Ten Violent Women

In Director Ted V. Mikels' TEN VIOLENT WOMEN, the Maestro forays into the world of the Women In Prison movie. He succeeds brilliantly, since women do end up in prison.

A mining accident sends a crew of women into a life of crime. Their spree of heists includes the high-heeled spiking death of a lowlife "fence", played by Mikels himself! Drug deals, flamenco dancing, and arrests ensue.

In the slammer, we're introduced to the "head screw", Bri Terry (Georgia Morgan), and her ex-lunch lady guard squad. Terry is a meanie pants with certain "ideas" about the females in her charge. Sadism and weirdness take place. Thankfully, the big finale contains much needed belly dancing.

With this film, the Director has chosen to forgo such trifles as sound, lighting, production, acting, or any semblance of a story line. Instead, he just turns on the camera and lets it all fly! Otherwise, this could never have become the miraculous shambles that it is.

In the galaxy of sub-sludge cinema, Mikels' star burns very bright. He has a real knack for this sort of stuff. Whether that's a good thing or not is left to posterity...

There's something liberating about watching a movie with many scenes so dark you can't tell what's happening. You get to make up your own movie. And brother let me tell you no matter how terrible your idea is, it's miles better than this trash. It's not all dark though. There are dimly lit scenes where you can tell what's going on. Savor these moments. Memorize each person's clothing as that will be the only way you can tell them apart when the darkness returns. The most well-lit scenes take place outside. Perhaps the sun should receive a lighting credit. As with every Ted Mikels movie, there's a little bit of cheesecake. But unless you're really hard up its nothing to get hot & bothered over. Avoid this crapper.

My review was written in May 1984 after a screening at Selwyn theater on Manhattan's 42nd St.

"10 Violent Women" is a strange women's prison film which will be of interest to followers of that specialized genre. Made in 1978, pic was released regionallly in 1982 and is reviewed on its belated firs appearance in New York.

Convoluted storyline (punctuated by freeze-frames and announcement titles-ove as gags) opens with eight women getting frustrated with their work and turning to crime. They successfully pull off a jewelry store robbery, but are nabbed (roughly halfway through the film) by narcs when they try to sell them cocaine obtained from Leo the fence (Ted V. Mikels, the director, in a support role).

Action in stir is generally routine, except for a memorably overdone turn by Georgia Morgan as the extremely butch head guard, who likes to doff her mannish uniform at night, put on frilly nightgowns and force the prettier inmates to submit to everything from humiliation to whippings. After a much too easy escape from behind bars, heroines Samantha (Sherri Vernon) and Maggie (Dixie Lauren) mark time unconvincingly until a shah whose sacred scarab ing they stole (in the jewel robbery) invites them onto his yacht, drops criminal charges and whisks them off in an absurd happy ending.

"Women" is the sort of odd B-movie that proliferated a decade ago for regional and drive-in circuit use (when budgets under $50,000 per film were possible), but since then tv action shows have obviated the production of such pictures. Filmmake Mikels, for example, made an interesting actioner "The Doll Squad" in 1972 with Francine York starring as the leader (named Sabrina) of a trio of tough female undercover agents, which was the prototype of "Charlie's Angels".

Though too kinky in spots for general audiences (Mikel as Leo is killed gruesomely by a "heroine" stabbing him repeatedly with her spiked heel), "Women" is technically adequate low-budget action fare. Its title defies precise calculation, since only three or four heroines are in the spotlight at any one time.

TEN VIOLENT WOMEN is a film that starts off as an all-female action movie before turning into a women-in-prison flick around the halfway mark. Whichever way you look at it, it's an awful film, which seems to be the norm for cult director Ted V. Mikels whose terrible BLOOD ORGY OF THE SHE-DEVILS I had the misfortune to sit through just last week. It's poorly shot throughout on cheap-looking cameras which shoot footage that is far too dark for the most part.

In any case, TEN VIOLENT WOMEN is an inane film with little plot and some truly terrible acting to behold. A group of women go around committing various robberies and the like before they're busted and sent to a sleazy prison. At this point all of the prison film clichés come out, like the cat fights, the butch guards, and the sadistic warden. Mikels throws a handful of grubby underwear and later topless scenes into his film in a bid to draw in the exploitation crowd, but as with BLOOD ORGY, this is surprisingly tame viewing. It's also a rubbish film with practically no redeeming values whatsoever.

Having watched several of Mr. Mikels' films over the years for no clear reason, the only thing I can say about most of them is that they are not as cluelessly inept as Edward D. Woods Jr. This, unfortunately omits the goggle factor as you stop and rewind to make sure that, yes, indeed, Mr. Woods did indeed do that. Mr. Mikels never astonishes in that way, which means there's usually absolutely no reason to watch them, except to wonder how he continued to raise money for the next one.

Nonetheless, you may feel the need to look at one of Mr. Mikels movies for yourself. That's all well and good with me; I'm not often here to tell you what to watch, but more about what you'll see if you watch attentively. On that basis, I'd like to make your experiment a little less painful, and this one actually has some decent underlit cinematography by Yuval Shousterman. Perhaps this was a means of coping with a budget so small that they couldn't afford any lights, but then, a good lighting man can make a virtue of necessity.