A real-estate salesman with career and marriage problems gets hooked on cocaine and finds that not only does it not help him cope, but it makes those problems much, much worse.A real-estate salesman with career and marriage problems gets hooked on cocaine and finds that not only does it not help him cope, but it makes those problems much, much worse.A real-estate salesman with career and marriage problems gets hooked on cocaine and finds that not only does it not help him cope, but it makes those problems much, much worse.
Ted Le Plat
- Tad Voss
- (as Ted LePlat)
Stephen Keep Mills
- Emergency Room Doctor
- (as Stephen Keep)
Clark L'Amoreaux
- Ronnie
- (as Clarke L'Amoreaux)
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I'm not going to go into details about this film other than to say that some people (myself included) find this film very funny in places...however you will find it *very* hard to find! Its never going to be on TV I would have thought because of the title etc...I'm hoping for a DVD special edition but that's just being silly! To sum up..a couple of people I know who know a fair bit about the subject matter didn't like the film - they seemed uncomfortable, maybe the truth hurts?. Other people I know found it boring. However a select few found it hilarious in places...yes it is a "back from the pub/club film" - if you see it, buy/beg/borrow/steal it! It will interest you to know that this film is endorsed by Nancy Reagan..not my words, the words on the video cover!
You get Dennis Weaver so what can go wrong? Then, a tale of cocaine the one nobody likes to talk about but meets up with eventually once they get started. People don't realize that where coke takes you right away is the high guaranteed and coming off it is uncomfortable and then the addiction and it literally takes from you as it does. How? You will want to return to the land of coke as soon as you leave it. Won't or can't happen to you...you say? Coke begs to differ. I have known people that will lie, cheat, turn irrational and steal to have it until they get it. The Universal law spares no one as follows: Whatever you get into gets into you holds with no exceptions and applies to every subject. It is non-negotiable too. Mind you, getting started its the user that is naive not the drug. It is no respecter of persons. Weaver takes us through the all stages realistically. Make allowances for the generations that handle the addiction stages differently. This film depicts the 80's working class. The Real Estate depictions are hokey (I am a broker) but who is to say that for that time it wasn't the norm? Enjoyable and realistic film worthy of a watch.
Unbelievable this hasn't been released on DVD yet!
Those old enough should remember how controversial 'One Man's Seduction' was, when first broadcast in 1983. Back then, most television viewers could only access about a dozen channels, so these TV movies remained a big deal at that point.
It was considered a brave move on Weaver's part to even take this role, despite the rampant cocaine abuse that peaked in mainstream America during the early 1980s.
And does he make the most of it! You haven't enjoyed Dennis at his best until you see this one. Also, Pamela Bellwood never looked better than she does here, and should have earned an Emmy nomination for her supporting role as Weaver's unwitting enabler.
Those old enough should remember how controversial 'One Man's Seduction' was, when first broadcast in 1983. Back then, most television viewers could only access about a dozen channels, so these TV movies remained a big deal at that point.
It was considered a brave move on Weaver's part to even take this role, despite the rampant cocaine abuse that peaked in mainstream America during the early 1980s.
And does he make the most of it! You haven't enjoyed Dennis at his best until you see this one. Also, Pamela Bellwood never looked better than she does here, and should have earned an Emmy nomination for her supporting role as Weaver's unwitting enabler.
It could be that the anti-drug movie is one of the hardest to pull off. Even with great setups and decent performances, they can come off as bathos-drenched soap-opera hell ("The Boost" always comes to mind, and it doesn't help when the lead actor acts like he's on crack when he's sober).
"Cocaine: One Man's Addiction," while possibly having one of the most ridiculous titles in TV-Movie history, actually works due to the ordinariness and realism of the characters and plots. There isn't anything here that's going to shock or amaze you: just an ordinary guy sending himself down the toilet and wondering how he got there. But it gets to you, simply because it's so low-key. Dick Van Dyke did something similar with "The Morning After," but it never seemed as life-threatening or desperate as it does here.
Weaver portrays an aging real estate agent who's finding himself edged out of the company he helped build. While he gives his usual competent performance, the real sparks fly from some of the supporting actors, notably Jeffrey Tambor, as a friend of Weaver's whose binge with coke nearly drove him to suicide, and a teenage James Spader, who brings an easy realism (and pain) to the role of Weaver's disaffected son.
With Pamela Bellwood, nicely playing a poignantly injured casual user who initially lures Weaver toward his doom and a mis-cast Karen Grassle, who looks simply uncomfortable throughout.
"Cocaine: One Man's Addiction," while possibly having one of the most ridiculous titles in TV-Movie history, actually works due to the ordinariness and realism of the characters and plots. There isn't anything here that's going to shock or amaze you: just an ordinary guy sending himself down the toilet and wondering how he got there. But it gets to you, simply because it's so low-key. Dick Van Dyke did something similar with "The Morning After," but it never seemed as life-threatening or desperate as it does here.
Weaver portrays an aging real estate agent who's finding himself edged out of the company he helped build. While he gives his usual competent performance, the real sparks fly from some of the supporting actors, notably Jeffrey Tambor, as a friend of Weaver's whose binge with coke nearly drove him to suicide, and a teenage James Spader, who brings an easy realism (and pain) to the role of Weaver's disaffected son.
With Pamela Bellwood, nicely playing a poignantly injured casual user who initially lures Weaver toward his doom and a mis-cast Karen Grassle, who looks simply uncomfortable throughout.
McCloud ditches stetson and tin flute for funky '80's leather-Jackson-jacket as old Mr Charles begins to burn a hole in his fashion sense as well as pocket. A tour-de-force performance by Dennis Weaver as dead-beat real estate loser Eddie Gant, transformed into a Caddy-driving high-roller thanks to Bolivia's finest export until inevitable excess leads to a pathetic, whimpering finale, a hospitalised Weaver unable to look his family in the eye whilst bubbling, "I'm so ashamed. I'm so ashamed!" Marvelous!
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