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American Pop

  • 1981
  • R
  • 1h 36m
IMDb RATING
7.2/10
5.9K
YOUR RATING
Jerry Holland, Marcello Krakoff, Amy Levitt, Jeffrey Lippa, Helen Morgan, Lisa Jane Persky, Elsa Raven, Rick Singer, Mews Small, and Ron Thompson in American Pop (1981)
Trailer for American Pop
Play trailer2:19
2 Videos
99+ Photos
Adult AnimationEpicHand-Drawn AnimationHistorical EpicAnimationDramaHistoryMusic

The story of four generations of a Russian Jewish immigrant family of musicians whose careers parallel the history of American popular music in the 20th century.The story of four generations of a Russian Jewish immigrant family of musicians whose careers parallel the history of American popular music in the 20th century.The story of four generations of a Russian Jewish immigrant family of musicians whose careers parallel the history of American popular music in the 20th century.

  • Director
    • Ralph Bakshi
  • Writer
    • Ronni Kern
  • Stars
    • Mews Small
    • Ron Thompson
    • Jerry Holland
  • See production info at IMDbPro
  • IMDb RATING
    7.2/10
    5.9K
    YOUR RATING
    • Director
      • Ralph Bakshi
    • Writer
      • Ronni Kern
    • Stars
      • Mews Small
      • Ron Thompson
      • Jerry Holland
    • 92User reviews
    • 49Critic reviews
    • 57Metascore
  • See production info at IMDbPro
  • Videos2

    American Pop
    Trailer 2:19
    American Pop
    American Pop
    Trailer 0:31
    American Pop
    American Pop
    Trailer 0:31
    American Pop

    Photos165

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    Top cast53

    Edit
    Mews Small
    Mews Small
    • Frankie
    • (voice)
    • (as Marya Small)
    Ron Thompson
    Ron Thompson
    • Tony
    • (voice)
    • …
    Jerry Holland
    • Louie
    • (voice)
    Lisa Jane Persky
    Lisa Jane Persky
    • Bella
    • (voice)
    Jeffrey Lippa
    • Zalmie
    • (voice)
    Roz Kelly
    • Eva Tanguay
    • (voice)
    Frank DeKova
    Frank DeKova
    • Crisco
    • (voice)
    • (as Frank De Kova)
    Rick Singer
    • Benny
    • (voice)
    • (as Richard Singer)
    Elsa Raven
    Elsa Raven
    • Hannele
    • (voice)
    Ben Frommer
    • Palumbo
    • (voice)
    Amy Levitt
    Amy Levitt
    • Nancy
    • (voice)
    Leonard Stone
    Leonard Stone
    • Leo Stern
    • (voice)
    Eric Taslitz
    • Little Pete
    • (voice)
    Gene Borkan
    • Izzy
    • (voice)
    Richard Moll
    Richard Moll
    • Beat Poet
    • (voice)
    Beatrice Colen
    Beatrice Colen
    • Prostitute
    • (voice)
    Vincent Schiavelli
    Vincent Schiavelli
    • Theatre Owner
    • (voice)
    Hilary Beane
    • Showgirl #1
    • (voice)
    • Director
      • Ralph Bakshi
    • Writer
      • Ronni Kern
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews92

    7.25.9K
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    Featured reviews

    8dividebyzero

    Good. Especially if you're a music geek, like me.

    I love the animation style used in this movie. The interlacing of real footage and photos from earlier times brings a level of realism not seen in many animated films. The characters move realistically as well; minute body language is portrayed well. Voice overs are great. Of course it's not "Disney quality", but it's got a grittiness to it that truly makes it original.

    Now I can see how one could criticize this movie. Basically, it all depends on how you watch it. If you watch it as a drama, you'll be disappointed. The plot is very centered around the one tragic late hippieish character, and is pretty simple and predictable. But there's a certain amount of charm within the overall story, kind of a sad, but beautiful shine.

    If you watch it more as a musical, the movie works fine. The songs chosen are fantastic, and they totally underline the feel of the scenes in which they are used. In one of the first scenes, taking place in Czar-era Russia, there is no dialogue, only subtitles (giving it a great historical feel). The soundtrack is a sad and stirring Russian song sung acappella. You really get a sense of what the characters were going through.

    This style continues throughout the movie. One of the most emotional scenes, for me, takes place in a cornfield, with the character torn apart with what he's done with his life. Janis Joplin's version of "Summertime" (an interesting choice, perhaps a hint of a throwback to earlier eras, as it is a Gershwin tune) as haunting as ever plays as the character cries. Messed up. But well done.

    Jimi Hendrix has a cameo. A pseudo-Joplin/Slick character has a major role. A Sex Pistols parody jams it out. Late 70s corporate goons are running the studio. Great fun.

    And that's how you have to enjoy the movie; and that's probably why music geeks will love it more than anyone else.
    10Mellow_Biafra

    I'm amazed that this isn't in the top 50 for animation

    I thought this film was one of the finest animation films I have ever seen. The film continually keeps building and building until it peaks at the end when the last guy becomes a star. It almost has the feel of a documentry on life in a America by the way it continually keeps pounding the nail on the head in terms of the storyline and the action scenes cut to music were absolutely brilliant. Considering this film was ahead of anything even close to this (even ahead of MTV for gods sake) it's far and away one of the finest animation films ever made. I think anyone grading this film before a eight just isn't looking at this film as a film and instead putting it against a Disney film or something that's pretty but has no point. For my money I'd easily stack this film against any other animation ever made. Also I saw some people nay saying this film because of the soundtrack, but it's all a natural progression man and in this film it shows the progression of life and music and in 1981 that's what was popular and I thought it was a great choice since it's still listen-to-able today.

