Agatha Christie's Belgian sleuth, Hercule Poirot, solves the murder of an actress at a Balkan resort.Agatha Christie's Belgian sleuth, Hercule Poirot, solves the murder of an actress at a Balkan resort.Agatha Christie's Belgian sleuth, Hercule Poirot, solves the murder of an actress at a Balkan resort.
- Director
- Writers
- Stars
- Awards
- 1 nomination total
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
The best still remains "Death On The Nile". I feel that the "first act" of "Evil Under The Sun" is ever-so-slightly too long. And the very final moments of the film, after the revelation of the killer(s) and AFTER the classic "Jane Birkin walking down the staircase" scene, could have been better executed. Other than that, this is a highly enjoyable film that can be watched multiple times. The first time, you'll like it more for the cleverly conceived mystery, which I would actually classify as one of Agatha Christie's best; it seems almost unsolvable, yet it's so simple when it's all explained. In the following viewings, you'll appreciate more the magnificent locations (I'm still planning to visit "Daphne's place" someday - I'd love to see how and if it has changed over the years), the quotable dialogue, the delightful performances from the entire cast (starting of course with Sir Peter Ustinov, so funny when he's reveling in his own brilliance), the grandiose score. The generally excellent David Suchet "Poirot" series also adapted this story, in 2002, but that version can't hold a candle to this one in my opinion. (***)
Agatha Christie's novels may not be intellectually stimulating but they are perfect light reading and this delightful film recaptures that quality. Slickly directed by Hamilton and well-played by all the cast, there is a striking and surprising opening on the rainswept Yorkshire moors before we are whisked off to sun-drenched Majorca. The plot twist is one of Christie's most cunning devices, which she re-used on several occasions. And of course, as everyone else has commented, the music is sublime.
This is a first rate film.
Rarely are so many top actors seen together in one production.
What the director did was to take an Agatha Christy murder mystery and sparkle it with humour and dry wit. Maggie Smith is absolutely priceless and her bitching with Diana Rigg is reminiscent of Wilde`s importance of being Earnest. Each of the actors look as though they had a terrific time throughout the production as they camp up the roles but still manage to keep the serious side of the plot going.
A must see.
Rarely are so many top actors seen together in one production.
What the director did was to take an Agatha Christy murder mystery and sparkle it with humour and dry wit. Maggie Smith is absolutely priceless and her bitching with Diana Rigg is reminiscent of Wilde`s importance of being Earnest. Each of the actors look as though they had a terrific time throughout the production as they camp up the roles but still manage to keep the serious side of the plot going.
A must see.
Definitely one of the more enjoyable adaptations of Agatha Christie novels due to brilliant dialog exchanges between members of an all-star cast--as well as the inclusion of a number of attractive Cole Porter tunes amid spectacular scenic backgrounds. If you enjoyed Peter Ustinov as Hercule Poirot in 'Death on the Nile' you'll find him twice as amusing in this one. But the film really belongs to Diana Rigg and Maggie Smith who have a fine time with the witty, brittle lines. James Mason and Roddy McDowall are also impressive, as are a number of other players who form the usual vast number of suspects. A clever, if contrived, plot that strains credibility--depending so much on coincidences--but as usual, Christie is clever enough to cover any weaknesses with other distractions. Enjoyable for any mystery fan. The photography of the seaside spa is a feast for the eyes.
Death On the Nile is definitely the best of the Peter Ustinov outings, with its sumptuous scenery and costumes, fine performances and an overall successful attempt to do justice to the book. Evil Under the Sun is not quite as good, it does start off a little slow and it does drag in places. But other than that, it is a hugely enjoyable film that is in my opinion one of the better Agatha Christies out there.
The scenery in this film is absolutely breathtaking as are the colourful costumes, captured perfectly by the magnificent cinematography. Arlena Marshall's dresses are amazing, and I admit when I first saw the movie I was like I want a dress like that. The soundtrack by Cole Porter is wonderful, and a real treat to the ears. One of the film's highlights was the song Arlena(marvellously played by Diana Rigg) sings, it somewhat reminded me of Marlene Dietrich.
The film also benefits from a very clever plot, that is definitely among Agatha Christie's best. Throughout, it is beautifully constructed, with some clever and not at all confusing subplots. The dialogue is very inspiring, sometimes flowery and at other times witty. My favourites were the bitching of Arlena and Daphne Castle, they were so funny and original, and by far one of the highlights of the film. Another highlight was the final solution, a truly ingenious one, one of my favourite denouncements of all time.
