for a retro drive-in movie night...
Lesley supposedly lives in her estate with her reclusive brother / "husband", Kevin. It's apparent early on that Lesley just might have some serious mental issues. As the gruesome murders continue, Dr. Emerson (Gene Ross) seems quite concerned.
Ms. Carr is pretty good in her nutty role, spending much of her time walking around her house, looking afar off. One bizarre, solo "bed scene" is both unsettling and hilarious! As with most Brownrigg productions, KMGO tends to drag on in places, making it feel hours longer than it actually is. Still, it's not unwatchable, and perfect for a retro drive-in movie night...
Did you know
- TriviaStephen Tobolowsky's film debut.
- ConnectionsFeatured in Scream Stream Live!: Keep My Grave Open (2025)
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