The Return of the Man from U.N.C.L.E.: The Fifteen Years Later Affair

Agents Napoleon Solo and Illya Kuriyakin are called back to UNCLE after fifteen years to do battle with THRUSH once more who are holding the United States to ransom with a stolen nuclear bomb.

Enjoyable revival movie with Robert Vaughn and David McCallam looking a bit older and a bit thicker around the middle, but still wonderful as Solo and Kuriyakin. The chemistry between them hasn't faded after so many years. Good supporting cast includes Anthony Zerbe as an evil THRUSH chief, Carolyn Seymour as a Russian ballerina who is blackmailed by THRUSH to do their bidding and Patrick Macnee (ex-Avengers) makes a satisfactory replacement for Leo G Carroll as the new UNCLE chief, the latter sadly died in 1972. The film is directed by Ray Austin who worked on The Avengers as initially stunt arranger and later as a director. Austin made his directorial debut on an episode from the latter entitled "All Done With Mirrors."

This was intended as the pilot for a new series, but sadly it never materialised. Interestingly, there has been rumours of a big budget movie of the series being made, probably like Mission Impossible, but as The Return Of The Man From UNCLE shows without Vaughn and McCallam it will be a disaster.

Those super-agents of the spy-era "Man from U.N.C.L.E." Robert Vaughn & David McCallum reteam in this 1983 sequel, reprising their characters admirably & accurately, but the overall tone of this (one of the earliest of the TV "reunion" movies) falls flat. The scripting and helming fail to match the jaunty tongue-in-cheekness of the original, despite screenplay credit by series-creator Sam Rolfe, and regrettably it lacks any hint of the original hep score by Fried & Goldsmith.

The plot is predictable and typical of the '60s series: U.N.C.L.E.-vs-THRUSH, with an innocent bystander conscripted into the fray. But beyond the two leads, nothing remains of the original U.N.C.L.E. mythos. By 1983 the MGM backlot had been bulldozed for a condo development, so this was shot entirely on location -- even the interiors. The result feels a little too raw to recreate the fantastical "U.N.C.L.E." franchise. And sadly, the production design ditched the sleek steel-panel walls of the original headquarters, the cute miniskirted G3s and the gee-whiz technology that made the show such fun. It would seem the old HQ "somewhere in the east '40s" was boarded up some years back (perhaps a downsizing?) and operations moved to new offices that smack of a modest corporation somewhere in Wisconsin, with cheap wood panelling and fluorescent overheads and the full "United Network Command for Law and Enforcement" emblazoned billboard-size on the hallway walls; apparently U.N.C.L.E. has moved heavily into branding these days). In fact, the only recognizable elements reprised from the series are the pen-radio, the briefing-room TV sequence and a few blinking "old-world" computer consoles which must have been languishing in the prop warehouse since the Nixon Administration.

The shtick of this remake is that the current staff of U.N.C.L.E. comprises vanilla-bland PC yuppies fresh out of prep school, to a man possessing none of the silky suaveness of Napoleon Solo, and the entire agency seems to have a bureaucratic malaise hanging over it. Perhaps with good reason: the international terrorist agency, THRUSH, is said to have been disbanded some years ago. My feeling watching this setup was that with Waverly gone, and without a worthy adversary, U.N.C.L.E. had lost its way.

But suddenly, unexpectedly, THRUSH rears up Phoenix-like, precipitating Solo's return to the fold...where he finds himself very much a fish out of water (a riff used, perhaps more effectively, some years later by Pierce Brosnan in "The World Is Not Enough" in which JB's predatory sexual mores clash with the PC feminism of the late 20th century).

Patrick McNee ("John Steed" of the Avengers) has been drafted to replace the late Leo G. Carroll in a clever bit of cross-casting, and there's a cameo by an even earlier "Bond," but otherwise the show is unremarkable. Our aging heroes, drawn out of civilian retirement (explained for Ilya, but not for Solo), start out making a few slips what with being so long out of practice, but they're still in reasonable shape and eventually find their old groove. Both see lots of action, toss off many witty comments & wind up regaining to a comfortable camaraderie. Curiously, it's never explained what kept them out of touch through the years (had there a falling out, maybe over a woman?), nor is it ever made clear why top-agent Solo didn't get promoted to an admin position within U.N.C.L.E. (perhaps even to succeed Waverly?), and what events led to the ultimate demise of THRUSH years back.

Technically, the show is low-budget with a heavy '70s kitsch (film stock quality is marginal, typical of the era, with lots of stock footage -- one clip through an airplane window shows unprocessed blue-screen!). The audio is poorly dubbed in places, with lots of distracting background noise. The stuntwork is pedestrian: a few cars get rolled "A-Team" style, dazed henchman stumbling from the wrecks; a villain dangles precariously from a helicopter skid, but only a few inches from the ground; an U.N.C.L.E. swat team rappels down Boulder Dam, a supered title identifying it as "Somewhere In Syria." This was a made-for-TV movie and everywhere it definitely shows up as made on the cheap.

Come to think of it, though, that was the perverse charm of the '60s series, a four-year romp through cheeseboard sets and cheap pyrotechnics. This sequel may ring more true to the series than I originally gave it credit.

Back when the old Man From UNCLE series was going I thought it was a radical concept. Here we had as the top agents an American and a Russian in an agency run by a British man to the manor born all cooperating against a conspiracy to rule the world headed by some evil folks. Detente a generation ahead of its time.

Leo G. Carroll has passed on, but the United Network Command for Law Enforcement has another titled Britisher in Patrick MacNee heading it. A master criminal Anthony Zerbe has escaped and who better than the two guys who borough Zerbe in back in the day to get him.

So Robert Vaughn and David McCallum are recruited from the lives they now lead, Vaughn as Las Vegas gambler and McCallum as fashion kingpin. Zerbe has also stolen a thermonuclear bomb and plans to blow it up unless he gets a hefty sum of cash. UNCLE's nemesis THRUSH is back in action.

It was nice to see Vaughn and McCallum back in their old roles. Hard to believe that the kindly old medical examiner from NCIS was something of a teenage heartthrob back in those days, but The Man From UNCLE gave McCallum some short lived bubblegum popularity.

I can see why this version failed though, it tried for satire and fell on its face. No wonder this was not picked up to revive the series

Not as bad as expected but both actors looked far too old to play their old characters especially Robert Vaughan. In common with the excellent original TV series this was a bit tongue in cheek but it didn't work as well in this film as it did in the TV series.

Many nods to James Bond, too many perhaps, in the sets and having James Bond in one sequence. The final fifteen minutes or so was 100% James Bond.

It's no wonder that this film failed to lead to a new TV series.

It's worth watching for oldies for nostalgia reasons as it is a bit of fun but a younger audience probably won't like it very much at all.

I have got Return Of The Man From U. N. C. L. E. On DVD starring Robert Vaughan-I say my sister Toni"s favourite actor & very gorgeous David Mc Callum my all time favourite. I really like David, I always have & I will do in the future, an excellent movie indeed.