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6.9/10
4.5K
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After failing to help his friends at the local dyeing mill who're getting bullied by Manchurians, a lowly street hustler sneaks into the Shaolin Temple, and is willing to do anything to lear... Read allAfter failing to help his friends at the local dyeing mill who're getting bullied by Manchurians, a lowly street hustler sneaks into the Shaolin Temple, and is willing to do anything to learn kung fu and help his friends.After failing to help his friends at the local dyeing mill who're getting bullied by Manchurians, a lowly street hustler sneaks into the Shaolin Temple, and is willing to do anything to learn kung fu and help his friends.
- Awards
- 1 nomination total
Yeong-moon Kwon
- Yuan Li-hao
- (as Yung-Wen Kuan)
Kara Ying Hung Wai
- Hsiao Hung
- (as Kara Hui)
Il-do Jang
- Erh Kun
- (as Yi-Tao Chang)
King-Chu Lee
- Monk San Te
- (as Ching Chia)
Sae-Ok Kim
- Laborer
- (as Hsi-Yu Chin)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
This film is absolutely awesome. I saw it with my brother when we were kids, and we found it hilarious.
I'm not sure if it's supposed to be funny, but by god we were hurting by the end! Like the bit where he showing the bad guys what he's learned at the Shaolin temple, and he's working his way up from showing them a mere 50% of his new powers, to "the full 90%".... What happened to 100%?
And the bit where, in order to show his pals what he's learned, he beats them all up! He whacks his best mate in the stomach, and his mate (who has teeth that are literally about two inches long sticking out of his mouth), bends over and exclaims; "eeeeuuuuurgh, GREAT KUNG FUUUUUU". It's a classic movie moment!
If you have chance to see this film, do it. It's brilliant!
I'm not sure if it's supposed to be funny, but by god we were hurting by the end! Like the bit where he showing the bad guys what he's learned at the Shaolin temple, and he's working his way up from showing them a mere 50% of his new powers, to "the full 90%".... What happened to 100%?
And the bit where, in order to show his pals what he's learned, he beats them all up! He whacks his best mate in the stomach, and his mate (who has teeth that are literally about two inches long sticking out of his mouth), bends over and exclaims; "eeeeuuuuurgh, GREAT KUNG FUUUUUU". It's a classic movie moment!
If you have chance to see this film, do it. It's brilliant!
The workers of a dye factory have their pay cut by 20% when the factory owner brings in some Manchu thugs to try and increase production. Desperate to reclaim their full wages, the workers hire an actor to impersonate a priest and kung-fu expert from the temple of Shaolin.
Director Lau Kar-leung excels in this action-comedy. When I think Shaw Brothers kung fu, I think of Chang Cheh, which may be very narrow of me (I am still learning). But Lau is every bit as great, and in some ways maybe even greater, because although much of this looks like a Shaw action film, the comedy is excellent, clearly drawing on old-school American slapstick.
Director Lau Kar-leung excels in this action-comedy. When I think Shaw Brothers kung fu, I think of Chang Cheh, which may be very narrow of me (I am still learning). But Lau is every bit as great, and in some ways maybe even greater, because although much of this looks like a Shaw action film, the comedy is excellent, clearly drawing on old-school American slapstick.
Return to the 36th Chamber is one of those classic Kung-Fu movies which Shaw produces back in the 70s and 80s, whose genre is equivalent to the spaghetti westerns of Hollywood, and the protagonist Gordon Liu, the counterpart to the western's Clint Eastwood. Digitally remastered and a new print made for the Fantastic Film Fest, this is "Presented in Shaw Scope", just like the good old days.
This film is a simple story of good versus evil, told in 3 acts, which more or less sums up the narrative of martial arts films in that era.
Act One sets up the premise. Workers in a dye-mill of a small village are unhappy with their lot, having their wages cut by 20% by incoming manchu gangsters. They can't do much about their exploitation because none of them are martial arts skilled to take on the gangsters, and their boss. At first they had a minor success in getting Liu to impersonate a highly skilled Shaolin monk (one of the best comedy sequences), but their rouse got exposed when they pushed the limit of credibility by impersonating one too many times.
Act Two shows the protagonist wanting to get back at the mob. However, without real martial arts, he embarks on a journey to Shaolin Temple, to try and infiltrate and learn martial arts on the sly. After some slapstick moments, he finally gets accepted by the abbot (whom he impersonated!) but is disappointed at the teaching methods - kinda like Mr Miyagi's style in Karate Kid, but instead of painting fences, he gets to erect scaffoldings all around the temple. Nothing can keep a good man down, and he unwittingly builds strength, endurance and learns kung-fu the unorthodox way.
