Xtro

"Xtro" (1983) is a very weird little slice of Sci-Fi Horror and one of the few British films that landed on the UK film censors' infamous 'Video Nasty' list. The film is incredibly bizarre and quite bloody, and while it isn't a must-see it is warmly recommended to fans of cult-cinema and weird stuff.

While playing with his son, Sam Phillips (Philip Sayer) is abducted by an alien force. Several years thereafter he returns (in a somewhat bizarre manner), and isn't quite the same anymore... This may not really be a proper plot description of "Xtro", but the film really is way too bizarre in order to properly describe it without spoiling it. "Xtro" is weird from start to finish, and that is exactly what makes it interesting. "Xtro" has an undeniable Trash-feeling, which also only makes it more valuable for my fellow cult-cinema fans. The film landed on the Video Nasty list due to its gore. The gory scenes are intense and includes one particularly nauseating 'birth'-sequence. "Xtro" is still probably one of the less explicit films on this list, which generally shows that film-censors lack both intelligence and art-appreciation. The storyline actually quite interesting, though sometimes a bit too confused. It gets quite goofy at times, but then it has its genuinely ingenious moments.

It is worth mentioning that this is the first film featuring the sexy Maryam d'Abo, who is best known for her Bondgirl role in "The Living Daylights" (1987). She plays a French au-pair-girl here. The performances are generally pretty good, especially for a film that has seems somewhat trashy and cheap. The gore- and make-up effects vary between brutally nauseating and cheesy, depending on the particular sequence. Overall, "Xtro" is recommendable to my fellow fans of bizarre Horror, though I wouldn't say you've missed a lot if you decide to skip it.

XTRO is one low budget flick. So low it's almost breathtaking that they actually finished it and released it to theaters.

The film itself is somewhat vulgar and unpleasant (the low budget quality doesn't help...) but even with the unpleasant aspects of it all, the film is fun to watch because it's so wonky and bizarre that it's impossible to stop looking at it. And the cheap synth music, coupled with the UFO storyline and the odd looking alien all give the film a unique otherworldly feel to it that's more effective than 99% of big budgeted films made in Hollywood. If early David Cronenberg had directed an alien movie, it probably would have looked something like XTRO.

But even all of its good aspects don't hide the fact that the film doesn't make much sense and the acting and dialogue are, for the most part, bad. But if you're a fan of films about UFOs like me, make sure to check this film out.

Alien is a haunted house movie in space that has begat a slew of imitators, copycats and outright rip-offs. 1982s Xtro, on the other hand, is truly a movie that has something for everyone: if everyone includes folks who want to see movie about a father reconnecting with his son, as well as a film where Maryam d'Abo is repeatedly naked, a kid discovers his psychic powers with a weird clown, an Alien-style birth scene of a fully-grown man being born out of a pregnant woman ("What is it with all the alien birth scenes in these movies? What is wrong with people?" asked my wife), toys coming to life, a child hunting down people like The Omen…truly Xtro is about ten movies worth of ideas in one scuzzy, scummy exploitation fever dream.

I'll do my best to summarize the plot, but at any point, you may declare, "You're just making this up now." I assure you that what follows is as close to the filmed truth as possible. It truly is that weird film that even surprised a jaded viewer such as myself.

Tony and his dad Sam (Phillip Sayer, The Hunger) are playing fetch with their dog. On the last stick through, much like 2001: A Space Odyssey, Sam tossed the stick high into the air and the screen goes white as he gets abducted.

Three years later, the light appears in the sky again and an alien creature scurries across a British countryside road. It gets hit by a car, yet survives to kill the driver and his passenger, then find his way to a cottage where it impregnates the lady who resides there. Moments later, Sam is reborn, clawing his way out of the woman, even biting into a bloody umbilical cord before he leaves. This is ten minutes into the movie. And if you think this is the end of the craziness, read on….

Sam wants to find his son, who lives with his mother Rachel (Bernice Stegers, Macabre), her new boyfriend Joe (Sinon Nash, Brazil) and a French babysitter named Analise (the aforementioned d'Abo, The Living Daylights) whose sole job seems to be getting naked every time she is on screen. Sam has nightmares about his dad every single night, waking up soaked in blood. Oddly, it turns out that the blood isn't his.

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Like director Harry Bromley Davenport mentions on the (very amusing and upfront short) interview that comes with the double pairing DVD of the first two films, it's a mess. Simple as that. It's an incoherent slab of twisted ideas and episodic plots, some quite random (a dwarf in a clown costume springs out of nowhere) in quite a bewildering British low-budget Sci-fi / horror production. No wonder why this is considered a cult favourite. Trashy and nasty junk indeed, but unusually compelling because you just don't know how it's going to go about things. Instead of a clear-cut narrative (as it does have a unique spin on the various materials within), the header is to mainly shock, baffle and weird out. It effectively does that with few creative visuals, bloody make-up FX and crass special effects. Achieved from the eerie imagery and Davenport's elastically wallowing synthesizer (sounding quite second-rate, but uncannily otherworldly) score is a thick dose of atmosphere. Even the film's colouring is drearily painted. Davenport's direction is eccentrically boundless and this helps it move quickly without outstaying its welcome, (even if has that slow-burn style to it). The cast are more than decent. Bernice Stegers provides a strong show-in and lifts it up with her presence. Philip Sayer is capably empathetic and the lovely French actress Maryam D'Abo makes her acting debut. A curiously surreal and sombre uneven (purposely I guess?) b-grade fright feature that from the get-go, leaves you pretty much in the dark.

I had been warned off watching 'Xtro' for years having been assured by everyone who had ever heard about it that it was cheap, awful and nasty trash. Suddenly I found myself with the inexplicable urge to watch it. "MUST see Xtro! MUST see Xtro!" became my mantra. Then finally I managed to find a copy. I held my breath as I fed it into my video player. I expected it to be bad. Real bad. Ted V. Mikels bad. Even Donald G. Jackson bad. (and that my friends is quite possibly as bad as it gets!) But even worse, with lots of added gore. However I was most surprised to find that 'Xtro' wasn't all that bad at all. Crappy acting, no budget, and the "special effects" aren't special or actually all that effective, but despite all that I was hooked from the word go, and satisfied when it ended. This is a superior sci fi video nasty. It's stupid yes, but it knows it is, and it delivers the goods. The plot itself is simple: man abducted by aliens returns years later to reunite with his son, but that in no way conveys just how freakin' STRANGE this movie is! Plus it contains nudity from Maryam D'Abo (the loveliest of the lovely D'Abo sisters), an unforgettably bizarre birth screen, a demented clown, and plenty of gore. It even features obscure 80s synth-poppers Tik and Tok! Beat that for sheer oddness! So forget the anti-'Xtro' brigade and give it a look. Fans of weird sci fi and horror movies will absolutely love this one! Highly recommended to b-movie buffs.