Superstition

Brought to us by producer Ed Carlin and co-producers Mario Kassar and Andrew G. Vajna, who gave us haunted house horrors The Evil and The Changeling, Superstition is yet another supernatural offering set in and around a creepy old property. This time around, the spooky shenanigans are accompanied by a whole handful of creative, bloody deaths, and lots of jump scares (probably in an attempt to draw in the slasher crowd)—a good job since the plot is an often illogical mish-mash of hoary old horror clichés.

In 1692, a witch is executed—drowned in a pond, and trapped there with a crucifix. For almost three hundred years, the evil woman's spirit is the cause of violent deaths in and around the nearby church-owned property. When Reverand George Leahy (Larry Pennell) and his family move into the old house, the witch soon starts to cause trouble, now even more powerful thanks to the removal of the crucifix during the dredging of the pond. Reverand David Thompson (James Houghton) discovers the truth behind the killings and tries to put an end to the witch once and for all.

The film opens in terrific style with a juicy double death scene: having played a prank on a courting couple (thereby providing the film with the first of many jump scares), a pair of pranksters meet their fate in the creepy property, one being decapitated, his severed head exploding inside a microwave oven, the other getting chopped in two by a sash window. Several other macabre set-pieces follow in quick succession, including the hanging of an electrician in an elevator shaft and the death of a priest, a circular saw blade spinning into his chest and exiting through his back.

Also adding to the fun: Sheryl and Ann (Maylo McCaslin and Heidi Bohay), sexy teenage daughters of Reverand Leahy, going down to the pond for a spot of fun in the sun (wearing bikinis, naturally), only for one of them to be grabbed around the ankle by a severed hand; a flashback to the trial of the witch that allows for some silly Exorcist style guttural utterings, a few cool facial bladder effects, and the sight of a priest being crushed in a wine press; some memorable visuals with impressive lighting effects (somewhat reminiscent of Argento); Reverand Thompson's surprised expression every time he uses the crucifix to open (or blow up) a locked door; George having his face lacerated by flying shards of glass from an exploding mirror; Sheryl getting nailed through the head with a big spike; and blonde daughter Ann (Heidi Bohay) running around in skimpy silk night-gear.

I found this to be a very enjoyable film, and quite unique.

The supernatural /slasher/gore mix works really well, and the pacing of the film is excellent, not a minute is wasted, there's no padding, so it doesn't outstay its welcome.

Obviously not the biggest budget, but the sequence set in 1692 looks great and really adds to the atmosphere.

I definitely recommend a viewing. I watched the Scream Factory blu ray, and when the film is well lit, it looks great, in the darker scenes, not so much. There are also a lot of speckles/flecks evident in the darker scenes, but overall the picture is good.

What at first feels like a creatively impaired Amityville Horror rip off quickly spirals into a balls-out, splatter fest that's a lot more fun than you'd think. The story is that a house has been cured ever since a witch was executed in the lake that surrounds the property and anyone who enters has come to a bad end. A priest and his family move in and begin to experience creepy things until the vengeful witch returns to kill them all one by one.

Superstition doesn't waste any time in getting to the good stuff. The opening of the film alone features a body being torn in half by a shattered window and a teenager's head exploding in a microwave. Once the main victims move in, the witch doesn't spend her time making chairs move or opening doors - she just goes right for the jugular and starts killing people in creatively bloody ways.

In some ways, Superstition feels more like a slasher movie than a ghost story, but it's not a bad thing. It certainly makes the film stand out from similar films from the time and it mixes subgenres quite well. If you're looking for a spooky good time, Superstition will hook you up.

A 17th century executed witch kills anybody who enters a house that was built on the site of her execution. Supernatural horror that plays out like a slasher movie with many inventive deaths every 10 minutes or so. This is well paced and there is plenty of good gore, including an exploding head in a microwave, death by an escaped circular saw, spike through forehead, and so on. This was made during the Golden Age of the slasher movie and certainly gives good value for money. Give me 1980's effects and vibe any day over 21st century CGI and remakes! Original title in 1982 was Superstition. It did appear on the seizure list during the Video Nasties farce but was given a rerelease as The Witch in 1985. Sadly this film appears to be something of a forgotten one, I can't even reference in it in my collection of horror movie books. It really does deserve a DVD/BR release so that a new audience can see it.

An unusual, but rather enjoyable no-nonsense and wicked low-budget cursed haunted house/witch feature. A Reverend and his family move into a strange, remote house with a horrific past. Mysterious occurrences begin to happen and people within the property start dying or disappearing to only end up dead.

The plot is quite slight, with a premise relatively basic... revenge from beyond the grave; A drowned witch who reappears in demon form hidden under a cloak with glimpses of her long green hands and evil laughter to go with it. Its set-pieces are there for nothing more than atmospheric shock effects (gory, but creative and insane deaths), but director James W. Roberson effectively handles them and suitably paces the narrative with a dark, nervy energy.

It plays out like a haunted house ride... false jumps to only pump out the real one within its predictable superstitious framework (like the all mighty cross; the torment of all evil and good for exploding doors). Also there's a real nasty streak, which doesn't hold back for anyone and this makes the downbeat ending even more fulfilling. There's a real italian horror vibe to it all. The imagery is well-photographed (especially of the witch) and the score does pack that an ominous sting that crackles with intensity. Characters are one-dimensional, but the cast are committed with James Houghton, Larry Pennell, Lynn Carlin and Albert Salmi as a stubborn, hard-pressed detective.

I thought it was silly, but lively and unpleasant 1980s horror pulp that doesn't outstay its welcome. Fans of 80s horror overabundance should love.