    Extremely great film, if you haven't yet... Go see it now!
    870shoe

    Well Done. Aces for Bakshi

    What a genuinely interesting and touching film. The rotoscoped animation may not be everyone's cup of tea but it works just fine here. I honestly think it's use was a big plus as it gives this human story a human, life like quality.

    If this was done today it would be slopping over with re-do tunes by current pop nobodies to jam onto a "music from and inspired by" CD not to mention it would be poorly cast with Hollywood no talents.

    The casting here doesn't leave you straining to identify celebs, it just has good actors portraying good characters. You focus on the story of the family, which after all is the point.

    Underrated and very much worth your time.
    10alrodbel

    Memorable Vivid Allegory

    I haven't seen this movie since it came out nearly two decades ago and yet I remember it like it was yesterday. Perhaps being a member of the clan that the movie depicts gives it special meaning for me. The strand connecting the chants of the ghetto synagogue, through early jazz, sixties ballads and finally hard rock rang true to this unsophisticated viewer. Perhaps the characters where often cliches and the symbolism hackneyed- but so what. This is the shorthand of our culture and these iconic elements were used with wit, charm and taste. Animation in this film is truly an artistic medium. The memory of the final scene, where generations of suffering are vindicated in the roar of acclaim for the rock singer descendent, still brings a chill to my spine.
    7Bunuel1976

    American POP (Ralph Bakshi, 1981) ***

    The narrative of this Bakshi animated film follows the showbiz aspirations of a Jewish émigré family through four generations (from turn-of-the-century to the present, i.e. early 1980s), taking in the various turbulent world events and reflecting the often radical changes in culture which occurred during all this time.

    An ambitious if heavy-handed undertaking (Bakshi's trademark realism, displayed through rotoscoped animation, occasionally interspersed with stock footage) which is patchy overall but frequently impressive - and undeniably evocative. The necessarily eclectic soundtrack, too, is a major asset even if the last half does lean too heavily on the the hippie/rock scene; it's also amusing how the script presents the band which the protagonist eventually forms part of as the talent behind many of the best-known rock songs from the era by the likes of Big Brother And The Holding Company, Jefferson Airplane, The Jimi Hendrix Experience, The Sex Pistols and even my own favorite, The Velvet Underground!!

    Best Emmys Moments

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    Related interests

    Seth Green, Mila Kunis, Alex Borstein, and Seth MacFarlane in Family Guy (1999)
    Adult Animation
    Orson Welles in Citizen Kane (1941)
    Epic
    Jodi Benson, Jason Marin, and Samuel E. Wright in The Little Mermaid (1989)
    Hand-Drawn Animation
    Cillian Murphy in Oppenheimer (2023)
    Historical Epic
    Daveigh Chase, Rumi Hiiragi, and Mari Natsuki in Spirited Away (2001)
    Animation
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    Drama
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    History
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    Music

    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      The two dancers in the "Sing, Sing, Sing (With a Swing)" montage are The Nicholas Brothers, Harold Nicholas and Fayard Nicholas. The animators directly rotoscoped their dance from Stormy Weather (1943).
    • Goofs
      Zalmie and his mother flee the czar in Russia but when they are in the US they speak what some people mistakenly assume is German. They're actually speaking Yiddish, which is similar to German and was the language spoken by Jews in Russia at the time.
    • Quotes

      Zalmie: Hey, Louie. I just seen the most beautiful thing I ever seen in the whole world.

      Louie: Some pre-Prohibition booze, huh?

      Zalmie: No. I seen the stripper gettin' dressed.

      Louie: A stripper gettin' dressed ain't beautiful unless she's ugly to begin with.

    • Crazy credits
      Disclaimer before soundtrack listings: The following songs were depicted as being written by fictional characters. The producer would like to thank the true composers.
    • Alternate versions
      In some versions of the film, dialog has been redone in at last two scenes, presumably to make points more clear. For example, in Little Pete's first scene, he is asked what his Dad would say about him hanging backstage with a rock band. In one version, Pete says "Nothing. He's dead." In the other version, he instead says "I never met my Dad. He's some kind of mystery" (which serves as a better setup for information learned later) Also, Tony returns to the band's apartment after his release from the hospital, only to find they have moved out. In both versions, under 'People Are Strange,' we hear him on the phone with a friend, but the phone conversations begin completely differently. In one we never learn what happened to the band, only that they seemed to have moved out and left Tony behind, while in the other we learn that the band has gone on to big things, with a gold album. Both versions' phone calls end the same way, though, with Tony desperately asking his friend for money or drugs.
    • Connections
      Edited from Applause (1929)
    • Soundtracks
      American Pop Overture
      Arranged by Lee Holdridge

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    FAQ15

    • How long is American Pop?Powered by Alexa

    Details

    Edit
    • Release date
      • February 13, 1981 (United States)
    • Country of origin
      • United States
    • Languages
      • English
      • Hebrew
      • Russian
      • Yiddish
    • Also known as
      • Поп Америка
    • Production companies
      • Bakshi Productions
      • Aspen Productions (I)
      • Columbia Pictures
    • See more company credits at IMDbPro

    Box office

    Edit
    • Budget
      • $1,500,000 (estimated)
    See detailed box office info on IMDbPro

    Tech specs

    Edit
    • Runtime
      • 1h 36m(96 min)
    • Color
      • Color
    • Sound mix
      • Dolby Stereo

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