The Jigsaw Man

This movie is interesting. It is very hard to follow, but after seeing it two or three times, it comes. A very well defined star-studded cast but the movie is not what you'd expect it to be. Other than that, this movie would be good to watch if you like action, politics or just want to kill time.

A very dull film is the only way of describing this tale of spies and defectors, plastic surgery and double dealing, during the Cold War. Michael Caine plays the rejuvenated spy who returns to his homeland, and his former friend and sparring partner, head of M15 (a truly appalling Laurence Olivier), at the same time reviving his relationship with his pouting daughter Penny (Susan George) who is having a fling with a secret service man (Robert Powell), who is surviving attempts to kill him by ... well, who knows?

With fruity support from Charles Gray and Michael Medwin and an awful script delivered in poor accents (Caine's Russian has to be heard to be believed) 'The Jigsaw Man' becomes a bit of a joke.

It is watchable, but is really a load of old rubbish dressed up in London locations and with some semblance of a plot.

Sir Philip Kimberley is a former M16 intelligent general who defected to the Russians in the 70s, returns back to his home country after faking his death. He receives plastic surgery on his face, so he could go into England to pick up very important documents that he has hidden which has KGB agents working in England. Knowing that the British thinks his dead, he escapes the KGB men and defects back to the British as a Russian spy. He goes on to basically play each other off, in the hope he can pick up a large amount of doe and go on to live a new life, along with his daughter.

"The Jigsaw Man" is pretty much a fundamental Cold War thriller, which feels clammy and looks like a cheap b-grade spy film. The routine material (taken off Dorothea Bennett's novel) wants to be crafty with many plot tricks involving double crossings, disguises, ever-changing accents and secret documents. But with these aspects, there's just too much restraint and haggard developments in what is mainly a story and dialogue driven outing. You'll need these elements to be strong and convincing, but a stated script completely drags and spits out some bawdy lines. The serious nature of it, can come across quite laughable and ludicrous. While the chunky plot offers a labyrinth of turns, it can be meandering and vapid in many shady situations. These twisty developments running through the story are well organised, but never in a astute manner. Thrills are minimal, but the elaborately taut layout breaks out for an action flourish towards the latter end. Even then, the minor pockets of get-up-and-go just can't break the slumber for too long. Terence Young's pedestrian direction seems to go missing in very long spells, but Freddie Francis' polished photography and John Cameron's steamily leeching music score doesn't follow the same fate. The cast is an excellent one. Michael Caine is decent enough, even though it's not quite an inspired performance and provides nothing more then a sour-face. Laurence Olivier provides class, but again he's left with not too much on offer. One very underrated Robert Powell gives a reliably understated turn and Susan George is sparklingly potent in her supporting role.

Incredibly patchy and at times hollow, but still a sturdy espionage thriller. The main problem is that it lingers about in too many chewy sequences then really getting on with it.

Every great actor must have at least ONE on the CV they would not want anyone to find out about and for the likes of Caine and Olivier, ( I STILL cannot believe they were in this!), this is IT. Lacks EVERYTHING: pace, style, excitement, camera work, plot, score etc. etc. Unlike my REAL pet hates, such as John Wayne's "The Green Berets", I cannot even get really excited enough to hate this turkey, but just regard it in the way you would a really boring and unsatisfactory meal in a third rate restaurant - something you have gone through, but will never repeat by returning. Regard this film in the same way or, even better, save two hours of your life by doing something better than recording this when it is shown at 1.30a.m. on Channel Zog, (for I cannot imagine any other way you are going to get to see it), and wasting the time to view it later.

Michael Caine and Sir Laurence Olivier are involved in this routine movie (probably rent was due and the fellows were late on payment) which is completely useless. A former British spy who betrayed his own country is sent back from Russia on a mission. But suddenly (well, not so suddenly) the story twists to an unexpected (well, not so unexpected) ending. No actor seems to be interested in what is happening and the Italian dub (above all Olivier) is rather poor. The plot makes little sense and . If you look for a spy movie with Michael Caine, watch "The Ipcress File" or "The fourth protocol",instead. They would be a very much better choice.