Time Bandits

A terrific little fantasy that, not surprisingly, has flavors of Monty Python. My children and I first saw it in the early '80s on a night ferry from Harwich to Zeebrugge. I've seen it a few times since, and marvel at the creativity that went into the film. God's "employees" trying to use a map of the universe to track down treasure is the theme; running around through time trying to find the treasure is the game. The cameos by Cleese, Connery and the rest are some amusing highlights, but the Time Bandits themselves really make the story. The climactic scenes with the Evil Genius made me think more than a little of the Sorcerer's Apprentice.

I think it is a well done bit of fantasy for older children and adults; it helps to know a bit of history going into it. I wouldn't let my six-year old granddaughter see it -- at least not yet -- but she and her sister probably will love the adventure in a few years.

This movie is the funniest movie I have ever seen. When it was on cable, we watched it about 20 times and I have worn out two tapes of it. There are so many levels of enjoyment. The sets are great, the effects are wondrous, the storyline is wacky, the combination of veteran actors and new faces is perfection. The dialog is a riot and you will find quotes from this movie everywhere, which thrills me to death! I love all the actors that played the dwarfs, especially David Rappaport who played Randall and also loved his TV show "The Wizard" that was treated so shabbily. We often find ourselves saying, "Remember when Evil said this, and when Og said that?" Or laughly wonder what condition Pansy's boyfriend, Vincent, had that needed fruit? The Napoleon scene alone is enough to cause you to break a rib from laughter. I guarantee that if you have a funnybone at all, you will love this movie! Run, don't walk to the nearest video rental store!

This wonderful flick deal with a little boy (Craig Warnock won the role after a wide search for the right child actor) and six dwarfs (Kenny Baker , David Rappaport , Jack Purvis , among others) who are chased by the Supreme Being through time and space . As the kid accidentally joins a band as they jump from time-period to time-period looking for treasure to steal . All of them travel back in time via a map that charts a course through holes holes in the fabric of the universe . Along the way they meet historical characters such as Napoleon (49-year-old Ian Holm plays the 26-year-old Bonaparte) , Robin Hood (John Cleese , though Michael Palin wrote the role of Robin for himself, but Cleese wanted to play him), Supreme Being (Ralph Richardson) and King Agamemnon (the gold masks of Agamemnon's priests are replicas of a king's deathmask, found by Heinrich Schliemann at Mycenae in 1876 , it is in Museum of Atenas). At the end the motley group contends the Evil Genius (David Wagner , the apparatus on his head was influenced by H.R. Giger's work on Alien) .

This is an imaginative , glamorous , chaotic fantasy based on the wonderful trips carried out by a group of adventurers along with a young English schoolboy . Fantastic film contains sense of adventure , thrills , and lots of imagination . From start to finish fantasy , action and delightful adventure are continued . Exciting and interesting screenplay written by Michael Palin and and Terry Gilliam of Monty Python fame . Marvelous special effects are visually stunning and magnificently realized with no computer generator . Starring a considerable cast of top-names performers such as John Cleese as Robin Hood , Shelley Duvall as Dame , Ian Holm as Napoleon , Michael Palin as Vincent , Ralph Richardson as Supreme Being and David Warner as Evil and a young Jim Broadbent as a TV host . Special mention to Sean Connery as King Agamemnon and Fireman , Gilliam did not originally intend to cast Sean Connery as King Agamemnon , he merely wrote in the screenplay that when Agamemnon took off his helmet that he looked "exactly like Sean Connery." To Gilliam's surprise, the script found its way into Connery's hands and Connery subsequently expressed interest in doing the film.

