Two photographers, who are employed by a magazine editor to expose the scandalous activities of the rich, come across corruption by a builder and accidentally photograph a murder.Two photographers, who are employed by a magazine editor to expose the scandalous activities of the rich, come across corruption by a builder and accidentally photograph a murder.Two photographers, who are employed by a magazine editor to expose the scandalous activities of the rich, come across corruption by a builder and accidentally photograph a murder.
- Awards
- 2 wins & 3 nominations total
Pankaj Kapur
- Tarneja
- (as Pankaj Kapoor)
Ajay Wadhavkar
- Police constable under D'Mello bridge
- (as Ajay Vadhaokar)
Featured reviews
This is one of India's best comedy movies. Well made, well directed, very well acted, the movies picks up more laughs as it develops and the climax is certainly the most hilarious. The theme is corruption in business, government and the media. Everybody is on the take, the Police Commissioner, the big bucks businessman, newspaper editor, etc.
Two hungry-for-work photo studio owners accidentally take the picture of a murder and then "all hell breaks loose". The climax at a small theater where "The Mahabharata" is being staged will have you in splits. Crime has never been so much fun. Yet the film never loses its edge, its cynicism of what happens in the real world. The good guys always win in the end, right? Yeah, right... See the movie. I have no doubt this is one of India's classic comedy films.
Two hungry-for-work photo studio owners accidentally take the picture of a murder and then "all hell breaks loose". The climax at a small theater where "The Mahabharata" is being staged will have you in splits. Crime has never been so much fun. Yet the film never loses its edge, its cynicism of what happens in the real world. The good guys always win in the end, right? Yeah, right... See the movie. I have no doubt this is one of India's classic comedy films.
They've never quite managed to make a movie like this one. Naseeruddin Shah and Ravi Vaswani play photographers caught in a messy affair involving corrupt politicians, wicked businessmen, canny journalists (and some hammy actors). Giving director Kundan Shah (who has, surprising, gone on to the make some of the most awful films of the last decade) the chance to unleash his brilliant satire. He hits all his targets. Satish Shah is hilarious as a dead body on roller skates, and the 'Disrobing of Draupadi' scene in the theatre is one of the funniest ever shot. Like the rest of the film, it could have been cringe-inducingly-awful. If it weren't so funny, that is.
Rib-tickling, side-splitting .. but also cynical, intelligent, and very, very dark. Comedy as it should be and so very rarely is. Corrupt politicians in cahoots with thieving contractors, their scheming rivals and their inept secretaries ... add two bumbling, idealistic, naive young photographers in the 'right' place at the 'right' time ..... throw 'em all together and all hell breaks loose, and boy is it hilarious!! I've seen this several times and never failed to collapse in helpless fits of laughter. Wonder why they don't make them like this anymore, and wish they did!
Two simple photographers, trying to eke out an honest living, caught in a web of scandal and deceit.
Fantastic direction, outstanding plot, brilliant script, phenomenal casting and amazing acting. This movie has you laughing till the last scene, which is when the laughter is wrenched from your throat!
The movie has great attention to detail. For example, the scene when monkey is being photographed, look into the mirror in his hand. You actually see Tarneja in a checked jacket and gun in hand. Which leads to the single biggest flaw: no gunshot heard?
But that may be forgiven. The comedy is unending!!! For example, the Dhritrashtra, still blind, saying "This is too much! Yeh Akbar kahaan se aa gaya?"... Or Tarneja and Ahuja entering the Mahabharat in complete costumes, but still wearing their specs and sunglasses respectively! That, to my mind, is the single longest comic scene in Hindi cinema!
The laughs do not stop!!! It stays, to date, the best tragi-comedy ever!
Fantastic direction, outstanding plot, brilliant script, phenomenal casting and amazing acting. This movie has you laughing till the last scene, which is when the laughter is wrenched from your throat!
The movie has great attention to detail. For example, the scene when monkey is being photographed, look into the mirror in his hand. You actually see Tarneja in a checked jacket and gun in hand. Which leads to the single biggest flaw: no gunshot heard?
But that may be forgiven. The comedy is unending!!! For example, the Dhritrashtra, still blind, saying "This is too much! Yeh Akbar kahaan se aa gaya?"... Or Tarneja and Ahuja entering the Mahabharat in complete costumes, but still wearing their specs and sunglasses respectively! That, to my mind, is the single longest comic scene in Hindi cinema!
The laughs do not stop!!! It stays, to date, the best tragi-comedy ever!
This was a wonderful comedy, no cheap humor, no poor jokes, just a simple inexpensive movie made with a great script, good jokes and wonderful actors. The scene at the theater where the mahabharat is being enacted is by far the funniest 15 minutes in the history of Indian Cinema. A must see for everyone.
Did you know
- TriviaThe film was made on such a shoestring budget that Naseeruddin Shah, the most well known actor was paid only Rs 15,000 ($300) for the movie. Naseer also had to bring his own Nikon camera to the shootings to use as a prop for his character, who was a photographer. Towards the end of the shooting, this camera was stolen, which amongst other painful memories of the making of the film, Naseer still reminisces about.
- GoofsWhen D'Mello's dead body was found under the bridge the eyes were closed. However, when they recover the body again from Ahuja's guest house, the eyes were open. This can't be possible.
- Quotes
Ashok: You didn't listen to our conversation, did you?
Vinod Chopra: What?
Ashok: You didn't listen to our conversation, right?
Vinod Chopra: What?
Ashok: Are you deaf?
Vinod Chopra: Yes!
- ConnectionsReferenced in Ek Ruka Hua Faisla (1986)
- How long is Jaane Bhi Do Yaaro?Powered by Alexa
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