And what about the acting? Superb from all involved! Peter Ustinov while not looking exactly like Christie's dapper detective in the books seems to be enjoying himself enormously here and it really shows. As I've said already, I loved Diana Rigg as Arlena, quite frosty and very detestable in terms of character, but in terms of a truly talented actress like Rigg, it was a marvellous performance. Jane Birkin is great, as is Nicolas Clay, both of whom are under-appreciated actors and put everything into their characters. Other than Rigg, the other standout for me was Maggie Smith as Daphne. Then again, Smith never disappoints in anything she's in, and being one of my all-time favourite actresses, she gives one of her more understated performances here. James Mason was fine, though he could have done with more screen time.
All in all, one or two minor flaws, but overall an absolutely terrific film. And I do admit, I prefer it over the David Suchet version. 8.5/10 Bethany Cox
The scenery in this film is absolutely breathtaking as are the colourful costumes, captured perfectly by the magnificent cinematography. Arlena Marshall's dresses are amazing, and I admit when I first saw the movie I was like I want a dress like that. The soundtrack by Cole Porter is wonderful, and a real treat to the ears. One of the film's highlights was the song Arlena(marvellously played by Diana Rigg) sings, it somewhat reminded me of Marlene Dietrich.
The film also benefits from a very clever plot, that is definitely among Agatha Christie's best. Throughout, it is beautifully constructed, with some clever and not at all confusing subplots. The dialogue is very inspiring, sometimes flowery and at other times witty. My favourites were the bitching of Arlena and Daphne Castle, they were so funny and original, and by far one of the highlights of the film. Another highlight was the final solution, a truly ingenious one, one of my favourite denouncements of all time.
And what about the acting? Superb from all involved! Peter Ustinov while not looking exactly like Christie's dapper detective in the books seems to be enjoying himself enormously here and it really shows. As I've said already, I loved Diana Rigg as Arlena, quite frosty and very detestable in terms of character, but in terms of a truly talented actress like Rigg, it was a marvellous performance. Jane Birkin is great, as is Nicolas Clay, both of whom are under-appreciated actors and put everything into their characters. Other than Rigg, the other standout for me was Maggie Smith as Daphne. Then again, Smith never disappoints in anything she's in, and being one of my all-time favourite actresses, she gives one of her more understated performances here. James Mason was fine, though he could have done with more screen time.
All in all, one or two minor flaws, but overall an absolutely terrific film. And I do admit, I prefer it over the David Suchet version. 8.5/10 Bethany Cox
Did you know
- TriviaDespite not being in the original novel, early versions of the script included the character of Colonel Race, played by David Niven in Death on the Nile (1978). Niven was offered to return but had to decline due to his failing health.
- GoofsIn the film, Patrick Redfern was wearing swim briefs ("Speedos") on many occasions (suntanning on the beach, steering a motorboat with Myra Gardener on board), and it is suggested that, since the film was set in the 1930s or 1940s, that the male "overall" swimsuit was "norm", and the "Speedo" type suit was an anachronism. This is not true; by 1936 (after the Olympics) men started wearing one piece and much tighter fitting "Speedo" suits. The film is probably set before 1939 (the book was written in 1941), and by this time, fashionable and daring men would have worn this type of swimsuit, particularly to secluded getaways, such as the setting for the movie.
- Quotes
Arlena Stuart Marshall: Oh, dear! I'm the last to arrive.
Daphne Castle: Have a sausage. You must be starving having to wait all that time in your room.
- Crazy creditsThe opening credits feature watercolors by British architect and artist, Sir Hugh Casson, who taught King Charles III to paint. The titles for each actor feature an item of costume, prop or setting relevant to their character and those for the production team are similarly themed.
- Alternate versionsThe BBC have edited two scenes from the film for broadcast. The first is the scene where Arlena Marshall is discussing the proposed show with the Gardners, after Odell tells her that it is called "It's Not Right, and It's Not Fair", Arlena's next line, "Sounds like a black man's left leg" has been cut. The second is in the scene where Kenneth Marshall reveals to his wife that he knows she booked Patrick Redfern into the hotel. Her response, "The bitch Daphne!", is also cut.
Details
- Release date
- Countries of origin
- Official site
- Languages
- Also known as
- Muerte bajo el sol
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $10,000,000 (estimated)
- Gross US & Canada
- $6,110,000
- Opening weekend US & Canada
- $1,690,774
- Mar 7, 1982
- Gross worldwide
- $6,111,426
Contribute to this page
Suggest an edit or add missing content