A local reporter gets involved with a corrupt county commissioner.A local reporter gets involved with a corrupt county commissioner.A local reporter gets involved with a corrupt county commissioner.
- Awards
- 1 nomination total
Bob L. Harris
- Borklund
- (as Bob Harris)
Joe Karioth
- Tom Jennings
- (as Joe Carioth)
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- Writers
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I'm writing this review because I thought that no one else had and that would have been a shame. After reading raves on this site about movies which are, at best, popcorn-fare (`Space Cowboys'?!? . . . yeah, I saw it . . . the theater was air-conditioned . . . what the hell), it would be a shame if this little gem stayed neglected.
Victor Nunez apparently knows how to make only one kind of movie. Those who are familiar with his better-known titles, `Ruby in Paradise' and `Ulee's Gold', will know what I mean. Like those two fine films, `A Flash of Green' is what is often called a `personal' movie, set in Nunez' native rural Florida and populated with ordinary people in recognizable situations. This is a story, which unfolds slowly, allowing us to catch the rhythms or its character's lives, involving us in their concerns. When the Ed Harris character is forced to confront an ethical choice, we are concerned for him because, by that point in the film, we know him as if we, too, are resident in that small town.
Sound boring? It's not. Any good screenwriter knows there's nothing as interesting as real life. `A Flash of Green' is not a documentary. It has its artifice, in the best sense of the word, with evocative images and sounds and wonderful performances from top to bottom. But it is the atmosphere, the feeling that I've been somewhere and met the people who live there, that stays with me most about this film. I can't describe too much of the plot. I only saw it once almost 15 years ago. But this isn't, foremost, a plot-driven movie anyway. There are no startling twists, memorable bits, catch-phrases, special effects or `money shots'. Just fine actors, good writing and a director accomplished enough to make us feel as if his characters' world is ours, too.
`A Flash of Green' is sweet, sad and best of all, absorbing filmmaking. Take the time to make the trip.
Victor Nunez apparently knows how to make only one kind of movie. Those who are familiar with his better-known titles, `Ruby in Paradise' and `Ulee's Gold', will know what I mean. Like those two fine films, `A Flash of Green' is what is often called a `personal' movie, set in Nunez' native rural Florida and populated with ordinary people in recognizable situations. This is a story, which unfolds slowly, allowing us to catch the rhythms or its character's lives, involving us in their concerns. When the Ed Harris character is forced to confront an ethical choice, we are concerned for him because, by that point in the film, we know him as if we, too, are resident in that small town.
Sound boring? It's not. Any good screenwriter knows there's nothing as interesting as real life. `A Flash of Green' is not a documentary. It has its artifice, in the best sense of the word, with evocative images and sounds and wonderful performances from top to bottom. But it is the atmosphere, the feeling that I've been somewhere and met the people who live there, that stays with me most about this film. I can't describe too much of the plot. I only saw it once almost 15 years ago. But this isn't, foremost, a plot-driven movie anyway. There are no startling twists, memorable bits, catch-phrases, special effects or `money shots'. Just fine actors, good writing and a director accomplished enough to make us feel as if his characters' world is ours, too.
`A Flash of Green' is sweet, sad and best of all, absorbing filmmaking. Take the time to make the trip.
For many years I treasured my 4:3 VHS copy of this film, assuming it had been photographed on 16mm on a very low budget. As it turns out this is not the case. Two years ago this film appeared on Netflix Instant in HD. It was available for about six weeks before disappearing without a trace. I watched it in full, stunned to see a gorgeously photographed 35mm film in crystal clear widescreen. One of the things you cannot appreciate when watching the VHS copy is the stellar art direction and costume design. The lush pastel colors, the swampy Florida locations, the 1950s cars, the grimy office interiors. It's all vividly presented. I wish the company or persons sitting on that HD copy would release it on bluray or put it back up somewhere for a while. This film is one of those lost 1980s films that deserves a wide release.
10rjtmfh
This a very compelling drama directed by Victor Nunez and produced by Richard Jordan who also starred in the movie along with Ed Harris and Blair Brown. And all three give excellent performances. And this came out right after Ed Harris did The Right Stuff and before he became one of today's major stars. I just wish this movie was more widely known than it is. It deserves more recognition than it got when it first came out in 1984 and when you have three great talents like Richard Jordan, Blair Brown and Ed Harris working together you know the movie will be top-notch. I have the book that the movie was based on and unlike other movies that are based on a book, this movie stays true to its original source. So I highly recommend this movie to anybody that appreciates fine acting and a compelling story.
I had seen Harris in The Right Stuff and Under Fire but happened to catch this little movie - unexpectedly - and fell in love. I watched FoG because of Blair Brown; had just recently seen her in Altered States, but Harris gives a performance that I believe is one of his best. It is a real shame this is not out on DVD; I have only seen it twice and would love to see it again but not on grainy VHS. I thought that after the success of Pollock that this might get ported over to newer media, but not so far....
Richard Jordan is wonderful as smarmy small-town big fish, but this is Harris' movie. And the flash is for real.
Richard Jordan is wonderful as smarmy small-town big fish, but this is Harris' movie. And the flash is for real.
I completely agree with the positive reviews. A lovely, subtle film, and I can attest to its verisimilitude. I was a reporter in West Palm Beach, Fla. for 1 1/2 years from 1981 to 1983 and this story hits the nail right on the head -- development issues, land use issues, environmental issues and journalism/ethics issues. It's fictional, but it's also completely real.
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- TriviaFinal film of Joan Goodfellow.
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