A married couple, lost in the woods, stumble across a creepy mansion and its inhabitants - an overly-kind old woman, and deadly wolf children that scour the countryside looking for victims.A married couple, lost in the woods, stumble across a creepy mansion and its inhabitants - an overly-kind old woman, and deadly wolf children that scour the countryside looking for victims.A married couple, lost in the woods, stumble across a creepy mansion and its inhabitants - an overly-kind old woman, and deadly wolf children that scour the countryside looking for victims.
Rodney Cardiff
- Man at Airport
- (uncredited)
Jason Dors Lake
- Werewolf Child
- (uncredited)
Alan Meacham
- Man at Airport
- (uncredited)
Bill Westley Sr.
- Man at Airport
- (uncredited)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Tom Martin (Christopher Cazenove) and his wife Sarah (Celia Gregory) are taking a country drive when his car loses control.
Stranded in the middle of nowhere, they come across the country house where Mrs Ardoy (Diana Dors) is the over friendly housekeeper.
She invites them in to use the phone. With night encroaching she asks them to stay the night.
Also staying in the house are eight creepy children, they are fostered according to Mrs Ardoy. They have a taste for raw meat.
Sarah also develops a liking for raw meat after she was attacked by something in the middle of the night. While Tom ended up in hospital after he tried to clamber in from the outside and fell.
It is just now raw meat Sarah now like. She also now has a strong sexual appetite and a yearning to return to the country house.
Slightly sinister as the ever cheerful Mr Ardoy talks about her family's Hungarian roots. It is a werewolf story with a dark ending but I did thing it was flawed.
There was no reason to keep Tom alive after he fell. Even when Tom meets the the woodsman and his big chopper. You would think he would get the hell out of there.
Stranded in the middle of nowhere, they come across the country house where Mrs Ardoy (Diana Dors) is the over friendly housekeeper.
She invites them in to use the phone. With night encroaching she asks them to stay the night.
Also staying in the house are eight creepy children, they are fostered according to Mrs Ardoy. They have a taste for raw meat.
Sarah also develops a liking for raw meat after she was attacked by something in the middle of the night. While Tom ended up in hospital after he tried to clamber in from the outside and fell.
It is just now raw meat Sarah now like. She also now has a strong sexual appetite and a yearning to return to the country house.
Slightly sinister as the ever cheerful Mr Ardoy talks about her family's Hungarian roots. It is a werewolf story with a dark ending but I did thing it was flawed.
There was no reason to keep Tom alive after he fell. Even when Tom meets the the woodsman and his big chopper. You would think he would get the hell out of there.
It was probably watching the Hammer House of Horror TV series as a kid in the 1980's that laid the foundations for my life long love affair for the genre. And this werewolf episode is one of the better ones. Yes, it's predictable and the make up is more old Universal than say The Howling or American Werewolf (which of course were made after this). But it is well acted, atmospheric, creepy and pretty shocking. Having children that are in fact monsters is always going to increase the scare factor. A nice little werewolf tale in well under an hour.
The eighth episode of "Hammer House of Horror" was lacking the usual gore that the series has had previously, but I wonder if it might be that I was watching a cleaned up version. Never the less it was a decent episode, with the typical dark resolution.
A newlywed couple, Tom (Christopher Cazenove) and Sarah (Celia Gregory), lose control of their car on the way to a West Country holiday cottage. Though they escape without injury, the car is unusable, so they wander the woods looking for some form of civilisation. They happen upon a large manor house, in which a cheerful matron, Mrs. Ardoy (Diana Dors) looks after a large number of young children. After accepting an offer to stay the night, Tom is attacked in the woods by mysterious assailant, and on his return to the house - the pair hear the howls of a wolf.
Actually, that's just the first half of the story, I was pleasantly surprised by the mid-episode shift that sees them dismiss all of the above, only for it to return in typical dark fashion. Though the best known stars are in minor roles, that being Robert Urquhart's Harry and Dors' Mrs. Ardoy, it's Cazenove and Gregory that carry the whole episode. Gregory in particular has lots to do and though I thought the scenes when she's being menaced weren't particular convincing, the rest of the time she's an alluring presence. (Although, again, I think the edited version I saw might have made her a little more chaste than I would usual expect from Hammer).
Other than that, it was an OK episode. It's a little unfortunate that the title and pre-credits scene give the Werewolf game away so early, it might have improved the manor house scenes had we not known what was coming. It's nicely done, but not so well that I'd recommend hunting it down.
A newlywed couple, Tom (Christopher Cazenove) and Sarah (Celia Gregory), lose control of their car on the way to a West Country holiday cottage. Though they escape without injury, the car is unusable, so they wander the woods looking for some form of civilisation. They happen upon a large manor house, in which a cheerful matron, Mrs. Ardoy (Diana Dors) looks after a large number of young children. After accepting an offer to stay the night, Tom is attacked in the woods by mysterious assailant, and on his return to the house - the pair hear the howls of a wolf.