This big-budgeted , under-appreciated film achieved a limited hit at box office and panned by some critics ; however , today is very well considered . Colorful and glimmer cinematography by Peter Biziou . Thrilling as well as evocative original music by Mike Moran . The motion picture was imaginatively directed by Terry Gilliam . Terry shot the film in low camera angles throughout in order to give the audience the perspective of a dwarf or a child . Gilliam is an expert on wonderful , surreal atmospheres (Adventures of Baron Munchausen , Brazil , Fisher king , Doctor Parnasus). He is member of the comedy group "Monty Python" along with John Cleese, Michael Palin, Terry Jones, Eric Idle and Graham Chapman. ¨Time bandits¨ might be described as an extraordinary fantasy full of imagination and color . It's a tale for teens and adults in which entertainment and amusement are guaranteed . Rating : Good , better than average . Worthwhile watching .

Terry Gilliam's striking imagery, masterful use of the wide angle lens, distinct camera angles, and his unique sense of humor (finely honed during his days with Monty Python) can all be found in Time Bandits. These elements are why Gilliam is one of my favorite filmmakers. There is no one else like him. I feel he vastly improved with his later films, but Time Bandits is still a spectacular experience.

A particular thing about Time Bandits that impresses me is the toys and pictures seen in Kevin's room at the beginning of the film are all represented with their real-life counterparts in later scenes. It's a brilliant touch. It's part of the movie's over-all theme of an imaginative boy, starved for attention due to his loveless, neglectful parents, who goes on an adventure through time. Did it really happen, or was it all just inventions of his imagination? The answer is not needed, but the question it raises is a touch of great filmmaking.

Also, Time Bandits should be commended for being the first, and one of the only, films to show little people as real people. They are historically exploited or stuck in silly costumes throughout entire movies, but here, they are given the chance to really act, and not be treated as glorified props. I hope Peter Dinklage of Game of Thrones fame holds great respect to Time Bandits, and acknowledges the doors this movie opened for little people in the entertainment industry.

I give Time Bandits a 7 out of 10. It's a good movie, but it doesn't reach the greatness that he later achieved with Brazil, Munchhausen, the Fisher King, and Twelve Monkeys. Still, for those who haven't seen it, it's definitely worth a watch.

One final note: most of the camera angles in Time Bandits are low. A perfect touch, considering the small stature of all the lead characters. Many filmmakers forget this with movies told from a child's perspective.

I was lucky enough to see this piece of celluloid magic on the big screen when it first came out. I'm glad I did, too, because the shoe-box multiplexes that were being slapped together couldn't do this movie justice. Terry Gilliam hits just the right note when he introduces Kevin, a ten-year old with big appetite for western mythology(you get the impression that in another year, he'll be reading Joseph Campbell and Rider Haggard)and an even bigger imagination. Having parents of the most sterile, materialistic bent(plastic couch covers--ecch)just ensure his receptiveness to the adventures that follow his falling through the time-door in the back of his closet with Randall and his fellow dwarves as they plunder and loot their way through time and history. Gilliam pokes fun at some of history's figures, like Napoleon("That's what I like to see--little things hitting each other!"), Robin Hood("was it really necessary to hit him?""Yes boss.""Ah, I see."),and others. Gilliams' lesson that having lots of stuff will not ensure happiness and that usually, the journey itself is reward enough is artfully told without flogging the audience with it. Something else that stuck with me, but I didn't realize until long afterwards, were the things that Kevin discovered, after a fashion, in his adventures but didn't have in his life back in the 'burbs: a real father figure, played by Sean Connery as Agamemnon, and true love, as presented by Peter Vaughan and Katherine Helmond as Mr. and Mrs. Ogre. Plus the special effects are economically impressive without being too cheesy(my god--the fortress of ultimate darkness WAS made of lego blocks!). In the end, though, it was something that I find far, far too rarely in movies now and before, and it occured to me after I had seen, of all things, "Crouching Tiger, Hidden Dragon". What Ang Lee's film had in common with Gilliam is simply this: they both had the feel of a great big story that you came in the middle of, and you didn't want ever to end, but it didn't matter, because the structure was such that you had enough to digest for now. And I can count on less than two hands the movies where I was left with THAT wonderful feeling.