Brideshead Revisited

Simply enchanting. Waugh's excellent use of English in recounting the story of the doomed Marchmain family is brought to life without losing one iota of its charm and power. I doubt that anyone will be able to imagine anyone other than Anthony Andrews as Sebastian or Nikolas Grace as Anthony Blanche; Jeremy Irons gives a well-rounded performance, Diana Quick is suitably gorgeous and a host of great English actors (Gielgud, Olivier et al) lend support to a fantastic script and excellent direction. See this.

It is exceptional to find something in life that improves with age. Brideshead Revisited is one of those exalted things. Having just completed watching the entire series I can say that it is actually better than I remembered when I first saw it over 15 years ago. Seldom do so many things (cast, writing, locations, costumes) come together and form a harmonious whole. Brideshead is a tour-de-force of the film maker's art that glows with a magical intensity all its own.

Old Bridie stuck with me for years between first seeing it and then reviewing on a tv re-run not long ago. The story of Charles and Sebastian and their families (and Sebastian's teddy bear) opens out Evelyn Waugh's slow-paced novel and instead of rushing through it in a couple of hours takes time to work with it and present the story at a leisurely pace, taking stock of some of the UK's greatest scenery.

Jeremy Irons and Anthony Andrews play the leads, who meet at University and become lifelong friends. Diana Quick and Phoebe Nicholls play Sebastian's sisters, and the two boys' fathers are played by no less than Olivier and Gielgud. Inspired casting. Mona Washbourne is also used well, along with Nickolas Grace.

I think the days of these long and involved dramas have long gone by in the climate of 'whatever grabs ratings quickest'. But Granada TV managed to make a British gem which will and should be remembered for many years. Excellent.

The adaptation is so good that one can read Waugh's novel while watching and practically not miss a word. The lush prose of the novel is there, as well as perfect visual imagery of the settings, absolutely essential to the integrity of the piece.

The reviewers who have given positive feedback for this series have done quite well and I have little to add. Sadly, there was one review that seemed to miss the point, and I would like to address this:

"We can suppose that Lord Marchmain pretended to convert to comfort his family. There is no such excuse for Charles, who has seen the damage that Catholicism did to the whole family."

Wrong. It was the shirking of religious principle that tore apart the family. Lord Marchmain left Catholicism and thought he had license to leave his wife, so he abandoned his children to a confused, fatherless upbringing. Had he remained true to his sacramental vow to stay, "for better or for worse," by his wife's side, the family would never have been so dysfunctional.

As for the vague homo-eroticism in the first few episodes, many young men at Oxford back in the day did go through such phases and often they were in fact merely PHASES. Evelyn Waugh himself apparently did.