Seductive Messalina will stop at nothing to become the most powerful woman in Rome.Seductive Messalina will stop at nothing to become the most powerful woman in Rome.Seductive Messalina will stop at nothing to become the most powerful woman in Rome.
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- Orgy Participant
- (uncredited)
- Brutish Man with Messalina
- (uncredited)
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Not as bad as "Caligula", but still best avoided
The plot is, allegedly, about the Roman emperor Caligula, Messalina (the most notorious woman in Roman history), Agrippina (her rival), and the emperor Claudius. The movie has very little dialogue, and practically no exposition, so if you don't go in knowing a fair bit about these classical figures, you'll be left in the dark for much of the movie's run-time.
Though, of course, "Caligula and Messalina" isn't a historical picture. It's an exploitation movie. So, there are a lot of ridiculous added details, such as Messalina first getting Caligula's attention by fighting in the colosseum. Women didn't fight in the colosseum anyway, but even if they had, I'm pretty sure a blood-relative of the current emperor would never have found her way there. The movie ignores the fact that Messalina was related to Caligula and just gives you this lame introduction for her character, which could have worked a bit better if it had been directed with some kind of skill.
This is a motif throughout the whole film, in fact, and is part of the reason why it's so boring. Capable filmmakers shoot establishing shots of scenes that are framed so that we can see everything we need to see. The camera then provides close-ups of actors or action or significant details to make us feel involved in the action. "Caligula and Messalina" does the first part of this, and just seems to leave it at that. The camera is always too far away. If the director can't get us involved in the story, he could at least give us a good look at the sex and nudity the movie is chock full of, but alas, we don't get that either. The distance between the camera and the actors, and the generally poor camera angles, leaves most of the nudity hard to make out.
I'm pretty sure that if you are unfortunate enough to watch this movie, there's only one thing about it you will remember, and that is the two scenes of horses mating. One was more than enough, but "Caligula and Messalina" inexplicably includes two such scenes. Was Bruno Mattei, the filmmaker, actually trying to cause harm to his audience by making us watch this?
A hopeful but poor cash-in, on 'Caligula'.
This movie is bad even for an exploitation film
Messy
Acting is all over the place, but I was only able to watch the English dubbed version. Not that what they filmed was one language - back then they used to film movies in many different languages in Italy that is. Anyhow the emotions are a bit lost - even those in the quite explicit scenes. But you probably will not watch it because of that. Many versions exist of the movie - and the movie is a quite the mess ... makes almost no sense, but tries to shock you.
Does not succeed in the way the other two movies were able to. This apparently builds upon other movies (there is one where Messaline is the main character), which I have not seen ... I doubt this would have fared better in my mind if I had though .. just saying.
Were there G-strings in 00-41?
One thing I found misleading, was that the Caligula and Messalina Blu-ray included an X-rated cut, just like Brass' did. So, 6 extra minutes of, uh, I dunno, God-knows-what. They ramp up the incest. The vast majority of the sex is simulated, and the countless orgy sequences are done in this super wide screen. One thing I did notice on screen, were a whole lot of shots with, well, an unpleasant part of the male anatomy. Which no one wants to see! Worse still, what IS graphic is not one, but TWO scenes of animals mating. Yikes.
Messalina's portion of the story is one of betrayal, uprising, sleeping with anything with a pulse, so much distant nudity that you become immune to it, and who's going to outstab everyone else to become empress. If you're expecting anything on par with Brass' film (real sex, outrageous performances, elaborate sets, elaborate medieval decapitating devices, distasteful violence, etc. Etc.), I think "sorely disappointed" is all you'll be left with.
Did you know
- TriviaPart of a wave of movies produced in the late 70s-early 80s to capitalize on the scandal surrounding the production and release of Bob Guccione and Tinto Brass' Caligula, along with "Messalina, Messalina," "Caligula... The Untold Story," and others.
- Quotes
Brutish Man with Messalina: I never saw anybody as pretty as you.
Messalina: Don't let it put you off. I'm not made glass.
Brutish Man with Messalina: But you're as delicate as a rose.
[Messalina notices the Brute's huge bulge between his legs.]
Messalina: Fantastic... Roses have to be plucked. When does the pruning begin? You've got such a wild reputation, that everybody's talking... It's time that you gave me a chance. I can wait no longer... Climb aboard.
[Messalina and the Brute engage in sexual activities.]
- Alternate versionsThis co-production has two different language versions, with some scenes shot differently but with basically the same cast. The Italian version runs 111 minutes, and has less nudity; the French version runs 96 minutes, and has more nudity. The film has known a number of different cuts in various countries.
- ConnectionsEdited from The Colossus of Rhodes (1961)
- SoundtracksCaligula et Messaline
Written by Albert Minski and Ted Scotto
Performed by Barbara Davidson
Published by Toy Musique, Paris
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