So Fine

'So Fine'(1981) Absolutely hysterical comedy about a college professor forced by one- syllable mobster( played perfectly by 7'2'' giant Richard Kiel)to join his manufacturer father in the garment industry and inadvertently invents see-through jeans that become a national rage. Ryan O'Neal( believe it or not) is very good as the flustered professor and the great Jack Warden as the father, all but steals the film. Non- stop laughs for 90 minutes

This movie was funny for all the cat and mouse games going on between Richard Kiel and Ryan O'Neal, but the part I remember the most was Jack Warden. I will forever say that the funniest line in a movie I have ever heard was his line at the end of the movie. In the ending scene, Ryan O'Neal and the leading lady are riding in a gondola in Venice. In a seperate gondola, Warden and woman he has fallen for are riding. In the first boat, O'Neal and the woman are kissing, being romantic, as expected in such a romantic setting. Meanwhile in the next boat, Warden turns to his lady,and with bedroom eyes in this city of love, leans over and gently whispers to her..." How long have these streets been f**ked up?" . I roll every time I see that. ( pardon the language, but it is a quote.) That aside, it is still a relatively funny movie.

this movie is a modern remake of Shakespeare's "Merchant of Venice", with Eddie as Shylock. Other references to Shakespeare in this movie include the "pound of flesh" quotation during the scene where the professor is being grilled by the university board, the professor's various "Henry IV" quotations to the employees of the dress store ("we the happy few..."), the Othello production, and the ending -- which takes place, of course, in Venice.

Hm, anybody else see the "pound of flesh" reference flashing through some see-through jeans?

*

Broadly-written and directed comedy about a professor of American Literature who is forced to join his manufacturer-father's dress business in New York City after dad falls into debt with loan sharks. As a Hollywood lothario who first gained recognition in 1964 as part of TV's "Peyton Place"--playing the resident heartthrob--Ryan O'Neal later parlayed that same appeal in the 1970 hit romantic-tragedy "Love Story", so it's rather amazing the actor was then typecast as a befuddled square who is nervous and unsure around women (this following his success in 1972's "What's Up, Doc?"). O'Neal doesn't really fit the role; his clumsiness isn't forced, yet the star doesn't have the innate grace for physical comedy (he's too self-conscious and mock-innocent). The film has one great gag (split jeans), and a funny follow-up (a TV commercial promoting the jeans with see-through plastic on both cheeks), but the screwball hijinks in the boudoir never raise a laugh. *1/2 from ****

It is truly criminal that this movie is not available on DVD, especially when you consider the tripe that is out there.

The acting is on target and the writing is superb. Richard Kiel is perfect as the asexual mobster who forces Jack Warden to bring his dorky English professor son Ryan O'Neal into the family garment business. An affair between O'Neal and Kiel's incredibly hot wife ensues, leading to a clothing fiasco that results in the development of jeans with clear plastic back pockets and a windfall profit for the company.

O'Neal returns to school, leaving his New York garment district co-workers with Shakespeare ("We few, we happy few...") And from there the finale (Verdi's Otello, Richard Kiel in the title role, an appearance on paper by Pope John Paul II, and one of the classic lines of Jack Warden's career) can only be described as perfect.

BTW, Fred Gwinn is exceptional as the head of O'Neal's English department.

Don't miss it!