Ordinary People

A searing dysfunctional family drama that holds up very well today.

Living on Chicago's north shore as I do, I can say with authority that this movie completely nails a certain kind of affluent north shore community that exists in Chicago suburbs like Lake Forest, Winnetka, Highland Park, etc., places where people erect hedges and fences not so much to keep people out as to keep family problems and secrets in. Director Robert Redford and writer Alvin Sargent clearly understand their subject matter. And in fact, this film so closely mirrors many of the personal circumstances of my wife and her family (my wife even established a productive relationship with a Jewish therapist who works out of Skokie, no less), that we joke that the film is really about her. Maybe it's my closeness to the subject matter that gives me my appreciation of the movie, but even without that I still think that I'd consider this film to be a superb drama, flawlessly acted.

Speaking of the acting, Mary Tyler Moore, Judd Hirsch and Timothy Hutton were all recognized with Academy Award nominations (Hutton won) for their work in this film, all deservedly. Moore especially is memorable in her portrayal of a brittle power mom who must constantly hide behind a veneer of icy aloofness for fear that one tiny crack in her facade will send her crumbling to pieces. But two other actors deserve praise as well: Donald Sutherland, as a suffering father who's ill-equipped to deal with his family's problems yet whose heart is in the right place; and Elizabeth McGovern, who brings a sense of normalcy and healthiness into the film like a fresh breeze off Lake Michigan.

There's a lot of talk about whether this film is better than "Raging Bull," which came out the same year and lost the Best Picture Oscar to "Ordinary People," which only goes to show how lame award competitions are when it comes to movies -- how can you possibly compare the two? See them both.

Grade: A

This is a powerful directing debut from Robert Redford, a great family drama that goes every which way but down. By the end, our thoughts have been altered a bit and its a film that leaves you thinking.

Conrad, played brilliantly by Timothy Hutton in an Oscar winning role, is the depressed suicidal son of a couple struggling to cope with their son's drowning death. Conrad of course feels responsible, and has already tried to take his own life once before.

Reluctantly, he begins to see a shrink at the advice of his father. Dr. Berger, also played brilliantly by Judd Hirsch {though there are no slouches in the cast}, helps Conrad through thick and thin. By the end of the movie, the audience truly feels for all characters to some degree.

As has been stated, the acting is magnificent. The story may seem simple but this type of film really doesn't need a heavy plot. Its an excellent look at the problems we all face. When I first saw this at a young age I related completely to Conrad's character. When I saw this tonight, I related more to the adults and could really feel for them a lot more than I remembered. Each character has a unique sense of reality to them. The actors really carry the film, making the characters seem like real people we've known for years.

Unfortunately this movie has received somewhat of a bad reputation over the years as the film that beat Raging Bull in 1980 for the Best Picture and Director Oscars. While both movies are excellent, its sad that one has to be better than the other and people just don't enjoy both movies for what they are. Many people have preconceived opinions about this 'small' film they have not heard of. After all, Raging Bull is an all time classic. Just watch this movie with an open mind, because it really works on every level as a powerful family drama detailing the persona of many different types of people.

As an aspiring screenwriter myself, I envy Alvin Sargent, the mastermind behind the script of the Academy Award winning 1980 drama "Ordinary People." Based on the equally as heartbreaking novel by Judith Guest, "Ordinary People" flawlessly captures all aspects of great cinema. The scenes have the perfect timing; the performances are vividly descriptive and entirely convincing; the direction is efficacious and focused. The filmmaker's never pretend that this movie is easy to watch, but they sure do produce an emotional and mental response from the viewer.

"Ordinary People" launched Timothy Hutton's career, rewarding him with an Oscar. It's too bad his career as an actor seems to be traveling downhill. Although his award was for best actor in a supporting role, he is truly the center of the movie. Hutton plays Conrad Jarrett, the son of Calvin (Donald Sutherland) and Beth (Mary Tyler Moore). The Jarretts are recovering over various recent disasters. They lost their first born son to an accident, for which Conrad blames himself. His grief eventually provokes a failed suicide attempt.

As the movie opens, we meet the family. We never witness Conrad's suicide attempt, the preceding family death, nor do we see anything than happens during his hospital stay. "Ordinary People" knows exactly where to start and what to show. It leaves a great deal to our imagination. It gives us freedom to put ourselves in the character's shoes. This is a realistic portrayal of a crippled family trying to mend with problems.

Several key characters also contribute to the rehabilitation of Conrad. Dr. Berger (Judd Hirsch), provides Conrad with psychological guidance; the high school swimming coach (E. Emmet Walsh) understands Conrad's condition, but still doesn't want the swim team to lose his talent; Jeannine (Elizabeth McGovern) befriends the struggling Conrad; Karen (Dinah Manoff) another similarly hospitalized with Conrad, gives him some added confidence.

"Ordinary People" took home Academy Awards for best picture, director, supporting actor, adapted screenplay, Mary Tyler Moore's deserving performance, and earned various other nominations, including the supporting performance by Judd Hirsch. It is clear why the film won so much praise by critics and audiences alike: we can clearly identify with the characters and their situation.

