Halloween III: Season of the Witch

'Season Of The Witch' is the swiftly-ignored footnote in the 'Halloween' franchise - quickly forgotten evidence that 'Halloween' was meant to be more 'Creepshow' than 'Friday The 13th' in style. In retrospect, bringing back Michael Myers for 'Halloween II' was a possible mistake if the intention was for 'Halloween' to become an anthology series with a different tale in each installment. The sequel's success only cemented expectations in the viewer's minds that homicide in Haddonfield by a mask-covered psychopath was what they would see unfold each time on screen. And so by 1983, audiences clearly weren't prepared for 'Season Of The Witch' and made this fact abundantly clear at the box office, which is a great shame, because deeply-flawed as it is, 'Halloween III' is a lot of fun and does not deserve to be overlooked the way it often is.

The storyline, centred around a toy factory manufacturing murderous masks designed to bring nationwide doom at 9pm on October 31st, is built up very intriguingly. We have a 'Simon Van Gelder'-like madman trying to warn the world of the impending slaughter, chillingly-ruthless killers in business suits silencing anyone who tries to get the word out, and strikingly memorable death scenes - one of which might be described as 'facial origami', and that's only the first 15 minutes. Soon, our story's heroes are embroiled in the factory's strange machinations, where nothing and no-one is exactly what they seem. The script builds up a tense atmosphere, leading to a truly compelling end that will keep viewers guessing long after.

Yet 'Season Of The Witch' (a title not to be taken too literally) comes across as an intriguing second draft - full of good ideas, but lacking the kind of logic and key exposition that would have really brought the audience on board. Writer Tommy Lee Wallace's America, for example, seems to occupy one single time zone, in which it's possible to have the nation's children watching their televisions at the appointed hour. Likewise, we are expected to believe that the illegal appropriation of one of the world's largest and heaviest artificial landmarks - a key plot point at the climax - seems to be no more difficult than stealing a mattress from a bedding store and spiriting it away on a car's roof. Dr Challis, the lead character, is an obvious graduate of 'Action Hero Medical College', stitching up wounds one day and tackling the undead like Indiana Jones the next. The film's other two leads are also something of a puzzle, with their identities and ultimate fate never being satisfactorily explored. All of which leaves 'Halloween III' as a series of entertaining sequences that anyone attempting the most basic of critical analysis will be punished instantly with crushing bafflement. The lack of audience enthusiasm cannot be solely attributed to the absence of Michael Myers (who ironically, does enjoy a few seconds of screen time).

Nonetheless, it would have been interesting if 'Halloween' had become an anthology series of horror, and with 'Halloween III' not short on ideas, it's only a shame more care and attention wasn't put into the effort. All involved clearly failed to understand what they had set in motion with the first two outings, unable to see that any change in direction for the franchise would have to be very well-executed to win the fans over. However, it wasn't and Michael Myers would go on to make a respectable return five years later. For what it offers, I think 'Season Of The Witch' is definitely worth a look - arguably more creative than most of the 'Halloween' sequels, but seriously lacking polish.

Saw this film again recently after watching it as a kid in the 80s. Nobody else seems to like this film but personally i thought it was great. Maybe its because I'm a sucker for nostalgia and 80's B Movie 'shockers' and sci-fi generally, but also because I love Carpenter's work, especially from this period (and even though he didn't direct this he did produce it and it has many of his hallmarks) - The score is excellent and the whole film has the mood of a period of film-making that is forever imprinted upon my psyche. The story is typically ludicrous and fanciful to the extreme, (the theft of parts of Stonehenge and transportation to Western US for example, and the formation of snakes and insects out of thin air, but then we are talking witchcraft here so fair enough...)

A very bizarrely positioned film in a series that was both preceded and succeeded by psycho-killer Micheal Myers' character, this is in my opinion a little b-movie gem.

Let's get some things straight...

The only real reason people seem to hate this film is because Michael Myers was absent.

For those who don't know, John Carpenter and crew decided since Michael Myers was dead at the end of HalloweeN II, there was no reason to continue on with his story. The decision was to go ahead with the series making each new installment a different story revolving around the Halloween season. Personally, I think this was a wise decision. But after everyone saw it they were screaming 'That wasn't a Halloween movie! Where was Michael?'. Obviously the majority of the audience would rather more Michael Myers rampages than creepy stories set around Halloween time.

