This Is Elvis

Very good documentary from Malcolm Leo and Andrew Solt on Elvis Presley's life, as "narrated" by Presley from beyond, in the voice of sound-alike impersonator Ral Donner (who doesn't sound exactly like Elvis if you're someone who's really become familiarized with Presley's speaking voice). Anyway, this is essential viewing for fans, naturally, but even for those who aren't big followers of Elvis. It shows the rise and fall of a music legend, and along the way are a plethora of choice musical performance clips, interviews, home movies, and montages.

The one thing that has always bugged me slightly about this film are the occasional "faked" interviews supposedly done with fans at various times over the years, like the segment after Elvis and Priscilla got married in 1967. This was completely unnecessary, and some of the re-enactments with a phony Presley supposedly walking around his hospital with his current girlfriend Ginger are equally silly and not needed. The movie hit theaters in 1981 at around 100 minutes, but for home video in 1983 there were an additional 40 or so minutes of performance clips added, which is the version I watched, and is the one this review is based on. In the theatrical version, an original line is left intact during a backstage Elvis exchange where he says that the girl he had the other night "gave great head"; on the extended version, this is overdubbed into "could raise the dead". Another change regards a song switch during Elvis' final 1977 concert... originally, the film had him singing "Are You Lonesome Tonight" where he's nervously laughing and screwing up the lyrics; in this edition it is changed to the less embarrassing "Love Me". Perhaps the shorter theatrical edition might work even better, since the 144 minute cut does feel occasionally padded in the earlier years. Whatever the cut chosen, it's still an important and vital piece of music history. ***1/2 out of ****

This is an excellent biography about the life of Elvis Presley on the heels of his death. Ral Donner, an Elvis clone, does his voice. It is as if Elvis speaks to us from beyond the grave. A young actor plays Elvis in scenes from his early life. Leo and Solt managed to tap Elvis' private film archives. Young Priscilla is shown at Elvis' birthday party in Germany. Of course, there is the condescending Ed Sullivan assuring us that Elvis is "a fine boy, thoroughly alright." Roger Ebert's review implied that Elvis was an alcoholic. Nothing could be farther from the truth. He did not drink. There is a marked contrast between Elvis in his 20s and Elvis in his 40s, but I sense in some a grim exultation regarding the fall of Elvis Presley. The soundtrack contains Always On My Mind. Elvis' version is far superior to Willie Nelson's.

I remember when this film first appeared on HBO in the early eighties. I was never a huge Elvis fan, but found myself watching this film every time it came on. It is a fascinating portrait of a man thrust into overwhelming fame and fabulous wealth and how it eventually destroys him. The "recreations" are very well done and the film as a whole is very balanced in it's view of Elvis' life. It neither canonizes nor trashes him, but shows him as an ordinary guy dealing with extraordinary fame. The longer version now available on video is nice, but I miss the late concert performance where Elvis, sick, overweight, and bathed in sweat, forgets the lyrics of "Are You Lonesome Tonight?" and nervously "wings it". Maybe that was too much truth, even for this documentary.

On Elvis' birthday this past year, I watched his movies and documentaries on television all day long. By the end of the day, I was a hooked fan and understood why this man is worshipped around the globe. Since then I have seen many of his movies, concerts and read books.

This movie is separate from all of that, as it reveals the man inside the myth. Anyone with even a casual interest in Elvis would find this interesting, but to a fanatic like myself this is immeasurably important. I enjoyed seeing him in the later years practising karate, to the song "Kung Fu Fighting".

This Is Elvis (1981)

*** 1/2 (out of 4)

Malcolm Leo and Andrew Solt co-directed this very interesting and entertaining mix of a documentary and played out drama. What we basically have is a look at the life of Elvis Presley with the film starting and ending on his death. Throughout the documentary we get countless clips from television shows, movies and concerts while at the same time seeing various stages of his life where he's being played by actors.

THIS IS ELVIS was released a few years after the death of Elvis and I'm sure at the time it was a refreshing reminder of the talent that was cut short. When viewing the film today one must really be impressed with the footage that the directors threw in here as well as how they ended up showing the life and death of this icon. The documentary works wonderfully well because you really do get to see the rise of Elvis through his clips, the controversy he faced and how he eventually became the King of Rock and Roll.

For me the greatest thing about this was the collection of musical performances. We see his earliest performances on television as well as some clips from his comeback special and of course footage from one of the last concerts he did. All of this footage is evidence that no matter what era Elvis was in, his look might be different but that brilliant voice is still right there and as powerful as ever.

The "acting" scenes are also quite good and especially one at the start of the picture when the Colonel is made aware that Elvis has died. I was actually pretty shocked at how well these scenes played out as they're both entertaining and work well as drama. THIS IS ELVIS is a film that fans often call one of the best documentaries on the man.