To All a Goodnight

Sorority girls who haven't left for the holidays are targeted by a Santa suit wearing serial killer.

There's not much meat on the bones of To All A Goodnight. It's not much interested in standing out from the pack very much and seems more comfortable borrowing from other films like Black Christmas, but there's an offbeat low budget charm and bizarre choices that keep it from being a total waste of time and some of the death scenes have their inventive and gory moments.

To All a Good Night (1980) is a movie I randomly came across on Shudder. The storyline follows an all girls school with a tragic past. When the President of the school leaves for a holiday trip the girls plan a party with boys and shenanigans. Wouldnt you know it that this is when the school is visited by a killer Santa Claus?

This movie is directed by David Hess in his directorial debut and stars Jennifer Runyon (Up the Creek), Kiva Lawrence (JAG), Sam Shamshak (Bulworth) and Harry Reems.

The storyline for this is fairly cliche and straightforward. There is an interesting character in this, Ralph, whose awkward and unpredictable and adds a level of suspense. He was well written and executed. The kill scenes are uneven with a couple good ones and some very bad to average ones. There is a cool airplane scene in this towards the end and the final villain reveal is okay.

Overall this movie is fairly average but is an okay slasher flick to watch during the holiday season. I'd score this a 5/10 and only recommend watching it with the appropriate expectations.

David Hess (Krug from Last House on the Left) tries his hand at directing in this mixed bag of a slasher film. After a hilariously quick and abrupt prologue, we're introduced to a group of sorority girls who are staying behind for Christmas break for a variety of reasons. A crazed Santa Claus-dressed killer has joined the festivities and he or she is out for blood. But why?

Most of the characters are interchangeable, the dialogue isn't great, and it's about as scary as a rerun of Columbo, but there's something charming about the whole thing. There are poorly executed day for night shots galore, some gore, and a few spirited performances to keep things afloat. Just try not to chuckle when a middle aged matron comes in and reveals she's probably dying of a disease and is never seen or heard from again. The ending is odd, too.

There are better Christmas slashers, but also far worse, so you might as well give it a shot if you like these kinds of movies.

Forget the cheerful seasons greetings, as here's another nasty little holiday slasher that's only made more interesting for the fact it was directed by genre actor David A. Hess. However his presence might have been better suited in front of the camera than just behind it. "To All A Good Night" is another addition to the Christmas --- Santa Clause slasher cycle and probably one of the least known, despite coming out around the same time as "You Better Watch Out" and even before the likes of "Silent Night, Deadly Night" and "Don't Open till Christmas". Still with that on mind, it's your typically rancid and atmospherically moody slasher that amusingly passes the time but in the end there's not too much to write about.

Sticking to a formula that seems to be popular; it opens in the past showing a prank going horribly wrong then moves to the present time which has a group of horny rich girls at Calvin Finishing School for Girls waiting to secretly smuggle in their boyfriends for some late-night parting, but after doing so they start disappearing as someone in a Saint Nick costume is going around making ends meat of them. Does the past have something to do with it… I can't see it any other way.

It had its moments (death by propeller was a neat touch), an unhinged, if wonky sounding electronic score and a cast (mostly no-names) that weren't too bad either. There's colourful bunch of characters (with expected red herrings; like Ralph the creepy looking gardener who can pop out from anywhere) and gladly they stood out from each other. The angelic Jennifer Runyon (in her debut performance --- although that's pretty for all the young cast) brings a grounded reality to her lead character. Her cute character was more sympathetic, thanks to her forlorn naïve innocence, but even so not worthless for that. Linda Gentile and Judith Bridges have titillating fun with their buxom parts. While Forrest Swanson and William Lauer are tolerable.

The location (a large sorority house) for such butchery is ominously remote, but David Hess' glum direction was kind of clunky with many murky set-pieces with a real uneven focus on the deaths or a real lack of build up to them. Some happen off-screen, while others come off jarringly quick. Some passages are lethargic, like the long stretches of fooling around, bickering and then the waiting game for the killer to strike (oh there's numerous leg shots of our psychotic Santa killer walking stairs). The story kind of starts of plain (with some flat writing) but when it begins to open up to where its actually going, it brings out some rather amusing (though not all that intentional) and odd developments. Plenty of contrived instances make there way in and there's one scene that paints it perfectly. After discovering a dead body one of the characters run to the phone to call the police, but *drum roll* the phone is dead. But just before picking it up… the killer perfectly times it by cutting the phone line just before it reaches his ear. But in the end it's the sudden revelation… well more so the outrageous second one that's a groaner.

A so-so seasonal low-budget slasher.

Sorority girls who stay over the Christmas break are hunted by a serial killer dressed as Santa Claus.

Simple and to the point, To All A Goodnight probably won't become anyone's new favorite Christmas tradition and it can't hold a candle to similar Yuletide slashers like Black Christmas and Silent Night, Deadly Night, but it's enjoyable enough for what it is. None of the characters make much of an impression and there's little to no suspense in the stalking scenes, but some of the gore effects impress. It also has one of the most confounding endings you're likely to ever see.