The characters are beautifully written. I cannot remember the last movie I saw that so vividly captures individual lifestyles and personal tragedies. Every character plays an important role in Conrad's life. His father feels his son's suicide attempt is due to his poor parenting. The materialistic mom finds it difficult to contend with difficulties and to forgive her son for what he did to her public image. Conrad's problems evolve into larger, more complex issues of love, compassion, forgiveness, and our personal differences.

The actors really deserve the crown here. If there was even one who did not live up to the great expectations, they would appear obvious and subtract from the film's emotional grasp. Timothy Hutton really portrays his character well. Every emotional aspect feels real, justified, and understood. Mary Tyler Moore portrays the film's potential villain believably as well. She makes is obvious that Beth would rather run from problems instead of dealing with them. After seeing Donald Sutherland in many recent film's that seem rather terse, I formed opinions about his credibility and ability that his performance here proves wrong. He is definitely a gifted actor when dealt good material. In this performance, easily the best of his career, he captures every minuet detail of a father struggling with his past, present, and future.

"Ordinary People" shares much in common with 1999's best picture winner, "American Beauty." That was another great film, but "Ordinary People" contains debatably better material. "American Beauty" looked tragedy in the eye and found respect, mockery, and grace. "Ordinary People" never bestows comic material, however, but it does trace suffering to its root, and finds disorientation, embarrassment, and sorrow. This is not an easy movie to watch, but a challenging, perceptive, tragic story that you are not likely to forget.

Ordinary People is an extraordinary motion picture for five reasons. The outstanding direction of Robert Redford, and the brilliant acting of Mary Tyler Moore, Donald Sutherland, Timothy Hutton and Judd Hirsch.

This movie is set in suburban Chicago. The family is an upper-middle class foursome, the parents and their two sons. The eldest son, Buck, is killed in a boating accident. The other son, Conrad, survives but is riddled with guilt. His mother, Beth, who idolized her deceased first born, is cold with her surviving son. She looks at him and is reminded of the pain. Instead of nurturing her surviving child she distances herself from him. Conrad attempts suicide and spends time in a mental hospital. Calvin, the understanding father, is torn between his wife and son.

Dr. Berger, a psychiatrist, is hired by the family to help the troubled young man. The scenes between Hutton and Hirsch are amongst the best in the movie. He helps Conrad understand his mother's pain and shortcomings and to stand on his own. Conrad tries to keep his family together and realizes, almost with relief, that the family's problems are caused by Beth's "burying all her love with Buck".

This is a fascinating motion picture. The direction and the performances are superb. It is an intelligent, moving and honest examination about a family torn by grief and pain. Don't miss it!

This film, without a doubt, is the best dramatic film I have ever seen. It is truly an extraordinary film of humanity. To start out, the film begins in complete silence and gently flows into Pachalbel's "Canon in D". It has become my favorite movie and I can say with 100% certainty that it deserved every Oscar it received. I cannot truly articulate with words what this movie did to me when I first saw it. I had an epiphany-like experience. I was born in 1980 and didn't see this film until shortly after I turned 19. The events portrayed by Timothy Hutton, Mary Tyler Moore, Donald Sutherland, Judd Hirsch, Elizabeth McGovern, Dinah Manoff, and Fredric Lehne are just as powerful and relevant in society today as they were 20 years ago. Timothy Hutton's performance of Conrad Jarrett, an 18 yr-old suffering from depression after the tragic death of his older brother is extraordinary. Being the age Hutton was when he made the film, when I first saw it twenty years later, I related to the emotions on every note. Teenagers are rarely portrayed in film as realistically as in real life. In my opinion, Conrad Jarrett in "Ordinary People" is the best portrayal on film of a teenage boy going through the good times and the bad, but mostly the bad. Timothy Hutton is a truly amazing actor. Mary Tyler Moore also deserved all of the praise and nomination for a role that is literally the opposite of anything she had ever played before. The way she portrayed the cold, cruel, yet emotionally-hidden Beth Jarrett is outstanding. Donald Sutherland and Judd Hirsch also gave performances that made them truly believable as Calvin Jarrett and Dr. Berger. Sutherland should have received an Oscar nomination. Elizabeth McGovern and Dinah Manoff's small character roles as Jeannine Pratt and Karen are just as vivid as in the novel. Jeannine provides the excellent uplift in the story; while Karen provides the semblance of reality that things are not as they seem. Every line and every scene in this film is as detrimental to the overall underlying theme as it is in the novel by Judith Guest. The words "I love you" and "love" have an immense importance in this film. Kudos to Robert Redford, who shows that he is not only an excellent actor, but also a truly excellent director. The color scheme, music scheme, setting in Lake Forest, Illinois and that "perfect" home all provide the exact backdrop to the circumstances going on between these characters and within Conrad himself. This film relies solely on the realistic interaction between "ordinary" people living through "extraordinary" circumstances. This film had an amazing impact on me and I'm sure it will do the same for anyone else who sees it. If you do not leave this film having gained that underlying insight that this film gives, then you did not truly understand the purpose of the film. You don't have to suffer from depression or go through the loss of a loved one to understand the message delivered by this film. It's definitely more than just a "tissue" movie. Truly one of the best films ever made.

A 10 out of 10.