Act Three is where the fight fest begins. With cheesy sound effects, each obvious non-contact on film is given the maximum impact treatment. But it is rather refreshing watching the fight scenes here, with its wide angled shots to highlight clarity and detail between the sparring partners, and the use of slow-motion only to showcase stunts in different angles. You may find the speed of fights a tad too slow, with some pause in between moves, but with Yuen Wo Ping and his style being used ad-nausem in Hollywood flicks, they sure don't make fight scenes like they used to! Return to the 36th chamber gets a repeat screening on Monday, so, if you're game for a nostalgic trip down memory lane, what are you waiting for?
This film is a simple story of good versus evil, told in 3 acts, which more or less sums up the narrative of martial arts films in that era.
Act One sets up the premise. Workers in a dye-mill of a small village are unhappy with their lot, having their wages cut by 20% by incoming manchu gangsters. They can't do much about their exploitation because none of them are martial arts skilled to take on the gangsters, and their boss. At first they had a minor success in getting Liu to impersonate a highly skilled Shaolin monk (one of the best comedy sequences), but their rouse got exposed when they pushed the limit of credibility by impersonating one too many times.
Act Two shows the protagonist wanting to get back at the mob. However, without real martial arts, he embarks on a journey to Shaolin Temple, to try and infiltrate and learn martial arts on the sly. After some slapstick moments, he finally gets accepted by the abbot (whom he impersonated!) but is disappointed at the teaching methods - kinda like Mr Miyagi's style in Karate Kid, but instead of painting fences, he gets to erect scaffoldings all around the temple. Nothing can keep a good man down, and he unwittingly builds strength, endurance and learns kung-fu the unorthodox way.
Act Three is where the fight fest begins. With cheesy sound effects, each obvious non-contact on film is given the maximum impact treatment. But it is rather refreshing watching the fight scenes here, with its wide angled shots to highlight clarity and detail between the sparring partners, and the use of slow-motion only to showcase stunts in different angles. You may find the speed of fights a tad too slow, with some pause in between moves, but with Yuen Wo Ping and his style being used ad-nausem in Hollywood flicks, they sure don't make fight scenes like they used to! Return to the 36th chamber gets a repeat screening on Monday, so, if you're game for a nostalgic trip down memory lane, what are you waiting for?
I agree with another user here and have to say that this is one of the best Kung Fu movies ever! I watched this as a kid and absolutely loved it! The scaffolding scenes are brilliant and you can really empathise with this guy because he is treated as an outcast. Nice humour and fantastic kung fu this movie rocks! If you like Kung Fu you would love this!!!
This movie is one of the many "Kung Fu" action films made in Asia in the late '70s - early '80s, full of cheap sound effects, dubbed dialog and lightning fast martial arts action. But unlike most films of this genre it also has a decent plot and lots of great comedy. When workers of a dye factory are forced out of their jobs by Manchu bullies, they hire a con-artist (Gordon Liu) to try to scare them off. When his attempt fails miserably, he cons his way into a Shaolin temple to learn to fight for real. But instead of making him a Kung-Fu student, the Master instead orders him to build a scaffolding to cover the roofs of all 36 chambers. Well, it turns out that while he's performing these menial tasks (stacking and tying bamboo poles) that he's learning the skills to be a Kung-Fu expert! It's sort of like in Karate Kid when Mr. Miagi teaches Daniel the basics of karate by having him do routine household chores- "Wax on, wax off" et cetera. There's lots of great comedy from beginning to end, and plenty of action at the end when Gordon Liu once again faces his Manchu tormentors. "This time it's not just tricks- it's the real thing!" Liu declares, proudly thumping his chest. If you like classic Kung Fu films you don't want to miss this one!
Did you know
- TriviaWu-Tang Clan member Ol' Dirty Bastard's debut album was titled after this movie, with adding "The Dirty Version" to the end. Ol' Dirty Bastard's album is titled "Return to the 36 Chambers: The Dirty Version".
- Quotes
Boss Wang: What style of Kung Fu is this?
Chao Yen-Cheh: Roof-top Kung Fu!
- ConnectionsFeatured in Chop Socky: Cinema Hong Kong (2003)
- How long is Return to the 36th Chamber?Powered by Alexa
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- Master Killer II
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