Oh well, this movie gives a taste of where the series could have and should have went, before the disappointing HalloweeN 4.

Overall, the acting is top notch. Tom Atkins is a great actor. The soundtrack is one of my favorite John Carpenter scores ever. It has themes, but it's more about synthesized mood and pulsating rhythms. The cinematography by the great Dean Cundey is fabulous. And the entire feel of the film is very unsettling. The film literally freaks me out.

I recommend all of you that diss the film, to check it out once more. Keep an open mind. If this hadn't been a part of the HalloweeN series you would probably like it.

As for myself, I'm glad that this carries the HalloweeN title. Th rest of the films didn't pick up until HalloweeN H2O which is a very worthy entry.

It's such a shame that this entry in the "Halloween" franchise isn't more appreciated. It DOES have its admirers (such as this viewer), but it just wasn't satisfying to an audience that only wanted Michael Myers. Certainly a franchise that revolved around different macabre stories told at Halloween time would have been more interesting than yet another "psycho on a murder spree" plot. Conceived by producer Debra Hill as a tale of witchcraft in the computer age, the idea was taken to noted writer Nigel Kneale, although his script would be re-written by producer John Carpenter and re-written again by debuting director / longtime Carpenter associate Tommy Lee Wallace.

Legendary stud Mr. Tom Atkins stars as the commendably flawed protagonist Dr. Daniel Challis (he's insatiable and has a weakness for drink), who's thrown for a loop when a panicked man is brought to his hospital and murdered later that night by a cold-eyed, well dressed assassin. Hooking up with the victims' daughter Ellie (cute as a button Stacey Nelkin), he decides to play detective and tracks the mans' actions to a Halloween mask factory in a small California town. Presiding over the business and town is cheerful Conal Cochran (Dan O'Herlihy, whom you'll recognize from "The Last Starfighter" and "RoboCop" 1 and 2), a maniacal villain putting into motion a horrible prank that he intends to play on the children of America. It's up to Daniel to save the day...if he can keep his hands off of Ellie for long enough.

As noted, this in-name-only sequel (the only nod it makes to past movies is a TV commercial for the '78 Carpenter-helmed "Halloween") owes a fair bit to "Invasion of the Body Snatchers", right down to naming the town Santa Mira. It's solidly entertaining and consistently amusing stuff, with Wallace (assisted by ace D.P. Dean Cundey) creating fine atmosphere, especially when it comes to the corporate-controlled town, where Cochrans' "eyes and ears" are everywhere. The film hits the ground running, and there's no let up right until the ending. Tom Burmans' makeup is excellent; there's good gross-out stuff here. Atkins is an appealing unlikely hero and Nelkin is pleasing to look at as the daughter who gets over the death of her father in record time. Supporting and bit parts are played by the likes of Michael Currie ("Dead & Buried"), Ralph Strait ("The Beastmaster"), Garn Stephens (the real-life Mrs. Tom Atkins at the time), Nancy Kyes (Annie in the first "Halloween"), Jonathan Terry ("The Return of the Living Dead"), Maidie Norman ("What Ever Happened to Baby Jane?"), stunt coordinator Dick Warlock, and Joshua John Miller ("Near Dark"). Carpenters' score is one of his best. And to top it all off, there's that insidiously catchy jingle (sung to the tune of "London Bridge is Falling Down") that pops up over and over.

If only it didn't have the name "Halloween" attached, some viewers might be more inclined to give it a break.

Eight out of 10.

Film-makers can't seem to be able to do anything right. Instead of churning out the same old tired sequels, which they get criticised for, they have tried to be creative here and get abused for that.

Most comments I have read have said that this is a bad film because it doesn't include the old 'favourites', but then they call the rest of the series for being very similar to each other.

I will concede that this film, with the exception of the first ten minutes, is NOT scary; but it's still an ok film. It's different than any other film I can recall seeing, and does have a few surprises and a good ending.

I would say that if you were going to watch with an open mind you may well enjoy this