Xtro

In 1982, following the release of Spielbergs E. T in cinemas, John Carpenter had remade The Thing. The classic story of an alien intruder at a military and scientific base, discovered frozen in a block of ice. While Carpenters version was initially met with disgust and disdain in equal measure, another film, a low budget outer space shocker involving another visitor from beyond, was wrapped in the UK. Somewhat overlooked but finding momentum in the vhs rental shops of eighties Britain and that of course was Xtro. There were some parallels with ET concerning a young boys special relationship with an alien but this film was much darker and disturbing. A father is abducted by a "light" in the sky and, after 3 years, returns home to relocate his wife and specifically his son. The father however, is much different now and conceals alien dna within having being "changed so i could live there" referring to the alien world in which he was taken. Reborn in the most gruesome and notorious sequence in the film ( hands over your eyes) which still stands out as a superb example of practical effects on a shoestring. The rest of the film becomes somekind of kitchen sink drama as the mans wife, her new partner, a french housesitter and the son become implicated in the events that unfold while trying to reveal the true motives of the husband!!! Two sequels were made, neither related to this or each other, some years later by the same director who also composed the soundtrack to the film. Not for everyone but worth viewing if you enjoy your horror or scifi with a serving of splatter!

A man is kidnapped by aliens and returns some years later in the form of four legged crablike monster.He rapes a woman and a fully grown human explodes from her womb the next day."Xtro" is a rather unpleasant low-budget horror gem that is definitely not for the squeamish.The film offers plenty of strange atmosphere and lots of cheap but effective special effects.The gore is suitably nasty and the birth scene is truly disgusting and memorable.The cast is generally decent and the finale is extremely grotesque.Later Bond girl Maryam D'Abo plays the nanny and has a wonderful nude scene.Overall,"Xtro" is much better than two crappy sequels that followed.Give it a look.9 out of 10.

XTRO is one low budget flick. So low it's almost breathtaking that they actually finished it and released it to theaters.

The film itself is somewhat vulgar and unpleasant (the low budget quality doesn't help...) but even with the unpleasant aspects of it all, the film is fun to watch because it's so wonky and bizarre that it's impossible to stop looking at it. And the cheap synth music, coupled with the UFO storyline and the odd looking alien all give the film a unique otherworldly feel to it that's more effective than 99% of big budgeted films made in Hollywood. If early David Cronenberg had directed an alien movie, it probably would have looked something like XTRO.

But even all of its good aspects don't hide the fact that the film doesn't make much sense and the acting and dialogue are, for the most part, bad. But if you're a fan of films about UFOs like me, make sure to check this film out.

Xtro (1983) scared me when I was a kid. The very idea of a kid's being tormented by aliens freaked me out big time. The special effects were graphic and sticky from what I remembered. I wish this movie was available to rent because the only copy I could find to watch is the very first one that was released during the early 80's. I am surprised that this film isn't widely recognized as one of the nastiest and bloody horror films of it's time period. Two scenes tripped me out big time, one involving the father and the other with the poor kid and his G.I. Joe doll.

Priceless stuff. I would recommended a viewing of this strange film if you could find a decent copy.

Like director Harry Bromley Davenport mentions on the (very amusing and upfront short) interview that comes with the double pairing DVD of the first two films, it's a mess. Simple as that. It's an incoherent slab of twisted ideas and episodic plots, some quite random (a dwarf in a clown costume springs out of nowhere) in quite a bewildering British low-budget Sci-fi / horror production. No wonder why this is considered a cult favourite. Trashy and nasty junk indeed, but unusually compelling because you just don't know how it's going to go about things. Instead of a clear-cut narrative (as it does have a unique spin on the various materials within), the header is to mainly shock, baffle and weird out. It effectively does that with few creative visuals, bloody make-up FX and crass special effects. Achieved from the eerie imagery and Davenport's elastically wallowing synthesizer (sounding quite second-rate, but uncannily otherworldly) score is a thick dose of atmosphere. Even the film's colouring is drearily painted. Davenport's direction is eccentrically boundless and this helps it move quickly without outstaying its welcome, (even if has that slow-burn style to it). The cast are more than decent. Bernice Stegers provides a strong show-in and lifts it up with her presence. Philip Sayer is capably empathetic and the lovely French actress Maryam D'Abo makes her acting debut. A curiously surreal and sombre uneven (purposely I guess?) b-grade fright feature that from the get-go, leaves you pretty much in the dark.