Werner Herzog Eats His Shoe

There may be better directors than German New Wave auteur Werner Herzog, but if viewed entirely in terms of how interesting they are personally, Herzog stands above all. His tales of working with deranged German actor Klaus Kinski are the stuff of legend: from filming deep in the jungle using real natives to pushing a ship over a waterfall for Fitzcarraldo to apparently earnestly plotting to kill his star. Or, more recently he saved Joaquin Phoenix from a car crash and then disappeared before he could be thanked. His personality even transfers over remarkably in this short film directed by Les Blank.

We learn that Herzog apparently was friends with Errol Morris. While Morris was still a struggling young filmmaker, Herzog had made a bet with him that if he ever got his film made, the former would eat his shoe. Well, in 1979 he finally does make a film, Gates of Heaven, and Herzog comes to live up to his promise. The film chronicles Herzog as he garnishes, cooks, and eats one of the shoes with some salt and garlic on stage during the film's premiere. This all happens and Herzog still has time to say things like how we must declare holy war on what we see every day on television, talk shows and Bonanza; and how it requires some self-degradation in order to be a director, all in 17 minutes.

So for a short film it works quite well at capturing his essence. It's also up on YouTube to watch for free and in its entirety. This is a good thing, as it is not even available on Netflix. So if you have 20 minutes to spare, it's well worth watching.

This is a little documentary prepared by Les Blank about Werner Herzog's sort of bet to Errol Morris that he should make a movie, but if he did with the luck that he would need as a first time director, he would literally eat a shoe. Herzog adamantly says in the documentary that he's only doing it in support of Morris and his film (which at the time this doc was released didn't yet have distribution despite its great acclaim at festivals), though there's something sublimely absurd about it all, even through Herzog's deadpan/serious talks to the camera. He talks a bit about Morris and his film too, and his praise for it is all well and good. But it's even more interesting to see a) Herzog's views on commercialism and film-making and the lack of "adequate images", and b) director Les Blank's inventive cross-cutting between the on-stage eating of the show, footage of Charlie Chaplin doing the act in a silent, and Herzog talking to the camera. It's funny once or twice, perhaps unintentionally from Herzog's words (i.e. "it's not self-destructive to throw yourself into a pile of cactus"). But for the most part it's meant as a very serious act of foolishness not just for Morris but for filmmakers everywhere. If you can find it- and it's now available on free sites like you-tube- it's worth a look, especially if you're a fan of Herzog. And for Morris fans too there's a quick treat in an outtake from Gates of Heaven spliced in at one point. That song, by the way, of which I quote in the one-line summary, is awesome.

Entertaining, funny, and oddly thought provoking 20 minute short, in which, quite literally, director Werner Herzog eats his shoe.

He does it in response to a bet he made with then budding, but procrastinating film-maker Errol Morris. He told Morris that if he ever finally got a feature finished, he'd eat his shoe. And so he does, after cooking it, in front of a live audience before the local premiere of Morris' great first feature 'Gates of Heaven'.

As enjoyably silly as it all is, Herzog also makes some real points about needing to be willing to do foolish things to encourage art and artists, and that only by risking being absurd can we have the hope of transcending.

I'm happy this exists even if there's not even close to enough eating of shoes for my taste

'Werner Herzog Eats His Shoe (1980)' is not just about Werner Herzog eating his shoe, even though he does indeed do that. The promise of an acclaimed director literally dining out on his worn-out leather loafers (or whatever non-alliterative make they really are) is, essentially, enough to get anyone to watch, but I suppose that people popping this documentary on for its eponymous premise alone may, indeed, be somewhat disappointed, especially considering that the footwear feeding takes up perhaps less than half of its run-time (though, the idea of it dominates the entire piece) and that the actual eating isn't technically on-screen at all. I have no doubt that Herzog really did do the deed, especially since most of it takes place in front of a live audience, but the lack of overt cobbler chewing is certainly a missed opportunity in terms of comedy, cringe and intrigue. Still, all three of those things are here in spades. The spectacle of watching a man cook and eat his shoe because he said he would do so, presumably in the flippant way the expression is usually used, is undoubtedly real. It's also quite funny, especially since Herzog himself is so casual all the time - I mean, this is the man who would later just brush off a bullet wound because "it's not significant". Here, he's more occupied with monologuing about the current, clown-like state of film, his dislike of commercials and talk-shows, how he views a 'lack of images' as a real world-threat, the time that he jumped into a cactus to show his crew that he understood what they were going through and, perhaps most importantly, how fantastic his friend Errol Morris' new film is. Of course, it's the latter that got this flick made. The whole shoe-eating bet came about because Morris was complaining of a lack of funding for his eventual 'Gates Of Heaven (1978)'; Herzog's fulfilment of this bet was used to promote that movie at one of its pre-distribution screenings and this documentary, essentially, furthers that goal. So, despite Herzog's apparent dislike of commercials, that's all this basically serves as, aside from a comic curiosity and opportunity for Herzog to express his views. It doesn't feel like it's selling you anything, aside from when it overtly is (when people talk up 'Gates Of Heaven (1978)' presumably because they genuinely enjoy it), and it has enough flair to be enjoyable in its own right. It feels like the sort of thing you'd see on YouTube nowadays, a well-produced video more at home online than on the big-screen. It's entertaining enough and is fairly funny on occasion. Plus, some of the stuff that Herzog says seems pretty wise, resonating across the years to be just as relevant today (if not more so). If you know what you're getting into or are a fan of Herzog and his dead-pan nonchalance, I'd say that you'll enjoy this short film... I wouldn't bet my shoe on it, though. 6/10