The Beast Within

I agree with many points made by fellow commentators. This was one of director Philippe Mora's best efforts: atmospheric, grisly and featuring an extraordinary cast of slumming actors. The makeup transformation effects by the Burman studio are quite well done. BUT...

Why isn't this called The BUG Within? This poor kid doesn't turn into a beast - he turns into a gosh-darn GIANT CICADA! WTF? Where did that come from? There's no explanation in the script, and according to those who've read the source novel, it's completely different from the original story. I remember seeing this at a United Artists screening in Los Angeles back in 1982. My buddy Mike and I were big horror fans, and after the screening let out we kept asking each other, "But why did he turn into a BUG?" Neither of us could come up with an answer then and obviously, even after all these years and with all these discussions on IMDb, no one else has either.

Screenwriter Tom Holland probably could however. Certainly he's proved himself a talent in the horror genre, with his terrific script for the first Psycho sequel and subsequent work on the first Child's Play and his directorial debut, Fright Night.

Philippe Mora has had a more checkered career. A strong visual stylist, he's struggled with poor choice of material such as the infamous sequel Howling III: The Marsupials.

The Bug - sorry, BEAST Within is definitely worth a look for horror buffs, but when you watch the big transformation scene two-thirds of the way through, I guarantee you'll be scratching your head afterwards. The makeup FX are pretty cool though.

Philippe Mora does has made lots of very strange movies in his underrated career, some good, some truly awful. This is one of the better ones. If you analyze the plot too much the holes become big enough to drive a truck through, but just ignore the urge to do that, and you'll find you're watching an near-classic of transformation horror.

A newly-wed (Bibi Besch) is raped by a mysterious beast on her wedding night. Seventeen years later her son (Paul Clemens) is dying of an unknown illness. She and her husband (Ronny Cox) return to the scene of their past trauma to try and get some answers. They find some strange townsfolk who appear to be hiding some mysterious secret. Exactly what it is I won't say. It would not only spoil the movie, but I must admit I'm a trifle confused myself at the "explanation" for the weird events depicted on screen! Like I said, think about it too much and you'll ruin it. Just go with the flow...

'The Beat Within' contains plenty of creepiness and some gruesome murders. An added attraction for film buffs is the interesting supporting cast, which includes Peckinpah veterans R.G. Armstrong ('Predator'), L.Q. Jones ('Casino') and Luke Askew ('Easy Rider'), and character actors Don Gordon ('Out Of The Blue') and Mora semi-regular John Dennis Johnston. ('Flesh & Blood')

'The Beast Within' rarely gets mentioned in discussions of 1980s horror movies, but it should. It may not be up there with the best of Cronenberg, Carpenter, Romero, or Raimi, but it's well made, original, strongly acted, and damn good fun!

One of the better, and most overlooked, monster films of the 80's is this fun and effectively creepy B horror film.

On a dark and stormy Mississippi night, a woman is attacked and raped by a mysterious monster. Now, seventeen years later, her ill teenage son is starting to display some murderous behavior that keeps getting worse...

The Beast Within (based on the Edward Levy novel of the same title) is too often bashed by critics. Many complain that the storyline is convoluted, but frankly if everything were explained it would lose its sense of chilling mystery. There is much to be enjoyed in this off-beat creature flick. The story is nicely creative with a hint of old school horror and a good dose of building tension - all of which is dotted with some startlingly good murder scenes. The gruesome makeup effects aren't bad, this film has one wild transformation scene. Direction wise Philippe Mora does well in giving the film a great southern Gothic vibe as well as an oppressing atmosphere of dread.

The cast holds their own too. Ronny Cox (of Deliverance fame) and Bibi Besch do solid performances as the understandably troubled parents of our title character. Paul Clemens is also good, and strangely alluring, as the teen with the savage side. Supporting performances from Don Gordon, R.G. Armstrong, Katherine Moffat, and L.Q. Jones are good too.

The Beast Within is one under praised horror film. So what if there's a few plot holes, so what if it doesn't follow the book it's based on to the letter - it's a truly memorable horror ride that never has a dull moment. Check it out creature feature fans.

*** 1/2 out of ****

Paul Clemens first came to my attention, with an excellent performance as a teenager with tourettes syndrome in the "Quincy" episode, "Seldom silent, Never heard". When "Fangoria" revealed that he was going to star in this horror film, I got real interested. It was a blast to see at a Tucson drive in, on first release. (probably with a 6-pack of Molson's in the trunk)

The southern setting, (and the presence of Ronny Cox), give this mutant rape saga, a slight touch of "Deliverance". Clemens suffers as necessary, rather convincingly, until the Tom Burman effects take center stage towards the end. This is a very well acted horror film, unusual for this type and time, with some real twists, unlikely as they might be. Burman's effects are top drawer for the pre-digital age. The ending is as perverse, and ludicrous, as one could hope. Take it as you will, this is a longtime favorite, a real change of pace from the interchangeable masked, holiday killers. (you know, "Halloween", "New Year's Evil", "Hell Night", "My Bloody Valentine", "Prom Night", "Friday The 13th", etc...) Your response may change with your mood.

--Judexdot1--

If you enjoyed "The Terror Within" or "Humanoids From the Deep", then this movie is for you. It is a classic early eighties horror film about slimy creatures that rape young women, only to repeat the cycle at the end of the film. Special effects (by today's standards) are pretty thin, but still worth seeing.