Actually, that's just the first half of the story, I was pleasantly surprised by the mid-episode shift that sees them dismiss all of the above, only for it to return in typical dark fashion. Though the best known stars are in minor roles, that being Robert Urquhart's Harry and Dors' Mrs. Ardoy, it's Cazenove and Gregory that carry the whole episode. Gregory in particular has lots to do and though I thought the scenes when she's being menaced weren't particular convincing, the rest of the time she's an alluring presence. (Although, again, I think the edited version I saw might have made her a little more chaste than I would usual expect from Hammer).
Other than that, it was an OK episode. It's a little unfortunate that the title and pre-credits scene give the Werewolf game away so early, it might have improved the manor house scenes had we not known what was coming. It's nicely done, but not so well that I'd recommend hunting it down.
CHILDREN OF THE FULL MOON is a well-plotted episode of TV'S HAMMER HOUSE OF HORROR and one that packs a heck of a lot of narrative twists and turns into its short running time. The storyline involves a young couple whose car breaks down and who subsequently find themselves staying at the home of a friendly old lady who cares for a large brood of children. Before long they find themselves menaced in the woods by hairy beast-men and realise something very odd is going on.
I enjoy Hammer's reworking of traditional horror themes in this TV series and CHILDREN OF THE FULL MOON is no exception. Expect dense plotting, dumb characters, cheap but cheerful make-up effects, and a general spooky atmosphere that works to the movie's advantage. The casting director did a good job with a central role for the effective Diana Dors, Christopher Cazenove playing the out-of-his-depth hero, and an appearance from Robert Urquhart (who starred in Hammer's first horror flick THE CURSE OF FRANKENSTEIN all those years before).
I enjoy Hammer's reworking of traditional horror themes in this TV series and CHILDREN OF THE FULL MOON is no exception. Expect dense plotting, dumb characters, cheap but cheerful make-up effects, and a general spooky atmosphere that works to the movie's advantage. The casting director did a good job with a central role for the effective Diana Dors, Christopher Cazenove playing the out-of-his-depth hero, and an appearance from Robert Urquhart (who starred in Hammer's first horror flick THE CURSE OF FRANKENSTEIN all those years before).
While driving in a lonely road with his wife Sarah (Celia Gregory) for their honeymoon in the cottage of his partner, the just-married lawyer Tom (Christopher Cazenove) has mechanical troubles with his car almost losing control. He parks the car and decides to walk in the woods with Sarah trying to find a telephone. They arrive in an isolated mansion and are welcomed by the bizarre Hungarian owner Mrs. Ardoy (Diana Dors), who lives with two dogs and eight foster children. Sarah and Tom are lodged to spend the night, when weird events happen. On the next morning, Tom is in a hospital recovering from a car wreck with Sarah and concludes that he had dreamed. When they return to their daily life, a pregnant Sarah has an intense sexual appetite and cooks only meat, while Tom is intrigued with his dream.
This episode of "Hammer House of Horror" has a promising premise, but in the end limits to be predictable and flawed. The first scene, with the blonde little girl in the woods with the dogs, discloses the secret of the plot. Tom has an inconsistent behavior, afraid while escaping from the beast, and climbing the window to investigate the surrounding area. Further, he initiates a discussion unarmed about werewolf with an odd woodsman with an ax in his hands. Anyway, this werewolf tale entertains. My vote is eight.
Title (Brazil): "A Casa do Terror 3: Filhos da Lua Cheia" ("The Houses of Terror 3: Sons and Daughters of the Full Moon")
Note: On 04 Aug 2020, I saw this film again.
This episode of "Hammer House of Horror" has a promising premise, but in the end limits to be predictable and flawed. The first scene, with the blonde little girl in the woods with the dogs, discloses the secret of the plot. Tom has an inconsistent behavior, afraid while escaping from the beast, and climbing the window to investigate the surrounding area. Further, he initiates a discussion unarmed about werewolf with an odd woodsman with an ax in his hands. Anyway, this werewolf tale entertains. My vote is eight.
Title (Brazil): "A Casa do Terror 3: Filhos da Lua Cheia" ("The Houses of Terror 3: Sons and Daughters of the Full Moon")
Note: On 04 Aug 2020, I saw this film again.
Did you know
- TriviaWhen first shown in the UK, large areas of the country missed the last few minutes due to a massive electrical blackout. The public outcry was so great that on one of the following days, the resolution was printed in national newspapers. However, many people felt that such a resolution wasn't good enough, and the broadcaster received an unprecedented number of complaints, prompting the episode to be repeated the following week.
- GoofsThe woodcutter uses the word 'vulpine' to describe a wolf-like creature. The correct term is 'lupine'. 'Vulpine' relates to foxes.
- Alternate versionsSome versions are cut and are missing much of the overt sexual content and gore of the original version.
- ConnectionsReferenced in The Big Box: Seven Doors of Death (2009)
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