Nightkill

Nightkill was going to be the breakout feature film debut for Jaclyn Smith of Charlie's Angels. It wound up being quite a bit less than that and not even making it to the big screen. Smith is joined by two television series veterans, Mike Connors of Mannix and James Franciscus of Mr. Novak. And of course big screen legend Robert Mitchum who hadn't been involved in a scare film like this since Cape Fear.

Smith is most unhappily married to Mike Connors who is a tyrannical tycoon. But she is having an affair with Connors's number two Jim Franciscus. One fine day with both all three at the spaciou home that Connors and Smith have, Franciscus slips some poison into Connors's drink and he dies. What to do with the body?

After what is done with it, it's Franciscus's corpse that Smith finds where they had stored Connors. And now there is a police detective played by Mitchum poking around in a most officious like manner, almost like he understudied the Peter Falk school of plodding detective work.

You might think you know where this is going, but I assure you that you don't. It gets real terrifying for Jaclyn Smith as she doesn't know who to trust or believe.

The spacious vistas of Phoenix, Arizona were not properly used in the cinematography of Nightkill. Mitchum doesn't come in until some 35 minutes after the film begins, but a few flecks of those famous rumpled eyelids and he's dominating the proceedings from then on.

NIghtkill is not the greatest of mystery thrillers, but it's reasonably entertaining for those who will want to empathize with what Smith is going through.

A very murky thriller. On the first viewing, I swear you won't be able to tell what's going on until....the last five minutes or so. This may be one of those mysteries that require a second viewing to fully understand how everything adds up. Good acting, though, both by Robert Mitchum, as a cunning detective, and by Jacklyn Smith, who's quite convincing as a woman involved in an increasingly threatening situation, with nobody to rely on in the whole world. (**)

I was surprised at how nail-biting this movie was, not only at the somewhat unusual plot, but by the dark and brooding performance by Robert Mitchum. Nightkill is a reasonable enough thriller with good twists and turns throughout, and an equally strong conclusion.

Jaclyn Smith gives out a not-too-bad performance as Katherine Atwell, but in my eyes I felt as if she was trying a little too hard in some places. Mike Connors though portrays his cold and callous character of Wendel to good effect. You actually despise Wendel! In no doubt, however, it's Mitchum who steals the show; what a twist toward the end! Nice background music too: the score actually tells the story in some parts - very ominous.

In a nutshell, Nightkill is a relatively suspenseful film, but what lets it down is the somewhat inept direction and weak dialogue in certain places. 7/10

NIGHTKILL is a rather clunky, yet watchable thriller starring Jaclyn Smith as a woman in danger after her lover's (James Franciscus) plot to kill her insufferable husband (Mike Connors) goes horribly wrong. Many twists and unexpected turns help to save this movie from being a complete waste of time.

Ms. Smith spends most of the movie uncovering one horror after another, while being surveilled and stalked by an unseen maniac.

Robert Mitchum is a pushy Detective, and Fritz Weaver plays a slimy attorney. Cybil Danning is listed in the credits, but only has about 3 minutes of actual screen time.

For the names involved, this is a pretty shoddy production. Granted, most were late in their careers, but that's no excuse for such a poor presentation. Fans of Ms. Smith will love the fact that she's in almost every scene...

I am puzzled when reading that this film is a German production; why German? It takes place in Phoenix Arizona, starring only American actors - except maybe Sybil Danning - and I really don't get it at all. Anyway, it is a true good piece of work, grabbing, riveting, saving much suspense and twists, even for a murder triangle classical scheme. It looks like a TV movie but an excellent one. Cast also helps it out. Directed by the vet TV director Ted Post, a prolific movie maker, you can be sure to be totally satisfied with this tense, solid stuff absolutely impossible to leave before the last second. Bob Mitchum in a character which could be a tribute to his previous performances, some decades ago, in NIGHT OF THE HUNTER and FIVE CARDS STUD. Less the "priest" element.