Hellhole Women

I can't help thinking that this is Franco's 'hamage' to the Marquis de Sade's "One Thousand Days of Sodom". People (in this case women) abducted to serve as slaves to a privileged elite? Check. Kinky sex? Check. Torture including whipping? Check. Victims chosen at random to be killed? Check.

Thank goodness Franco didn't go the whole hog and introduce cinema audiences to the delights of coprology (and indeed coprophagy), another perversion that crops up repeatedly in de Sade's tediously long and disgusting saga.

I rather hoped that this film would fall into the 'so bad it's good' category. But even the acres of naked flesh and numerous sexual encounters didn't make up for the dismal dialogue, dreadful acting, elusive plot and - just to put the tin hat on it - dubbing AND English sub-titles (a belt and braces approach missing from the women's costumes). The Alsation gave a very professional performance though.

Of course I could be wrong about the de Sade angle. After all, I failed to realise that the actor playing the head warden at the 'prison' was a trans-sexual. I must pay more attention to the size of people's hands in future.

According to another reviewer, the film was banned in the UK. Well it clearly isn't any more, though I fancy that the nipple-needling scene was cut to satisfy the censors. On the DVD I watched, it was only clearly visible on the Spanish trailer (which, in case you're wondering, I watched to compare it with the English one).

The DVD also features an interview with Jess Franco, though you'll need better Spanish than mine to understand it. Unless I'm much mistaken it's neither dubbed nor sub-titled. And it points out that the person sodomising the character played by Franco is Ajita Wilson disguised using a moustache. Kind of ironic, given that (s)he had had the requisite appendage surgically removed.

This is the story of a young woman, kidnapped on her honeymoon, and send to a womens prison, somewhere in the latin world. Her husband spends the rest of the movie trying to save her. That, however is only an excuse for a story, as the real focus of the film are the scenes of degradation committed to the female inmates. This being a Jess Franco movie, you know you're in for a treat, if you're a badfilm fan. It is reprehensible, but most of all, this movie is just silly fun although in a seriously un-PC way. The film is astonishingly misogynistic, and that is unforgivable, but it is fun to see how cheaply this movie was made. A prisoner is eaten by a plastic crocodile, guards are armed with toyguns, the governors car is a beaten up Simca 2000 and the costumes are a riot. Jess Franco himself, however, has the most memorable scene in the movie as he is sodomised by a black youth in his role as a slavetrader. The role as the prisonwarden is played by the late american transsexual actress Ajita Wilson.

OK, no one will confuse this with Citizen Kane but you've got to love a movie where the women are always topless. There are a few catfights and some kinky sex as well. On the other hand I hope they didn't overpay the guy who wrote the dialogue. Here's a prime example. After one of the captive girls dies:

"This is terrible. It reminds me of the day Zenobia died" "A relative?" "No, my favorite cow." I guess they saved some money on the script and blew it on great special effects like that plastic crocodile. I will say that it took me three sittings to make it through this fine work of art, never a good sign. I guess that's what happens after a while when everything looks the same. I hope the folks waiting to rent it next didn't get too impatient. Don't worry folks, it's on it's way.

In Spain, a newlywed couple parks their car in a deserted land to make love and they trespass a private property. They are taken to a women's prison and the husband Michael (Ángel Caballero) is released by the warden Magda (Ajita Wilson) while his wife Olga (Uta Koepke) is arrested and forced to hard labor. Soon she befriends Kanita (Andrea Guzon) and Tara (Ursula Buchfellner) and she learns that the women in the prison are submitted to sexual abuse to satisfy the sadistic and lesbian warden and the impotent Governor Mendonza (Robert Foster) and his bisexual wife Luwa (Gina Janssen). Meanwhile her husband returns to the prison with a friend expecting to rescue Olga while Kanita and Tara are sold to a brothel.

"Sadomania - Hölle der Lust" is a soft-porn with a ridiculous and absurd story of sexual violence. Michael's friend is murdered and forgotten by the plot. Olga never dresses a shirt after rescued by her husband. But who cares? This sleazy and outrageous exploitation shows one of the greatest number of naked women, including the 20 year-old German Ursula Buchfellner, who was the Playmate of the Month and centerfold of October 1979. The warden is performed by the transsexual Ajita Wilson. My vote is three.

Title (Brazil): "Sadomania"

First things first, I quite enjoyed "Sadomania". Despite its low budget, the film is visually impressive with some atmospheric cinematography by Juan Soler.

In terms of plot, it comes as no surprise to learn that the script was adapted from an unused "Ilsa" screenplay. There are many similarities between the "Ilsa" films and "Sadomania". Here, transsexual Ajita Wilson plays Magda Urtado, the wicked warden of "a prison from hell". Well, a prison that contains nubile young women who all look like escapees from Hefner's Playboy Mansion. This is a cue for all sorts of softcore goings-on.

The film's tiny budget is obvious - some of the guards' weapons look like they've been sourced from the bargain bin of "Toys R Us" and the crocodile special effects are somewhat rubbery. On top of this, the prison governor's car is somewhat shabby for a man in his position. However, the film overcomes these trivial obstacles and proves entertaining, even if some of the humour is unintentional.

"Sadomania" even has an appearance by Franco himself as a homosexual brothel owner. As Franco was not keen on contact with a fellow man, Ajita Wilson was asked to play his lover, without wig and disguised by a moustache.

7 out of 10. Not half as seedy as you'd imagine it to be. It could do better in the exploitation department but the cinematography really is rather good.